He put on some music, and we got in bed. As that sexy maneuver where the guy pushes you on the bed, you know, like, "I'm taking the wheel on this one. Now I'm going to blow your mind," which is almost never followed up with anything. He smelled like skunk microwaved with cheeseburgers, which I planned on finding and eating in the bathroom, as soon as he was asleep. We tried kissing. His 9 a.m. shadow was scratching my face — I knew it'd look like I had fruit-punch mouth for days after. His alcohol-swollen mouth, I felt like I was being tongued by someone who had just been given Novocain. I felt faceless, and nameless. I was just a warm body, and I was freezing cold. His fingers poked inside me like they had lost their keys in there. And then came the sex, and I use that word very loosely. His penis was so soft, it felt like one of those de-stress things that slips from your hand? So he was pushing aggressively into my thigh, and during this failed penetration, I looked around the room to try and distract myself or God willing, disassociate. What's on the wall? A Scarface poster, of course. Mandatory. Anything else? That's it? This Irish-Catholic son of bank teller who played JV soccer and did Mathletes feels the most connection with a Cuban refugee drug lord. The place looked like it was decorated by an overeager set designer who took the note "temporary and without substance" too far.
He started to go down on me. That's ambitious, I think. Is it still considered getting head if the guy falls asleep every three seconds and moves his tongue like an elderly person eating their last oatmeal? Chelsea? Is it? Yes? It is. I want to scream for myself, "Get out of here, Amy. You are beautiful, you are smart, and worth more than this. This is not where you stay." I feel like Fantine and Cosette and every fucking sad French woman from Les Miz. And whoever that cat was who sang "Memories," what was that musical? Suze Orman just goes, "Cats." The only wetness between my legs is from his drool, because he's now sleeping and snoring into me. I sigh, I hear my own heartbreak, I fight back my own tears, and then I notice a change in the music. Is this just a bagpipe solo? I shake him awake. "Matt, what is this? The Braveheart soundtrack? Can you put something else on, please?" He wakes up grumpily, falls to the floor, and crawls. I look at his exposed butt crack, a dark, unkempt abyss that I was falling into. I felt paralyzed. His asshole is a canyon, and this was my 127 Hours. I might chew my arm off.
I could feel I was losing myself to this girl in this bed. He stood up and put a new CD on. "Darling, you send me, I know you send me, honest, you do …" I'm thinking, "What is this?" He crawled back into bed, and tried to mash at this point his third ball into my vagina. On his fourth thrust, he gave up and fell asleep on my breast. His head was heavy and his breath was so sour, I had to turn my head so my eyes didn't water. But they were watering anyway, because of this song. Who is this? This is so beautiful. I've never heard these songs before. They're gutting me. The score attached to our morning couldn't have been more off. His sloppy, tentative lovemaking was certainly not in the spirit of William Wallace. And now the most beautiful love songs I've ever heard play out as this man-boy laid in my arms, after diminishing me to a last-minute booty call. I listened to the songs and I cried. I was looking down at myself from the ceiling fan. What happened to this girl? How did she get here? I felt the fan on my skin and I went, "Oh, wait! I am this girl! We got to get me out of here!" I became my own fairy godmother. I waited until the last perfect note floated out, and escaped from under him and out the door. I never heard from Matt again, but felt only grateful for being introduced to my new self, a girl who got her value from within her. I'm also grateful to Matt for introducing me to my love Sam Cooke, who I'm still with today.
