Here are the highlights:
Venom's success and Spider-Man: Into Spider-Verse's critical acclaiming has made Pascal and Sony once again bold on stupid ideas, like the leaked Drew Goddard's Sinister Six project:
Though Pascal and the rest are still waiting to see how Into the Spider-Verse fares at the box office, its awards-friendly buzz—coupled with the outsized success of Venom—means that Pascal's previously shelved plans for Spider-Man could actually come to fruition in the live-action domain as well. Sinister Six, an all-Spider-Man-villain team-up movie based on an old script by Drew Goddard, is very much alive in Pascal's mind: "I'm just waiting for Drew to be ready to direct it. I would do anything with Drew Goddard. I'm just waiting for him to tell me he wants to," she said. Goddard himself seemed game as recently as October.
And yes, even an Aunt May spin-off isn't off the cards:
2014 whispers about a potential prequel centered on Peter Parker's mild-mannered Aunt May were once considered "silly" by the studio, and laughed at by Sally Field,who played the role in the Amazing Spider-Man movies. But four years later, after Marisa Tomei's young, hip take on the character for Marvel Studios—and Lily Tomlin's wry animated turn in Into the Spider-Verse—an Aunt May spin-off suddenly doesn't sound so crazy.
I haven't seen Spider-Verse, but that idea still sounds stupid and crazy.
Dan Slott is eager to return to write Spider-Man comics:
"Yeah, no kidding," Lord said. "Once you open up your mind to alternate universes," Miller added, "and it doesn't have to be canon, then you're a little more forgiving to try thought experiments that could be fun or interesting. Lily Tomlin did an amazing job—the idea was that she would be the Q to Spider-Man's Bond in this universe." That fresh take was a hit with the Marvel comics crew as well. "Lily Tomlin's voice is now my Aunt May in my head," said Slott—who is so reinvigorated by Into the Spider-Verse that he says he wants to start writing Spider-Man comics again.
YES. Paging Slayven.
Sony's Universe of Marvel Characters, or S.U.M.C., yes they have a name for this thing:
when Pascal speaks of the October surprise that was Venom's record-breaking box office, she does so with pride, but no sense of ownership. She thinks Venom is "amazing" and called its marketing campaign "brilliant," but Eddie Brock isn't her baby the way Spider-Man is. Columbia Pictures president Sanford Panitch is the one overseeing what has been called, internally, Sony's Universe of Marvel Characters, or S.U.M.C.
In fact, Pascal was pretty firm that the animated Spider-Verse and the live-action S.U.M.C. are wholly distinct: "Just look at what the Green Goblin is in Into the Spider-Verse, as opposed to the Green Goblin that we did with Sam Raimi," she said. Should Sony proceed with both its planned S.U.M.C. Silk film and the animated Spider-Woman team-up Pascal mentioned, the two depictions would be "as different as Doc Ock in Spider-Verse and Doc Ock as Alfred Molina."
Dan Slott's enthusiasm with the character he co-created, Silk, coming to the big screen:
But Dan Slott, who created the character of Silk on the page, pointed out that the animated universe can help the live-action realm, and vice-versa. He sees a world in which an all-female team-up cartoon inspires girls to "have Silk action figures and Silk t-shirts. You could then turn around and do a Silk live-action movie, because you've then, on some level, done a world-wide publicity campaign for Silk." Pascal generally agreed; she said that the animated and live-action Spider franchises simply "make each other better and bigger."
On their next S.U.M.C. project (ugh), Jared Leto starred Morbius, and other projects in development like Kraven the Hunter, Jackpot, Nightwatch, Black Cat, Sable and yes, even freaking Carnage:
Along with Silk and Venom, the S.U.M.C. has a Morbius project in the works—starring Jared Leto as the titular vampire and frequent Spider-Man nemesis—and is in the process of developing movies on a wide range of additional heroes, anti-heroes, and villains, like Kraven the Hunter, Jackpot, Nightwatch, Black Cat, Sable, and, if the Venom end of credits are to be believed, Carnage. It's a decidedly mixed bag of characters, and Venom, with its wild swings in tone from slapstick comedy to overly serious body horror, doesn't exactly provide a blueprint of what to expect. Will the S.U.M.C. end up matching the upbeat vibe of both Holland's Spider-Man and Into the Spider-Verse? Or is something much grimmer in store?
On Tom Holland's Spider-Man meeting Tom Hardy's Venom:
The film's PG-13 rating prompted some fans to wonder if the notoriously blood-thirsty Venom has been toned down in order to allow a future team-up with Holland's Peter Parker—something the filmmakers have denied. But if that pairing ever does happen, it would be years in the future, after Holland's Marvel contract expires. In fact, the S.U.M.C. moved Brock out of his usual haunts in New York City all the way to San Francisco, presumably, to get him off of Peter Parker's turf.
Damn you, Sony, won't you ever learn?
On the future of the Sony and Marvel Studios partnership on Spider-Man:
The bigger question here, then, is what will happen to the Sony-Marvel Studios collaboration when their initial deal expires.
"I think about crying," Pascal said of a future in which Spider-Man and Marvel retreat to separate corners. "I can only hope for a future where things work out. I've known Kevin since he was Avi's very, very quiet assistant, who for many years sat in that room listening to us and being so much smarter than any of us without any of us realizing. I will say that working with Marvel has been one of the highlights of my professional career."
After the initial custody dispute over Spider-Man, Pascal and Feige's working relationship has reportedly been convivial; in fact, Feige gave her thorough, friendly notes and feedback on her earlier Spider-Man films long before Marvel was legally on the hook to do so. And their joint deal has certainly been financially lucrative for both companies. But the union hasn't come without its sticky complications: Sony's insistence that Holland's second stand-alone film, Far from Home, be released in 2019 threw a wrench in Marvel's preferred degree of secrecy around Avengers: Endgame, for instance.
But regardless of whether Feige and Pascal continue to collaborate officially, it seems like the woman who has been watching cinematic Spider-Man grow from his infancy has learned a very valuable lesson from her time with the M.C.U.—and is the first to acknowledge missteps in the past. The key to the Spider-Verse, she said, is "character and emotion. That is the thing that makes all of Marvel so rich, and that's what Stan Lee did—and I think that is the most important thing is never to forget that, never to get confused that it's about anything else."
Once again, FUCK YOU, Sony and Pascal.
Source: https://www.vanityfair.com/hollywoo...=owned&utm_source=twitter&mbid=social_twitter
There're more in the link above, with talking about possible developments on the animation Spider-Verse front if Spider-Man: Into Spider-Verse does well, but there's a separate thread for that part. I think this bit deserves its own thread so we can collectively tell Sony Pictures to go fuck themselves. Alice was spot on her post on the other thread.