So they f
I thought it was said that S5 would be the last one? Unless during production, they decided to just extend it.
They never gave any indication of 5 being the last season AFAIK
So they f
I thought it was said that S5 would be the last one? Unless during production, they decided to just extend it.
On the cusp of the battle of all battles on Game Of Thrones, Easter Sunday's " A Knight of the Seven Kingdoms" second episode of the final season of the HBO blockbuster had a lot of drinking, a lot of talk about death and some mixed messages viewershipwise.
Coming off the sky high Dragon flying numbers of the long anticipated April 14 debut, the just over 1 hour long April 21 episode snared 10.3 million viewers on HBO proper. While down about 12.5% in terms of those watching on linear TV from last week's "Winterfell," the fifth to last episode of GoT ever is actually the fourth most watched episode of the series ever.
Now, that's before we get the digital viewership off HBOGo and HBO Now. Telling of how people actually watch the small screen in 2019, that additional data pushed the Season 8 opener to 17.4 million, the largest viewership GoT has ever had. We'll update when those numbers come in.
As it is right now, Thrones is up 10.6% from the "Stormborn" second episode of Seven 7, which aired on July 23, 2017.
Despite the premium cabler's ongoing carriage battle with Dish, which is has HBO dark, GoT was still the biggest thing on the small screen on Sunday.
Legends is so cancelled after season 5. Jesus. Even by CW standards that's painful.
Deadwood was supposed to run for at least four seasons but got canceled after three owing to a financial dispute between HBO and co-producer Paramount (which owned the international rights) as well as HBO's increasing exasperation with Milch's improvisational production methods and declining ratings. His follow-up, the seaside parable John From Cincinnati, ran just one season. There would be more attempts at series: Some never got past the pilot stage, including The Money, a family drama about a superrich media clan, and the '70s cop drama Last of the Ninth. The HBO racetrack drama Luck got axed early in season two after a series of horse deaths; it had been green-lighted despite HBO's skittishness when Milch agreed to cede control of the filmmaking to executive producer Michael Mann. Milch then wrote six episodes of a historical drama about Boss Tweed but shelved it when there were no buyers. And a couple of years ago, it was reported that Milch was joining the third season of Nic Pizzolatto's HBO crime drama, True Detective, but it turns out the extent of his involvement was exaggerated. "Nic had written the first few episodes and came to David for advice and guidance, and they worked together on what became the fourth episode," says Rita Milch. "But then Nic continued on his own."
They mostly get posted in the monthly threads, but I don't think there's a global index for the entire calendar year unless there's something I'm overlooking.
Matt Zoller Seitz: Sundown on Deadwood David Milch, battling Alzheimer's, finally finishes his TV Western.
I didn't know Milch was diagnosed with Alzheimer's.
They mostly get posted in the monthly threads, but I don't think there's a global index for the entire calendar year unless there's something I'm overlooking.
You're definitely not alone in that.
What/If explores "the ripple effects of what happens when acceptable people start doing unacceptable things. Each season will tackle a different morality tale inspired by culturally consequential source material, and the power of a single fateful decision to change the trajectory of an entire life." The first season of the series is expected to follow "two struggling newlyweds who accept a powerful woman's ethically perilous proposition to secure a badly needed financial windfall.Is this going to be more choose your own adventure stuff? If not, I'm interested.
Netflix has ordered adult animated series Inside Job from showrunner and exec producer Shion Takeuchi (Gravity Falls), her first project under her multiyear overall deal with Netflix.
The 20-episode series is described as a "workplace comedy set in the shadow government, where every conspiracy theory — from the Illuminati to Reptoids — is true, and one woman struggles to keep the chaos under wraps." Gravity Falls creator Alex Hirsch, who also has a lucrative deal with the streaming giant, is co-exec producer.
The premise of this show reeks of being C-tier Syfy fare.Joss Whedon's "The Nevers" casts its lead. Boy, I can't wait for a majority-female cast to have their dialogue written by Mr. Strong Female Characters himself.
LOL.Donnelly will play Amalia True, described as the most reckless, impulsive, emotionally damaged hero of her time.
Man that sucks to hear.
Oh hey, that casting fits the patternJoss Whedon's "The Nevers" casts its lead. Boy, I can't wait for a majority-female cast to have their dialogue written by Mr. Strong Female Characters himself.
All their stuff is down, Legends is slightly below Supergirl and Charmed is lower than bothLegends is so cancelled after season 5. Jesus. Even by CW standards that's painful.
All their stuff is down, Legends is slightly below Supergirl and Charmed is lower than both
yuuuuuuuuuuuuuuuuuuuuuuuuus. The show is so damn good, they really started hitting it out of the park with season 2 onward.
'Showtime' Drama About 1980s L.A. Lakers From Adam McKay Gets HBO Pilot Order
It's going to get a wee bit confusing if HBO picks up a series called "Showtime".
I'm excited for this.'Showtime' Drama About 1980s L.A. Lakers From Adam McKay Gets HBO Pilot Order
It's going to get a wee bit confusing if HBO picks up a series called "Showtime".
The Showtime Lakers were doing some crazy thing and are lucky social media wasn't a thing, so it really depends on what they cover.I am very confident that I have no interest in a biographical NBA drama.
Watching rich athletes party, fuck, and feud isn't super compelling to me. In my mind, this isn't the kind of history that demands longform dramatization. There's no "there" there.The Showtime Lakers were doing some crazy thing and are lucky social media wasn't a thing, so it really depends on what they cover.
Pretty much. Whedon had one good idea--Buffy.
I eye rolled so hard that I'm surprised I didn't sprain a muscle.Donnelly will play Amalia True, described as the most reckless, impulsive, emotionally damaged hero of her time. A menace to stuffy Victorian society, she would die for the cause and kill for a drink.
Donnelly will play Amalia True, described as the most reckless, impulsive, emotionally damaged hero of her time. A menace to stuffy Victorian society, she would die for the cause and kill for a drink.
Killing Eve S2
Week 1:
769K on AMC
403K on BBC America
1.172 million total
Week 2:
609K on AMC
321K on BBC America
930K total
~
A Discovery of Witches
Week 1:
853K on AMC
225K on BBC America
1.078 million total
Week 2:
505K on AMC
171K on BBC America
676K total
How has it soured on him? Not arguing that, genuinely curious, since the MCU stuff seems to be so well received. I used to be a huge fan of his back in the day with Buffy and Firefly. Since then, Dollhouse sucked, and the MCU stuff is great for what it is, but it's not like I watch those for the writing. Now I feel about him about the same as you do.I don't have particularly strong feelings about Whedon either way, and I'll almost certainly give The Nevers a shot for at least the first few episodes, but it's definitely interesting to see just how much online geek culture has soured on him over the past few years.
Angel Season 5 >>>>>>> everything.Angel is way better than Buffy, Dollhouse, Firefly or Avengers
Dr Horrible was good
He is and isn't. In his court/style of lower-to-mid budget genre fiction/TV, I don't think there are a huge number of people who can reach or exceed the highs that Whedon's work reaches at its absolute best when it comes to offering engaging storylines (especially some really good twists & endings), fun characters & compelling character dynamics, but he also has some really low lows that many others don't fall to. He's also better at writing than he is at directing. He brings his own distinct style to his writing (that you may like or hate) but there's really nothing all that remarkable with most of his directing work, outside of some singular moments/episodes (The Body still being one of the highlights of his career in both writing & directing).Hot take: Whedon is way overrated in general.
His best idea never got to live up to its potential, and was basically just a mishmash of Cowboy Bebop, Star Wars, and Star Trek anyways.
This is a good takeAngel Season 5 >>>>>>> everything.
He is and isn't. In his court/style of lower-to-mid budget genre fiction/TV, I don't think there are a huge number of people who can reach or exceed the highs that Whedon's work reaches at its absolute best when it comes to offering engaging storylines (especially some really good twists & endings), fun characters & compelling character dynamics, but he also has some really low lows that many others don't fall to. He's also better at writing than he is at directing. He brings his own distinct style to his writing (that you may like or hate) but there's really nothing all that remarkable with most of his directing work, outside of some singular moments/episodes (The Body still being one of the highlights of his career in both writing & directing).
Same with Orphan BlackDollhouse was never anything other than atrocious and writing a role where an actor as weak as Eliza Dushku had to play multiple characters was sheer lunacy.
Not rocket science, but also entirely uninspired and uninspiring. These are two guys who haven't created or run any good TV in at least a decade. HBO can do better.HBO greenlighting a show from two of the biggest nerd names is not rocket science.
I 100% agree with this.Not rocket science, but also entirely uninspired and uninspiring. These are two guys who haven't created or run any good TV in at least a decade. HBO can do better.
Can they really? Like who?Not rocket science, but also entirely uninspired and uninspiring. These are two guys who haven't created or run any good TV in at least a decade. HBO can do better.