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RatskyWatsky

Are we human or are we dancer?
Member
Oct 25, 2017
14,931
Wqp7wB8.png


In the spirit of the '52 Games. 1 Year' & '50 Books. 50 movies. One year' threads, TV ERA decided that we needed a thread of our own! Except unlike those threads, I won't be tracking anyone's progress or updating because it looks hard and I also don't know how! So this will just be for fun! :)

Rules (which I just copy/pasted from the book/movie thread)

1 - Watch 52 seasons of television before Jan 1st 2021
2 - 1 season = 1 entry
3 - You can join the challenge at any time
4 - Be honest! Nobody is going to be making sure you actually watched that show

Q&A:

What counts as a season? Anything that's more than 1 episode!
Does anime count? Yep!
What about documentaries? Mhm.

If you need stars for reviews:


★★
★★★
★★★★
★★★★★

Credits

GK86, Everything Shiny, and everyone else who came up with these kinds of threads in the past. And Rhaknar for forcing me to make this thread~

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Rhaknar

Member
Oct 26, 2017
42,444
"New to you" kills this one for me as I tend to rewatch a lot of stuff (I rewatched B99 season 1 through 5 last year before watching 6). Weird rule to have too, the videogame thread doesn't have it for example, seems counter productive to the spirit of the game.
 

KingFox

Member
May 17, 2018
998
Aight I'm in! Dracula will likely be this years first show since it's only three episodes long. Think I'm going to wait until it drops on Netflix on the 4th instead of live watching it on the BBC.

In the meantime I will check out the first eps of Messiah and Spinning Out.
 

kurahador

Member
Oct 28, 2017
17,532
1. 1/2 The Twilight Zone 2019 (S1) - ★½
This might be the worst anthology released last year. All the plot beats fell flat and their attempt at invoking social commentary is really amateurish and forced as hell. What a waste.​
2. 1/10 Spartacus: Gods of the Arena - ★★★★
Despite being a prequel, this is a pretty meaty season having to see more of the established characters. The only bad thing I can say about it is that the whole ludus setting is feel abit tired considering how Blood & Sand ended.​
3. 1/18 Spartacus: Vengeance - ★★★½
Finally, a proper continuation to Blood & Sand. Been holding out on watching this due to the cast change which is abit of a turnoff for me. Thankfully I watched S1 a while so I get used to him pretty quick. There's also cast change for Naevia, but thankfully her characterization is alot different this season making her feels more like a new character. As for the season itself, alot happened but too many episodes spent on build ups unfortunately, causing abit of pacing issue. Season finale was great and made it worth it however it pretty much close all the lingering plotlines from S1.​

4. 1/30 Spartacus: War of the Damned - ★★★★
I'm amazed at how they managed to portray the war in such a big scale. Super downer ending though which I'm guessing is pretty much how it played out according to history. But the sense of scale, the character drama on both sides and the tension all culminate into this season which made it worth watching.​

5. 1/30 Aggretsuko (S2) - ★★★
Played out similar to S1, but alot more focus on new characters. Still bummed out they retcon the whole Haida confession bit from the end of S1. I was hoping to see Retsuko try having a serious relationship with someone she knows and maybe grow. But this season sadly is still about her meeting quirky dude.​
6. 2/2 Billions (S1) - ★★★½
There were alot of ingredient here to make a great tv but it felt like they saving them for future seasons or something. I really hope they do something with it. So yeah....too much wheel spinning in place and not enough fallout. Still, the acting and characters were great especially Paul Giamatti and Maggie Siff. These 2 made the show worth it.​
7. 2/10 The Witcher (S1) - ★★★
Didn't have alot of hope for this after some wacky premiere but man it does improve alot by episode 3-4 and the only reason I stuck with it is due to being familiar with the characterization from the games. Episode 7 is when the whole thing really come together. What a nice touch with the symbols being merged and turned into an actual opening credit by episode 8. Lots of potential for this to be even better now that it actually starts but the thing is, it just started by the finale.​
8. 2/13 Unbelievable - ★★★★½
Wow what an amazing series. The cast are great, the story is gripping and the investigation aspect is really engaging. Love that they keep it super grounded and low key though, made it alot more horrific. Which is fitting as the series doesn't shy away from the uncomfortable the aspect of being a rape victim during investigation.​
9. 2/25 Mythic Quest: Raven's Banquet - ★★★½
Pretty solid comedy. The character works are great and they all manage to be memorable. That one off episode in the middle which was more of a drama is pretty weird, but it is really good in its own way. Only downside I could think of are those intermission from Ubiosft game For Honor. It serve nothing more than just a product placement.​
10. 2/28 The End of the Fucking World (S2) - ★★★★★
I regret I didn't check this out earlier despite liking S1 alot and I just finish this in a single sitting. The acting from the leads are so engrossing and I can't help but keep watching to see where these characters ends up. It's funny, weird, horrific and adorable at the same time. What an amazing series.​
11. 3/1 I Am Not Okay With This (S1) - ★★★
I was excited to check this out when I heard it's from the same people who made TEOTFW. Sadly it's abit underwhelming. While the show share the same style as TEOTFW, the story is focused more on character drama --- which fine, had the main character at the very least likeable. Didn't help that the show went out of its way to portray her as this flawed protagonist you want to empathize with. The ending does opens up for some interesting premise with this and I'm curious to see where it goes, so I'll definitely check out next season.​
12. 3/5 The Good Place (S1) - ★★★★½
Rewatch. Still as good as ever.​
13. 3/7 The Good Place (S2) - ★★★★
Rewatch.​
14. 3/15 Altered Carbon (S2) - ★★★½
The writing is alot better than S1. And I appreciate that this season wraps up everything left hanging from S1 and that finale is really damn good.​
15. 3/16 Fleabag (Series 1) - ★★★★★
Rewatch.​
16. 3/18 Kingdom (S2) - ★★★★
Continued off from the massive cliffhanger in S1, the series picks up right after and never lets up. The political maneuver is kept to a minimum this time and spent mostly on the plague itself which is unfortunate. But as a result, the pacing is alot better I love how they sprinkled in the actions in every episode. Very much wraps up the 1st arc of the series too so that's nice.​
17 3/22 The Good Place (S3) - ★★★★
I'm amazed the writers are still ballsy enough to keep jumping around a seasons worth of story arc in this. The casts are great as ever and I'm really curious where it'll go from here.​
18. 3/25 Tiger King - ★★★★
Hands down one of the most entertaining documentary I've ever seen. Crazy story involving a bunch of crazy people that doesn't let up until the last episode.​
19. 3/28 Brooklyn Nine Nine (S6) - ★★★★
As if the show need a stronger reason to get renewed, this season would be it. Lots of great episodes and the show improved alot more after Linetti actress left the show.​
20. 4/3 Ozark (S3) - ★★★★
Tom Pelphrey carried this season on his back. What an amazing performance from him.​
21. 4/6 Lost in Space (S2) - ★★★
Alot more energetic season but hardly an improvement. Weird how they basically brushed off the storyline established from S1 finale after 2 episodes. They also made Smith an actual cunning person instead of turning everyone into an incompetent idiot around her which is something I appreciate.​
22. 4/9 The Promised Neverland (S1) - ★★★★½
Heard alot of recommendation for this and boy it is damn good. The story basically just begun by the end though and I can't wait to see more.​
23. 4/10 Holiday Secrets (miniseries) - ★★★½
3 eps german series about a dysfunctional family in different stage of their life. It's surprisingly cozy and feel good series, and the way the story is told really reminded my of Dark.​
24. 4/12 Manifest (S2) - ★★½
I'm not sure where the story is going this season and I'm not sure the writers know either. They dropped the whole plot about the Major which was the main story in the 1st season, dip a little bit into the cult thing only for it to be just a mean of introducing new threat, a little mystical shits but to be continued? Still, it's a guilty pleasure and I might as well stick with it.​
25. 4/21 Titans (S2) - ★
Holy fuck I don't think I've ever seen a show that hate its source material more than this trash. It's not enough they wrapped up a half-baked, season long story arc from the first season in the very 1st episode out of nowhere. They had the gall to thrust every single characters into their own rushed and half-baked story arc, and never resolve any of them. So what do you got from this season? Everyone being an asshole to one another yet again, more dream-like sequence or inside your head to push a narrative, everyone separates again while being miserable until they had to get back together because "reasons" and the worst Bruce Wayne ever put on screen --- that's it. And seriously, how the hell Akiva Goldsman --- who was nominated for Raspberry awards multiple times and having the biggest flops in his career, managed to get both modern Star Trek shows and a DC tv I have no idea.​
26. 4/23 The Outsider (miniseries) - ★★★34
Man I really want to like this more. The execution was steller but all those work got wasted having adapted such a mediocre story with 4 episodes too long. Nothing to add really, just an empty series with a huge budget. Disappointing.​
27. 4/27 Killing Eve (S2) - ★★
Gone was the sharp dialogues and witty banter among its characters which was the reason S1 was such a delight. S2 feels like a filler season that was used to pad a series so that they can delay the finale. The new "main" villain is pointless, the new characters are boring and I feel like the whole Eve-Villanelle dynamic is put into a different direction than what was implied from S1. Everything just returns to the status quo for no real reason.​
28. 4/28 Better Call Saul (S5) - ★★★★★
What a great season. I was skeptical when they introduced Lalo, but he proved to be such a charming, formidable and scary villain. There's alot to wrapped up still going into a --- mostly likely, meaty final season and I really can't wait for it. All the casts brought their A game into this especially the actor who played Lalo.​
29. 5/2 Homeland (S8) - ★★★★½
Surprised how much stuff that got tied into this even some unexpected callbacks. All in all this was a great final season and pretty much stuck to the landing.​
30. 5/8 Final Space (S1) - ★★★★
Whoa what an amazing series. Been avoiding this because it was described as Futurama but not as funny. And while that's true, it make up for it by having these great serialized story with an overarching narrative. It's thrilling, emotional and unexpected. Definitely the best modern space scifi series alongside The Expanse.​
31. 5/12 Final Space (S2) - ★★★½
Not as good as S1 sadly. While it introduced lots of new interesting characters and new dynamic ---- albeit underdeveloped and rushed, the story mostly felt like it's spinning its wheel. The finale does seems to indicate that next season premise is going to be better and I can't wait.​
32. 5/15 Castle Rock (S2) - ★★★★
Been avoiding this because the finale of S1 soured me on the series. Thankfully S2 is a much more of an improvement. The story is alot more tight, more characters to juggle but they managed to balance their development and best of all it didn't end on a vague implication. Really appreciate that it provided closure to S1 mystery while opening up new ones.​
33. 6/4 Rick & Morty (S4) - ★★★
Ehh...it's just ok. Glad they didn't do those lazy "lets watch some random tv show" episode this season.​
34. 6/16 American Vandal (S2) - ★★★★
Can't believe it took me this long to watch this. What a stellar season. The mystery is alot more messed up, lots of twists and the new casts really done a great job. Sad it got cancelled.​
35. 6/20 Dark (S1) - ★★★★★
Rewatch.​
36. 6/29 Dark (S2) - ★★★★★
Rewatch.​
37. 7/2 Dark (S3) - ★★★★
The most convoluted of the 3 season. Felt like they crammed 2 seasons worth of material here and it's weird how some of the minor plotline got dropped. Still, it managed to wrap everything up neatly. Definitely one of the most ambitious time travel story ever and I'm gonna miss this series.​
 
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Sauce Marlow

Member
Oct 31, 2017
969
Melbourne, Australia
Sauce Marlow - 35/52 TV Seasons

Currently Watching:
Pokemon: Advanced Battle
The Mandalorian - Season 2

Seasons:
  1. The Imagineering Story
  2. Brooklyn Nine-Nine - Season 6
  3. Chilling Adventures of Sabrina - Part 3
  4. Dragon Ball - Season 1
  5. BoJack Horsman - Season 6
  6. Seinfeld - Season 1
  7. Castlevania - Season 3
  8. Digimon Adventure
  9. One Day at Disney - Season 1
  10. Easy - Season 3
  11. Tiger King: Murder, Mayhem, and Madness
  12. Dragon Ball - Season 2
  13. Seinfeld - Season 2
  14. Star Wars: The Clone Wars - Season 7
  15. Pokémon: Advanced
  16. Ballers - Season 5
  17. The Last Dance
  18. The Legend of Korra - Season 1
  19. The Legend of Korra - Season 2
  20. The Legend of Korra - Season 3
  21. The Legend of Korra - Season 4
  22. Disney Insider - Season 1
  23. Digimon Adventure 02
  24. When They See Us
  25. Dragon Ball - Season 3
  26. The Umbrella Academy - Season 1
  27. The Umbrella Academy - Season 2
  28. Seinfeld - Season 3
  29. Pokémon: Advanced Challenge
  30. Disney Gallery: The Mandalorian
  31. Disenchantment - Part 2
  32. Dragon Ball - Season 4
  33. Blood of Zeus - Season 1
  34. The Queen's Gambit
  35. Seinfeld - Season 4
 
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Jul 4, 2019
3,308
The Real Paddington : 104/52

Completed:
1. 1/2 - The Young Pope - ★★★1/2
2. 1/3 - Sex Education (S1) - ★★★★
3. 1/5 - The Righteous Gemstones (S1) - ★★★★
4. 1/10 - Vice Principals (S1) - ★★★1/2
5. 1/12 - Olive Kitteridge - ★★★★
6. 1/18 - Sex Education (S2) - ★★★1/2
7. 1/25 - What We Do In The Shadows (S1) - ★★★★
8. 1/27 - Euphoria (S1) - ★★★1/2
9. 1/28 - Derry Girls (S1) - ★★★1/2
10. 2/1 - Primal (P1) - ★★★★
11. 2/2 - My Brilliant Friend (S1) - ★★★★1/2
12. 2/3 - Flight of the Conchords (S1) - ★★★★
13. 2/9 - BoJack Horseman (S6) - ★★★★
14. 2/22 - Carole and Tuesday (P1) - ★★★★
15. 2/28 - Fargo (S3) - ★★★1/2
16. 2/29 - Flight of the Conchords (S2) - ★★★1/2
17. 3/03 - Cheer - ★★★★
18. 3/06 - High Maintenance (S1) - ★★★★
19. 3/07 - Catastrophe (S1) - ★★★★
20. 3/08 - The Outsider - ★★1/2
21. 3/09 - The New Pope - ★★★1/2
22. 3/14 - High Fidelity (S1) - ★★★1/2
23. 3/14 - Better Call Saul (S1) - ★★★★
24. 3/15 - Giri/Haji - ★★★1/2
25. 3/15 - Nathan For You (S1) - ★★★★
26. 3/17 - Avenue 5 (S1) - ★1/2
27. 3/27 - Better Call Saul (S2) - ★★★★
28. 3/29 - Nathan For You (S2) - ★★★★1/2
29. 3/30 - Better Call Saul (S3) - ★★★★1/2
30. 3/30 - Nathan For You (S3) - ★★★★
31. 4/03 - Better Call Saul (S4) - ★★★★
32. 4/04 - Nathan For You (S4) - ★★★★
33. 4/11 - Little America (S1) - ★★★★
34. 4/14 - Servant (S1) - ★★★1/2
35. 4/15 - Tiger King - ★★1/2
36. 4/17 - Mr. Robot (S1) - ★★★★1/2
37. 4/20 - Mr. Robot (S2) - ★★★1/2
38. 4/20 - Better Call Saul (S5) - ★★★★★
39. 4/21 - The Plot Against America - ★★★★
40. 4/22 - Mr. Robot (S3) - ★★★★
41. 4/24 - Unbelievable - ★★★★1/2
42. 4/24 - Mr. Robot (S4) - ★★★★1/2
43. 5/1 - Unorthodox - ★★★1/2
44. 5/2 - Kingdom (S1) - ★★★★
45. 5/4 - My Brilliant Friend (S2) - ★★★★★
46. 5/11 - Ramy (S1) - ★★★★
47. 5/18 - Westworld (S3) - ★★1/2
48. 5/20 - Atlanta's Missing and Murdered: The Lost Children - ★★★1/2
49. 5/24 - Run - ★★1/2
50. 5/27 - Mrs. America - ★★★★1/2
51. 5/28 - Curb Your Enthusiasm (S10) - ★★★1/2
52. 5/31 - The Great - ★★★★
53. 6/3 - The Last Dance - ★★★★
54. 6/5 - Killing Eve (S3) - ★★1/2
55. 6/6 - Betty - ★★★ 1/2
56. 6/10 - What We Do In The Shadows (S2) - ★★★★
57. 6/12 - The Americans (S1) - ★★★1/2
58. 6/15 - The Americans (S2) - ★★★★
59. 6/17 - Ramy (S2) - ★★★★
60. 6/21 - Succession (S1) - ★★★★
61. 6/24 - Succession (S2) - ★★★★★
62. 6/26 - Dark (S1) - ★★★★
63. 6/29 - The Americans (S3) - ★★★★1/2
64. 7/2 - The Americans (S4) - ★★★★1/2
65. 7/5 - The Americans (S5) - ★★★★
66. 7/7 - The Americans (S6) - ★★★★★
67. 7/26 - The Girlfriend Experience (S1) - ★★★★1/2
68. 7/30 - The Girlfriend Experience (S2) - ★★★
69. 8/2 - The Leftovers (S1) - ★★★★
70. 8/7 - The Leftovers (S2) - ★★★★★
71. 8/10 - Perry Mason (S1) - ★★★
72. 8/12 - The Leftovers (S3) - ★★★★★
73. 8/22 - Normal People - ★★★★1/2
74. 8/24 - I May Destroy You - ★★★★
75. 8/25 - PEN15 (S1) - ★★★★
76. 8/27 - The Haunting of Hill House - ★★★★
77. 9/1 - Cobra Kai (S1) - ★★★1/2
78. 9/3 - Cobra Kai (S2) - ★★★1/2
79. 9/19 - Halt and Catch Fire (S1) - ★★★1/2
80. 10/12 - The Knick (S1) - ★★★★1/2
81. 10/16 - The Knick (S2) - ★★★★
82. 10/18 - Lovecraft Country - ★★★1/2
83. 10/20 - The Third Day - ★★★1/2
84. 10/26 - The Queen's Gambit - ★★★1/2
85. 11/1 - Primal Season 1 Part 2 - ★★★★
86. 11/2 - We Are Who We Are - ★★★1/2
87. 11/9 - PEN15 Season 2 Part 1 - ★★★★
88. 11/10 - Rectify (S1) - ★★★★
89. 11/14 - Rectify (S2) - ★★★★
90. 11/15 - The Good Lord Bird - ★★★★
91. 11/19 - Rectify (S3) - ★★★★
92. 11/24 - Rectify (S4) - ★★★★
93. 11/27 - How To With John Wilson - ★★★★★
94. 11/30 - Fargo (S4) - ★★★
95. 12/1 - Hannibal (S1) - ★★★★
96. 12/5 - Hannibal (S2) - ★★★★★
97. 12/7 - Hannibal (S3) - ★★★★
98. 12 /12 - The Sopranos (S1) - ★★★★1/2
99. 12/15 - Ted Lasso (S1) - ★★★1/2
100. 12/18 - The Flight Attendant - ★★★
101. 12/20 - The Haunting of Bly Manor- ★★★
102. 12/21 - The Undoing - ★★1/2
103. 12/23 - Upload (S1) - ★★1/2
104. 12/29 - Breaking Bad (S1) - ★★★★
 
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Naijaboy

The Fallen
Mar 13, 2018
15,249
PmKBfQe_d.jpg

I think I've done it before, but now I'm certain I can do it.

Currently at S3 of Superstore.
 

William

Avenger
Oct 26, 2017
348
I'm up for this should be a fun way to keep track. I'm currently watching Messiah on Netflix which will be my first one.
 

Firthy

Member
Nov 19, 2017
46
UK
Hey I'll definitely give this a go - plenty of TV I need to catch up on this year!

2020 CHALLENGE STATUS: 3/52

1. You [S2] - 4/5
2. Sex Education [S2] - 4/5
3. Glitch [S2] - 3/5

Currently Watching:
Glitch [S3]
The Witcher [S1]
 
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Sadsic

Member
Oct 25, 2017
1,799
New Jersey
finished up The Dark Crystal after midnight so im counting it for this year lol

Sadsic - 75/52 TV Seasons

1. 1/1 - The Dark Crystal: Age of Resistance S1 - ★★★★
2. 1/4 - For All Mankind S1 - ★★★★
3. 1/13 - Infinity Train S2 - ★★★★
4. 1/14 - The Morning Show S1 - ★★★★
5. 1/18 - The Witcher S1 - ★★
6. 1/29 - Kipo and the Age of the Wonderbeasts S1 - ★★★★
7. 2/1 - Joe Pera Talks with You S2 - ★★★★
8. 2/1 - The Good Place S4 - ★★★★
9. 2/6 - Bojack Horseman S6B - ★★★★
10. 2/16 - The Marvelous Mrs Maisel S3 - ★★★★
11. 2/17 - Medical Police S1 - ★★★
12. 2/22 - Neon Joe, Werewolf Hunter S1 - ★★★
13. 2/27 - Love is Blind S1 - ★★★★
14. 3/9 - Kidding S2 - ★★★★
15. 3/10 - Hunters S1 - ★★
16. 3/26 - Castlevania S3 - ★★★
17. 3/29 - Steven Universe Future Miniseries - ★★★★
18. 3/30 - Ballmastrz: 9009 S2 - ★★★
19. 4/16 - Devs Miniseries - ★★★★
20. 4/20 - Better Call Saul S5 - ★★★★
21. 4/21 - Ozark S3 - ★★★
22. 4/21 - The Plot Against America Miniseries - ★★★★
23. 4/22 - The Midnight Gospel S1 - ★★★★
24. 4/27 - Dispatches from Elsewhere S1 - ★★★★
25. 5/2 - Tales from the Loop S1 - ★★★★
26. 5/4 - Upload S1 - ★★★★
27. 5/4 - Westworld S3 - ★★
28. 5/4 - Beef House S1 - ★★★
29. 5/4 - Three Busy Debras S1 - ★★★★
30. 5/8 - Life (2007) S1 - ★★
31. 5/11 - Solar Opposites S1 - ★★★★
32. 5/25 - She-Ra and the Princesses of Power S5 - ★★★★
33. 5/26 - Homecoming S2 - ★★★★
34. 5/27 - Mrs. America Miniseries - ★★★★★
35. 6/2 - Rick and Morty S4 - ★★★★
36. 6/8 - Life (2007) S2 - ★★
37. 6/22 - Halt and Catch Fire S1 - ★★★★
38. 6/22 - Killing Eve S3 - ★★★
39. 6/23 - What We Do in the Shadows S2 - ★★★★
40. 6/23 - The Shivering Truth S2 - ★★★
41. 6/23 - JJ Villard's Fairy Tales S1 - ★★
42. 7/8 - Halt and Catch Fire S2 - ★★★★
43. 7/13 - Kipo and the Age of Wonderbeasts S2 - ★★★★
44. 7/14 - Close Enough S1 - ★★★
45. 7/17 - Search Party S3 - ★★★
46. 7/18 - Halt and Catch Fire S3 - ★★★★
47. 7/20 - Ramy S2 - ★★★★
48. 7/29 - Halt and Catch Fire S4 - ★★★★
49. 8/6 - Dark S3 - ★★★★
50. 8/7 - Misfits S1 - ★★★
51. 8/25 - Misfits S2 - ★★★★
52. 8/26 - Infinity Train S3 - ★★★★
53. 8/29 - The Owl House S1 - ★★★★
54. 9/8 - Cobra Kai S1 - ★★★★★
55. 9/8 - P-Valley S1 - ★★★
56. 9/12 - Cobra Kai S2 - ★★★★
57. 10/1 - Raised by Wolves S1 - ★★★
58. 10/2 - Utopia (2020) S1 - ★★★★
59. 10/8 - Misfits S3 - ★★★
60. 10/11 - The Boys S2 - ★★★★
61. 10/25 - Lovecraft Country S1 - ★★★★
62. 10/25 - The Third Day Miniseries - ★★★★★
63. 11/1 - Primal S1B - ★★★★
64. 11/2 - Blood of Zeus S1 - ★★★
65. 11/19 - Pose S1 - ★★★★
66. 11/30 - Fargo S4 - ★★★
67. 12/6 - How To with John Wilson S1 - ★★★★
68. 12/7 - Kipo and the Age of Wonderbeasts S3 - ★★★★
69. 12/18 - The Mandalorian S2 - ★★★★
70. 12/19 - Too Hot to Handle S1 - ★
71. 12/27 - Hilda S2 - ★★★★
72. 12/27 - The Crown S4 - ★★★★
73. 12/28 - Small Axe Miniseries - ★★★★★
74. 12/29 - Gangs of London S1 - ★★★★
75. 12/31 - The Queen's Gambit Miniseries - ★★★★★

Currently watching:

Amphibia S2
Cake S1
Neon Joe, Werewolf Hunter S2
Pose S2
 
Last edited:
Oct 27, 2017
12,974
Not sure I'll be able to complete this as I'm a television snob due to the time commitment and usually only invest my time into stuff that's critically acclaimed or piques my interest. The film version of this challenge is much easier to knock off lol.

Will give it a shot though. Gonna add a little write-up on each.

(1) You S2 [[Netflix]] - ★★★½☆
(2)
Lost In Space S2 [[Netflix]] - ½☆☆☆
(3)
The Morning Show S1 [[Apple TV+]] - ★★★★½
(4)
Truth Be Told [[Apple TV+]] -
★★★½
(5) Killer Inside: The Mind of Aaron Hernandez [[Netflix]] - ★★★☆☆
(6)
Servant S1 [[Apple TV+]] - ★★★½☆
(7)
Titans S2 [[Netflix]] - ★★★½☆
(8)
The Stranger [[Netflix]] - ★★★☆☆
(9) Locke and Key S1 [[Netflix]] - ★☆☆☆☆
(10)
The Trials of Gabriel Fernandez [[Netflix]] - ★★★★☆
(11) Formula One: Drive to Survive S2 [[Netflix]] - ★★★½☆
(12)
Chilling Adventures of Sabrina S3 [[Netflix]] - ★★★½☆
(13)
Star Trek Picard S1 [[CBS AA]] - ★★☆☆

(14) The Witcher S1 [[Netflix]] - ★★★½☆
(15) The Walking Dead S10 [[AMC]] - ★☆☆☆☆
(16) Ozark S3 [[Netflix]] - ★★★★☆
(17) Better Call Saul S5 [[AMC]] - ★★★★½
(18) Westworld S3 [[HBO]] - ★★★☆☆
(19) Outer Banks S1 [[Netflix]] - ★½☆☆☆

(20) Sex Education S2 [[Netflix]] - ★★★★★
(21) The Last Dance [[Netflix]] - ★★★★☆
(22) Unsolved Mysteries [[Netflix]] - ★★★☆☆

(23) Away S1 [[Netflix]] - ★★½☆☆
(24) Star Trek Lower Decks S1 [[CBS AA]] - ★★½☆☆
(25)
Challenger: The Final Flight [[Netflix]] - ★★★★☆
(26) Blood of Zeus S1 [[Netflix]] - ★★★★☆
(27) + (28) Scooby Doo Mystery Incorporated S1, S2 [[Cartoon Network]] - ★★★★½
(29) The Boys S2 [[Prime]] - ★★★★½
(30) Alien Worlds [[Netflix]] - ★★☆☆☆
(31) Star Trek Discovery S2 [[CBS AA]] - ★★☆☆☆
(32) Dark S3 [[Netflix]] - ★★★★½
(33) The Haunting of Bly Manor [[Netflix]] - ★★★★½
(34) (35) (36) (37) (38)
Breaking Bad S1, S2, S3, S4, S5 [[AMC]] - ★★★★★


(1) You S2 [[Netflix]] - ★★★½

Now an original Netflix production, S2 builds on everything that made S1 great. The second season takes time to flesh out its source material with changes and additions, some subtle and others more apparent, for the better. Where You really elevates itself is in its carefully crafted characterization and exposition wrapped up in an atmosphere equal parts harrowing, creepy and familiar. It's uncanny how this show can humanize an irredeemable character like Joe and make him sympathetic to the viewers. While I find his ability to escape situations after he backs himself into a corner a little too ridiculous sometimes and need to suspend my disbelief, I do appreciate the psychological layers they peeled back in exploring his traumatic childhood and the effect it had on his warped worldview. Can't wait to see what's in store going forward. I'm hopeful that the show surprises again and doesn't head in the direction they hinted at in the 2nd season finale; there's a lot of story they can tell but there is a danger in playing it too safe and making Joe's new fascinations seem too familiar at some point.


(2) Lost In Space S2 [[Netflix]] - ½☆☆☆

The first season of this series bored me and I skipped numerous episodes; the second, addictive to say the least. Lost In Space is, from a production standpoint, the best looking show on TV at the moment. No expense is spared in its budget. If you turn your brain off and enjoy it for what it is, it provides a thrilling ride. Writing (constant deus ex machinas, trope riddled characters) and pacing (stuck in 6th gear) could use work but what the show lacks here, it makes up for with its action dependent narrative. I bounce back and forth on the Robinson family; they feel like ridiculous caricatures checking off the boxes too often for my liking and I am not invested in their stories as much as it feels like the show wants me to be. June Harris/Dr. Smith on the other hand, she is a ridiculously written evil villain but is, in my opinion, the most interesting character here and steals every scene she's in.


(3) The Morning Show S1 [[Apple TV+]] - ★★★★½

Where to begin. This show pulls back the curtains and reveals the dynamics at play that come into motion when powerful corporations, entities and people engage in insular practices with one purpose in mind. Protecting their own self interests above all else. TMS tackles these issues with sexual misconduct being the driver of the narrative and handles it in its rawest and most unadulterated form while brilliantly crafting an effective and powerful balance between its characters personal motivations, interpersonal dynamics and moral ambiguities that influence numerous interweaving plot threads. The entire season is captivating but the final 3 episodes are spellbinding and make the viewer bounce between every emotion on the spectrum. Hannah in the hotel room in Vegas with Mitch; Hannah confronting Fred and being silenced; Mitch victim blaming Hannah; Claire walking in on Hannah OD'd; all the final scenes of the season between Alex and Bradley... could go on and on, TMS absolutely murders the message it's trying to get across in these episodes and does it beautifully. From the writing to the production to the chemistry of the cast everything works splendidly here. Reese Witherspoon and Jennifer Aniston have great gravitas and work off one another wonderfully. Their characters, Alex and Bradley, likewise counterbalance each other perfectly and bring such an interesting contrast to one another while sometimes straddling but never quite veering into caricatures. Steve Carell is excellent as Mitch. Billy Crudup as Cory... has to be one of the most interesting and well written characters on television. Claire and Yanko's complicated relationship, Chip... Mia... so many multifaceted characters. I can't fucking wait for season 2. Apple TV+ may lack in content in comparison to competitors but The Morning Show is one of the best shows on television at the moment. Easily. It's natural to compare it to HBO's The Newsroom or The West Wing but The Morning Show is unique in its own regard and is perfectly positioned to tackle a lot of interesting topics going forward.


(4) Truth Be Told [[Apple TV+]] - ★★★½

The powerful influences of media, race, mental health, privacy and the intricate ways they shape our own perceptions and biases as well as society's are the central questions Truth Be Told weaves its plot around. Poppy Parnell (Octavia Spencer) is an influential investigative journalist pod-caster who re-visits a case after the possibility emerges her reporting wrongly incriminated Warren Cave (Aaron Paul) for the murder of his neighbor nearly 20 years prior. Both Octavia Spencer and Aaron Paul absolutely shine and carry the show but Truth Be Told finds its real power in its examination of the familial machinations that have shaped each one of the three families and how they've inextricably had an effect on all of their lives. Poppy is a deeply flawed well written protagonist whose environment and past influences her motivations; Warren is a victim of consequence and collateral damage; Josie and Lanie are stuck in a vicious cycle of co-dependency centered around a traumatic childhood and mental illness. I really enjoyed the dive into the world crafted here. Another show where the critical consensus is dead wrong and the viewers get it right compared to the critics.


(5) Killer Inside: The Mind of Aaron Hernandez [[Netflix]] - ★★★☆☆

This limited miniseries delves into the life and circumstances of Aaron Hernandez and explores a number of aspects that led to his eventual murdering of Odin Lloyd. Throughout the course of 3 episodes, the topics of parenting, culture around the sport of football, sexual identity, repression of that sexual identity, chronic traumatic encephalopathy (CTE) and other possible factors are considered as contributing or motivating factors. The common thread that links all of them together is toxic masculinity and how it makes people conform to harmful preconceived notions of what they should and shouldn't be. I appreciated the amount of effort that went into the angle of Aaron's purported bisexuality; Dennis SanSoucie and his father as well as Ryan O'Callaghan provide insight into their experiences and give us very personal glimpses into how unwelcoming the heterosexual world of sports is. What's frustrating, but expected, is the series leaving its viewers with more questions than answers to a complicated and mysterious personality who, unfortunately, is no longer able to answer any of those questions for us himself.


(6) Servant S1 [[Apple TV+]] - ★★★½

M. Night Shyamalan knows how to take a simple premise and put it through the what-the-fuck-is-even-happening prism better than almost anyone else. When it works, it borders on brilliance. When it doesn't, it often ends up an unmitigated disaster. Servant is a return to form and a very promising debut on Apple TV+ for him. He only directs 2 episodes in the 1st season but from a cinematic and atmospheric perspective, Shyamalan's flair is all over the show. The uncomfortably long lingering takes, the bizarre camera angles, the strangeness of its characters' actions and the claustrophobic setting of the Turner family's house sets an increasingly unsettling tone that hangs over everything as the shroud of mystery is meticulously peeled back. The pacing here is brilliant, especially for a 30 minute show. The dichotomy explored between Dorothy (Lauren Ambrose) and Sean (Toby Kebbell) and the different manners in how they manage their pain and grief is also a high mark the show nails more often than not. The final episode throws a lot more questions at the viewer and sets up the premise of what promises to be an even more bizarre 2nd season.


(7) Titans S2 [[Netflix]] - ★★★½

Season 2 of DC's Titans is a show that feels like it's still figuring out its identity and as a result of that process is rough around the edges more often than not. Structurally and narratively, the numerous competing subplots it explores pulls Titans in too many different directions at the same time and thus finds itself offering a few too many rushed conclusions that squander the emotional weight and satisfaction various threads could have otherwise provided. Dick Grayson's character was easily the highlight of the season with the show examining his psychological burdens and fraught relationship with Bruce Wayne intelligently and effectively. He's been the character the show has consistently gotten right and done a good job with thus far in large part due to Brenton Thwaites bringing enough nuance and gravitas to the role to overcome what could be considered ham-fisted writing at times. The dynamics of Slade Wilson's family were also engrossing and handled extremely well but didn't get the resolution it, or the characters of Jericho, Rose and Slade deserved due to the half-baked and rushed Cadmus plot being shoehorned into the finale. Looking at Titans from a production, choreography, acting and design standpoint, the show has a ton going for it conceptually but there's no doubt it also has a lot of currently untapped potential yet to be realized. If it can tighten up its narrative, deal with its structural issues and have a leaner focus that properly explores its important themes and characters (don't relegate Starfire, Beast Boy and Rachel to the sidelines with underwhelming plot arcs), it can overcome its shortcomings and become a great offering in the Superhero genre.


(8) The Stranger [[Netflix]] - ★★★☆☆

Always tend to find myself interested in mystery based dramas but unfortunately the medium of television lends itself to be more miss than hit when it comes to properly doing this genre the justice it deserves. The Stranger falls victim to the typical tropes you'd expect here; its narrative being driven by mysteries layered on top of mysteries at the expense of well-developed characters and unnecessarily convoluted red herrings that often lead nowhere or whose only purpose is to inch the plot forward without revealing anything. Where The Stranger breaks the mold just enough to differentiate itself is in its premise of using the titular character of the show as the vehicle to drive and connect the numerous interweaving narratives between a large cast of interconnected characters who all have their own secrets to hide. This doesn't always work out in the show's favor as some of the questions it asks, and the characters it asks about, feel more like haphazard plot devices than actual people but an effort is made to tie them into overarching narratives that effectively add some extra depth to them. Where the show consistently excels and is most effective is in its interpersonal confrontations between these characters, effectively exposing all of the lies they're caught up in and confronting them believably. While some of them are, as previously noted, convoluted, the twists and the turns of The Stranger eventually do lead to satisfying answers that give resolution to all of the questions they pose and the show wraps up its story in a convincing and rewarding manner that is worthy of the journey it takes us on.


(9) Locke and Key S1 [[Netflix]] - ★☆☆☆☆

Horrible writing. Terrible acting. Caricature riddled characters. And a plot that relies on its characters doing idiotic things and making brain-dead decisions as a vehicle to move the narrative forward. There's only one thing here that I can speak positively about and that's the cinematography. The show is shot beautifully and conveys the atmosphere Locke and Key is trying to portray effectively. But that's where the good ends… the show is contrived and convenient with an antagonist whose purpose and motivations are largely left undefined. Nothing feels like it has importance and none of the characters feel threatened by their circumstances; there are no stakes to anything they do because the show finds a way to write them out of every inconvenience they experience. Where Locke and Key also drops the ball is in its exploration, or rather attempted, of the Locke family who find themselves dealing with the loss of their father/husband having moved to his childhood locale. The characters of Tyler and Kinsey attempt to embody their trauma in a believable manner but it feels forced and dishonest because their actions seem intentionally designed to further the plot rather than their own development. The kid is just annoying and takes the viewer out of every scene. Another point I have issue with is the opportunity to explore the magical qualities of the keys being conceptually and existentially fascinating yet the show purposefully squanders any reason to explore this avenue because it's more interested in holding the hands of its viewers. A lot of potential for this series to work better than it does but it seems content to work to the lowest common denominator instead.


(10) The Trials of Gabriel Fernandez [[Netflix]] - ★★★★☆

This docu-series details the prolonged horrific torture and eventual murder of 8 year old Gabriel Fernandez by his mother and her boyfriend. Every moment of it will shatter you to your very core and stay with you a long time after you've finished watching it. It is one of the most difficult and important things you will ever watch and explores the indefensible systemic failings of Los Angeles' Department of Family and Child Services, law enforcement agencies and LA's Board of Supervisors relationship with the private for-profit companies it subcontracts social services out to. This poor boy was subjected to the most inhumane and horrendous physical abuse that can be inflicted upon a human being for 8 months while employees at the DCFS knowingly believed the mother at her word, refused to verify that the child was sufficiently cared for with visual confirmation or medical attention, purposefully lied and omitted pertinent information that should have been documented and failed to address concerns from his teacher who contacted them numerous times. Law enforcement, instead of verifying accusations and putting Gabriel Fernandez's well-being first and foremost decided to threaten him, accused him of lying and silenced him by throwing the prospect of jail at him and then had the audacity to keep its own internal affairs file hidden from the district attorney during trial. It is absolutely sickening to constantly be reminded of just how much the people and programs designed to protect the most vulnerable among us do just the opposite; the systemic failings are an intolerable embarrassment and a shameful reflection on our current day society. Even with the creation of a blue ribbon commission that addressed shortcomings and failings in the system, the DCFS continues to see children die in its purview because they refuse to properly address high risk situations and even put children back in those environments after removing them. Appreciated seeing the vigor with which District Attorney Jon Hatami prosecuted this case and the insight provided into the jurors and their deliberations in prosecuting these monsters. Him and numerous others depicted throughout restore a little bit of your faith in the goodness and decency in people after seeing the depravity others are capable of. My hope is, even if a lot of people are unable to watch this due to the content matter, it brings the attention and awareness to this issue that is needed and prevents what happened to Gabriel Fernandez from happening to another child.


(11) Formula One: Drive to Survive S2 [[Netflix]] - ★★★½

Back and better than ever, season 2 gives us a lot of what made the 1st season so excellent and even a little bit more. For the first time we get to see Mercedes and Ferrari included; the former giving us some of the most impactful and interesting moments Formula One: Drive To Survive has captured yet and the latter feeling like they were unwilling participants who didn't really want to be there at all. It's hard not to appreciate the behind-the-scenes aspects of F1 and the amount of time, attention and detail that goes into the Constructors' aspect of the Championship. Once again Guenther Steiner, team principal of Haas, finds himself the star of the series; the drama of a team, its drivers and their car failing to perform and the extracurricular difficulties surrounding them lead to numerous raw and unscripted moments that feel as genuine as a sports docuseries can get. Have to say that it was awesome to finally see Mercedes as well and getting some unfiltered candid rawness from both Toto and Lewis. Hamilton was far more open and transparent than I expected and seeing him and the rest of the crew dealing with an odd bad day was refreshing. Kudos to Netflix for the touching and emotional footage they captured in memorializing Niki Lauda and his impact on those in the world of Motorsport as well as the solemnity at SPA after Anthoine Hubert's unfortunate crash and death. It drives home just how fleeting life is and the immense psychological and physical burden these athletes are under. A common complaint of F1: Drive to Survive is that it doesn't follow the season chronologically and while I understand that complaint it seems designed to be structured non-linearly in order to devote enough focus to the mid-pack teams that find themselves relatively ignored compared to Mercedes, Red Bull and Ferrari. Perhaps this is a formula they'll tweak in future installments but I don't think it really needs fixing. Getting to follow Pierre Gasly's tumultuous journey from Red Bull to Toro Rosso was another highlight of Season 2; nice to see him fight through those psychological barriers and claim his first podium. Enjoyed getting to see a lot of Carlos Sainz and Alex Albon as well. Sports docuseries tend to be superfluous and forgettable – Drive to Survive is entertaining and well worth watching even if you're not a fan of the sport.


(12) Chilling Adventures of Sabrina S3 [[Netflix]] - ★★★½

The third season, or third part if they insist, of Chilling Adventures of Sabrina is as balanced, as charming and as enjoyable as ever. The backbone of this series has always been its meticulous world building and the expansive mythology and lore that resides with-in it – something the show smartly embraces wholeheartedly in Pt. III. Another welcome addition this season is the introduction to Paganism serving as the primary overarching antagonistic motif throughout. The dichotomy between the more familiar Wiccan mythos and Pagan mythos is articulately woven through the narrative and while I would've liked to see the show delve into the conflict between these two beliefs a little more, it serves as an efficient vehicle to introduce and lay the groundwork for some fascinating thematic elements yet to come. The Eldritch terrors gave us a small glimpse of the Lovecraftian horror CAOS Pt. IV is committed to exploring and I couldn't be more excited to see the show's unique take in integrating these entities into its universe. Sometimes CAOS feels a little too ambitious and indulgent in its character development subplots for its own good but from a YA coming-of-age drama that's to be expected I suppose. Sabrina's selfish naiveté and mercurial recklessness is part and parcel of the character's hubris whilst simultaneously being annoying and part of her charm but I would like to see more tangible consequences as a result of her rash decisions. It will be interesting to see how the actions she takes at the end of the season lay bare consequences in the future. Both Nick and Harvey felt underutilized and relegated to being tropes in Pt. III and I think they squandered what could have been a powerful subplot with Nick in particular. The physical and psychological abuse he suffered while possessed were obvious allegories touched upon but not fully committed to. Theo's self-discovery has been enjoyable, rewarding, and beautifully represented in how the writers have developed his sense of identity and worth. From an aesthetic point of view, visually and atmospherically CAOS looks gorgeous -- gone are the overused blur and focus effects from earlier seasons. The cosmic horror in Pt. IV should bring more of the same when it comes to eye candy. Just give us less musical numbers, please. Not a deal breaker by any means but CAOS doesn't need them.


(13) Star Trek Picard S1 [[CBS AA]] - ★★☆☆☆

Most of Star Trek Picard's flaws stem from its structural composition – it's hard not to feel that the show would've benefited, mostly narratively, as a procedural instead of being serialized. Star Trek Picard manages to make its universe feel claustrophobic and small because its world building is flimsy and constrained. Along with amateurish writing and little chemistry between a cast that feels like a collection of individual parts unable to mesh cohesively, the plot itself is unimaginative and tedious. If your entire narrative revolves around ancient civilizations acting as arbiter over the development of others because synthetic and biological life find themselves unable to coexist, you need to make sure it doesn't scream 'convoluted'. These tropes have been hashed and re-hashed countless times in every imaginable medium so I'm not sure why the writers imagined it was a good idea to have an overarching plot revolve around a synth vs biological conflict if they couldn't find something profound to add. Character moments that should feel important come across as unearned, there's very little emotional weight present in 1 on 1 interactions and dialogue comes across as artificial because it's a naked attempt to portray camaraderie and interpersonal links between a crew that act and feel distant from one another. As a result, character deaths lack a sense of purpose and seem to be haphazard shock value at best. In terms of characters, there's a couple good things to note here with Jeri Ryan as Seven and Jonathan Frakes as Riker being two highlights that feel authentic and true to themselves. Neither of them gets much screen time but in the handful of minutes they do they're easily most enjoyable parts of a largely unforgettable season. The introspective scene between Picard and Data was also excellent and provided much needed resolution and closure to the character's story. It's a shame that the inclusion of the Borg into the plot falls flat and feels unrealized because both Seven and the ex-Borg could have, and should have, been more relevant. Lastly, Patrick Stewart is a legendary actor but his portrayal of Jean Luc Picard here simply doesn't work. He feels like a caricature of himself with a naivety and single mindedness present that feels like it's more a result of circumstance. The next season has nowhere to go but up… just hope it leaves the deus ex machinas and nonsensical ideological shifts that suit no purpose behind.


(14) The Witcher S1 [[Netflix]] - ★★★½

Toss a coin to your Witcher, oh valley of plenty. There is a ton to love about the first season of The Witcher and some areas that can only be improved upon going forward but for the most part, it's a solid beginning for the series. Lauren Schmidt has faithfully captured the atmosphere and tone of Andrzej Sapkowski's complex world and all the tragedy, political machinations, information, history and lore with-in it begging to be explored. Structurally, the decision to separate individual narratives is a risky choice that isn't executed perfectly but it's required in order to introduce characters on a smaller scale while stripping back their stories and establishing understanding of who they are while avoiding an overabundance of exposition, competing interests and overarching narratives all at once. Henry Cavill feels born to play the White Wolf; with a character who could easily come off as one dimensional in his broodiness, this adaptation is one whose naivete and altruism are contrasted brilliantly against morality and consequences the murky world he inhabits forces upon him. Anya Chalotra brings Yennefer to life just as impressively with the character's trauma, self-identity and discovery of herself being one of the strongest aspects of the show. She's a multifaceted antihero whose tragedy is balanced against her yearning of fulfillment and happiness and her selfish manipulation -- all of which is incredibly well crafted here. I do feel the dialogue could generally be more cohesive as it feels needlessly exposition laden while veering into campiness at times. The disparate plots can also leave The Witcher feeling structurally disconnected leaving important moments feeling unearned like the battle between Nilfgaard and Cintra falling a bit flat due to not getting build up or scope and scale it deserved. Tonally it feels like the show is battling itself sometimes too and the comedic elements of Jaskier could be better served with moderation against the weightier thematic elements the show explores. The production values, set and costume design are all top-notch efforts and the choreography is spot on. Between the splendid sword fight in Ep. I, the atmosphere, tension and horror conveyed during Geralt's battle with the Striga in Ep. III and the dazzling display of magical power sorcerers wield displayed in the finale, The Witcher allows the horror of the monsters inhabiting its universe, both human and non, to shine. The groundwork has been laid for future seasons where a more constrained plot should be beneficial in minimizing most of the structure and pacing issues this season dealt with. It should also allow for compelling characters whose intrigue was sidelined in the first season, Triss and Ciri specifically, to be fleshed out and fully realized. Can't wait for season 2. Toss a coin to your Witcher, a friend of humanity.


(15) The Walking Dead S10 [[AMC]] - ★☆☆☆☆

Just like the existential threat that hovers over its characters and shapes the world they inhabit, The Walking Dead feels like an ungainly bloated mess of hollow motifs and concepts that, every once in a while, tease with the potential to lead some place interesting but instead aimlessly ambles without any sense of direction or purpose. The interpersonal conflict and threat of a unique enemy that gave season 9 its emotional center is relegated to the typical antagonistic tropes the series has explored numerous times throughout its run. Though this current arc with The Whisperers seemed to break the mold of this revisited narrative cycle of finding safe haven, reclaiming societal norms and having that semblance of normalcy and humanity threatened it descends into the flimsy, unrealized and stale storytelling previous attempts have also fallen prey to. Thematically the show refuses to explore the stories it could tell and makes a conscious choice for the safe path instead – something that isn't engrossing and is wasteful of any meaningful plot, nuance or character development. The failings of the writers are encapsulated perfectly in the cumbersome and ill-conceived concepts and motivations that drive Carol's arc this season. Scrapping her previous development and turning her into a grief ridden caricature is one of the most poorly thought out and executed attempts at tackling these thematic issues I've seen on television. Danai Gurira on the other hand was the star of this show and one of the few remaining aspects that made it worth watching. She elevated the character above the nonsensical amateurish writing that plagues it and was perhaps the only character with any semblance of genuine depth. She deserved a better send off and the show should have ended years ago. I won't be revisiting this world so a nonchalant goodbye to a series that has long since seen its best days.


(16) Ozark S3 [[Netflix]] - ★★★★☆

Is mutually assured destruction the only way to keep a marriage and a family together? It's a brutally honest and foreboding assessment from Helen Pierce and perfectly encapsulates the machinations the Byrde family finds themselves confronting in season 3 of Ozark. The ideological battle being waged between Marty and Wendy, and the fundamental differences in how both of them want to arrive at the same destination, is the foundation of which Ozark's premise in its third season is based around. The introduction of new characters – unpredictable elements, rather, add some fascinating and emotionally significant dimensions to the show and add even more human suffering to the equation. Ben's character in particular, brilliantly portrayed by Tom Pelphrey, is a heartbreaking and flawed person who finds himself a victim of the circumstances the Byrde family has entangled themselves in. Ozark finds a good balance between tying his mental health issues and bipolar disorder into the larger narrative and plot devices while not being exploitative of the struggle and societal biases those who deal with mental illness find themselves subjected to. Two scenes in particular, the scene between him and Ruth in the institution after finding himself committed and the subsequent soliloquy in the cab are emotionally captivating and agonizing performances brutally unflinching in their horror, anxiety and realness. Hopefully they are recognized and rewarded during awards season because it's not often in the medium of television, or entertainment generally, we see depictions of serious real-world issues authored as authentically as Ozark does it here. His scenes opposite Ruth, who continues to be the most sympathetic and relatable character on the show, and Wendy were the consistent highlights in a very high-quality season full of great moments. For a character whose intrinsic nature is one of risk adverseness, I find it amusing – and an obvious natural fit for the dark humor balanced against the thematic elements explored in the show, that Marty's character flaws in failing to read people and understand situations are a main contributor of the unpredictability his life is filled with. Just as Ben failed to grasp the severity of the situation as Wendy tried to save his life, Marty falls victim to the same shortcomings in his own unique way. There are a lot of memorable quotes in season 3 but one of my favorites is during one of their faux marriage counselling sessions when Sue tells Marty that "Wendy is a powerful woman and it's your responsibility to nurture that, not stifle it". The counselling setting is one of the show's many effective vehicles that filters characters' mindsets through nontraditional manners effectively and this one in particular is hilariously revealing. Wendy breaking into their old family house and opting for content and order before literally turning things upside down is another one of those moments. The final scene of the season is downright frightening and ominous for the future of the Byrde family. It will be interesting to see how they and the cartel deal with Darlene, the Langmore's and the KC mob moving forward. Hopefully we don't have to wait 2 years for season 4 for one of Netflix's best offerings.


(17) Better Call Saul S5 [[AMC]] - ★★★★½

The best type of storytelling is one in which examinations of its characters are unfiltered and explored without any need to subvert expectations with unearned plot devices. Vince Gilligan and Peter Gould authored a nearly flawless representation of this craft in Breaking Bad and, though it didn't seem possible, have perfected it even further with their efforts so far in five seasons of Better Call Saul. It's been a very long and painful two years waiting to return to Albuquerque and once again re-visit these characters and the concurrent themes of dread and misery that mercilessly permeate their world. And of course, along with it, the brilliant and inventive cinematography. Visually and auditorily Better Call Saul is without artistic equal; David Porter's score and Thomas Golubic's soundtrack infuse tragedy and nuance into every scene and attentively convey an authenticity that bring the show and its characters to life. The facades of Jimmy McGill, Kim Wexler, Nacho Varga, Mike Ehrmantraut, Lalo Salamanca, Gustavo Fring and others are often indistinguishable from the reality they inhabit and leverage pretense, admission and trustworthiness as capital to further their own personal motivations – at the expense of others. These threads of existentialism that see characters balancing roles compared to who they really are as people are contemporaneous throughout which makes their acts between desperation and nihilism – dependent on family and relationships at times, at others on covetousness and decadence, fascinating delves into the psyches and motivations of some of the most multifaceted characters on television. Bob Odenkirk's performative mastery of blending levity, humor, resentfulness and all the emotional gravitas that comes along with it into the character of Jimmy McGill has always been a hallmark of this universe and is enjoyable to watch but the actress who steals every scene she's in is Rhea Seehorn. She navigates the thematic elements of privilege and structure, identity and security, solidarity and humanity as skillfully as possible and drives home the human element to these issues in a way that is profound and impactful. The season finale was brilliant in its simplicity and exploration of both Kim's relationship with Jimmy and their codependent shared traumatic experiences. The circumstances of their situation contrasting the status quo of reaction versus the prospects of freedom and the opportunity to decide her own fate is too alluring a proposition to pass up juxtaposed against contempt and disillusion. Being able to rationalize your own actions and justifying their effect on others is a dangerous combination and the final shot of the finale sets up an ominous collision course of unavoidable consequences that will be borne out going forward.


(18) Westworld S3 [[HBO]] - ★★★☆☆

Westworld
is a show that has so much potential but feels determined to squander it at every turn. The first season was an excellent introduction to this world – enigmatic, captivating and stimulating in nature and focused on its strongest aspect. Tying its narrative to interesting fleshed out characters which made the stakes clear and allowed us as viewers to invest in their motivations. This isn't a groundbreaking formula that Westworld should have found it difficult to stick to. The second season managed to eschew all of that for a convoluted mess that narratively and structurally felt like it was meant to serve no purpose whatsoever. This latest season shows promise early on thanks to the strength of its characters once again but eventually loses its way and falls victim to its thematic elements, and the emotional weight they should possess, not being explored intelligently or paying off in a satisfying manner. The biggest issue here lies with-in Westworld's characters and the impetuses they're given. Evan Rachel Wood and Thandie Newton are excellent as always and elevate the material they have to work with as much as one can expect but they're frustratingly held back by the confines of a thinly written and poorly thought out plot where obvious conclusions are dragged out exhaustively so much so the endpoint is alluded to repeatedly before being arrived at. It's here where Westworld falls into a narrative purgatory and struggles to make its characters' development feel rewarding – even when earned, and the struggle to frame plot devices coherently or wisely rears its ugly head. The first few episodes of the third season gave me hope because the expansion of the narrative by leaving the park is a good mechanic that offers a dichotomy between Dolores, the influence she wields and the power and privilege of those in the real world compared to the less fortunate. Westworld falls into tried and boring avenues of exploration when it comes to tropes that pit humanity against sentient artificial intelligence so this is more compelling than the other thematic elements it often gets tied up in. By the end of the season the autonomy between the show's hosts and its biological characters get blurred to such a degree that there is no separation between them however and the allegorical questions and metaphorical existentialism hearken back to the original premise explored in the first season. Caleb should be one of the complex and multifaceted characters introduced but we never really get to see his motivations explored or reasoned before it's revealed he's an outlier whose existence serves to fulfill a carefully crafted purpose which is why Westworld is so frustrating at times. It can be sophisticated and well written, presented beautifully with the typical masterclass staging and production values HBO is known for – and it is, this season is a stunning visual feast and gorgeous to watch – but it just feels underdeveloped as a whole. Serac is another character who feels largely squandered. We get morsels of his thought process and by the finale his purpose and the decisions he's made, as well as the plausibility of them, feel artificial and there just to serve a purpose. As negative as I am, I still have faith (possibly misguided hope) in Westworld recapturing what originally made it special. It needs to get back to exploring symbiotic relationships equally compelling in their dependencies and connections first and foremost for a start though.


(19) Outer Banks S1 [[Netflix]] - ½☆☆☆

There's nothing intellectually or emotionally captivating about Outer Banks. It requires a heightened suspension of disbelief but, to its credit, it never tries to pretend to be anything that it isn't. Boiled down to its core the show is part soap opera, part mystery, part teen drama with all the expected teen romance, clique drama and convoluted coming of age tropes centered around a fantastical treasure hunt and larger than life characters whose motivations veer from believable to propositioning the viewer with a wild suspension of disbelief. Which is what you'd expect from a show like this and, unsurprisingly, leaves the story lurching unevenly from one plot to the next. Tentatively touched upon but never really explored -- class division, patriarchal abuse, toxic masculinity and capitalism are a few of the weightier thematic elements Outer Banks makes a wider arc around but doesn't fully commit to opting for violence and action most of the time instead. Character development suffers as a result and lacks any genuine complexity or engagement when it comes to the main cast. It feels as if the characters serve to tick off boxes and assume stereotypes that lack any sort of imagination. This is more pronounced in the female characters who range from being sexual desires and pragmatical go-between to gender defined biases that are harmful and do a disservice to the stories they could tell about them instead. Opting to shy away from fully fleshing them out with their own depth and multilayered personalities, the writers have made it seem like their purpose is to be convenient plot devices for their male counterparts. It's a mistake that feels purposeful with stock character stereotypes in mind considering that a handful of them do have traumatic experiences and interesting backstories that very easily could be worked into main plot points. There is some earned development that does work well -- specifically JJ's arc, and with some more focused writing, better execution and less haphazard plots that don't arrive at interesting destinations, Outer Banks could get to the point where its characters are as engaging as its main plot.


(20) Sex Education S2 [[Netflix]] - ★★★★★

Representation, identity and acceptance matter. Sex Education wields a masterful blend of serious and comedic elements in its thoughtful portrayal of an expansive range of well-developed characters whose lives and experiences are embodied in storytelling that is equal parts knowledgeable, informative and empowering in nature. Grounding its interpersonal relationships in shared commonalities all of us, regardless of age, orientation or identity, can see personified in ourselves – Sex Education devotes itself to exploring the effects anxiety, fear, denial, doubt, desire, ambition and grief impart on our lives with an emotional resonance that demands space and exploration. And unlike how we've seen asexual, pansexual, bisexual and queer character romances veer into stereotypical and judgmental tropes in other mediums of entertainment that leave them unexplained and misunderstood, Sex Education approaches them with a complexity and empathy that feels personal and relatable. There's a particular scene where an asexual student, unsure of their identity and feeling like there's something wrong with them, comes to Jean who imparts upon them that sex doesn't make us whole so how could someone be broken without it. It's a simple but beautiful metaphorical explanation that is respectful of those who are severely underrepresented and rarely given a platform of acceptance. The number of individual plots and stories Sex Education is able to juggle simultaneously without the effort ever feeling half-baked is impressive. Instead of sidelining some characters and relegating them to plot device caricatures with under-served arcs, each has their layers meticulously peeled back and exposed. In its adult characters, the emotional and physical pressures associated with sex, engendered norms, commitment and intimacy are beautifully depicted and show that there are few degrees of separation in the exploration of sexuality and desire regardless of age or station in life. Sex Education also tackles its thematic elements – stigmas associated with sex; shaming and bullying; sexual abuse and harassment; solidarity and female empowerment; religious, ethnic and racial intolerance; parental absence and family structure – with a humor, wisdom and charm that is emotionally captivating and fully fleshed out in its delivery of organically exploring the gravity these topics demand. If there is one minor complaint, the last scene did feel lazily written and out of character for a show that avoids falling into banal contrivances but it's a minor misstep that I'm willing to give the benefit of the doubt. The writers, actors and everyone involved with Sex Education have sketched out a profound, liberating, forward thinking masterpiece that navigates relevant issues with an authentic honesty vivid in detail and uncompromising in tearing down preconceived notions and biases. Whoever is in charge of the musical covers deserves props too; the soundtrack perfectly marries the aesthetic of the show and scores every scene exquisitely. And good lord, is Lily's interpretation of Romeo & Juliet pure perfection or what.


(21) The Last Dance [[Netflix]] - ★★★★☆

The superlative laden lofty praise heaped upon The Last Dance is a high standard for it to meet as are the invocations and comparative analysis between its proficiency as a sports documentary and the biographical mastery of Citizen Kane. Across 10 consistently great, often magnificent, riveting episodes of The Last Dance we're treated to a Shakespearean tragedy that plays out with all the scorned, wary, vengeful, lonely, cold and joyless undertones one would expect as a counterbalance to the unbridled success, elation and legendary accomplishments of one of sport's greatest dynasties ever conceived. At times The Last Dance falters by constraining its compelling narrative to a limited and narrow perspective in which every anecdote and story is framed and driven by an aggrandizing, stilted cliched narrative that revolves around the basic common denominators of ruthfulness, strength and focus. A lot of this is owed to Michael Jordan being the lens through which every triumph and vanquished foe is viewed but there are glimpses here and there that peel back the carefully crafted facade to reveal the human behind the brand and the thrilling moments that encapsulated his career. I wish it had strived for greater heights in illuminating Michael Jordan as both a person and cultural deity without being beholden to every one of his grudges and indiscretions however. Perhaps expected but disappointing nonetheless was MJ regurgitating his paper-thin justification and excuses in steering away from social justice initiatives during his playing career. In an existence built on authenticity, approachability and physical talent that defies comprehension, the prioritization of brand and profit over politics comes off as an overarching philosophy that reeks of naivety and self-importance. People can be inspired in different ways and it's a sad reflection that Michael Jordan eschews this simple reality and instead doubles down in justifying his actions without being able to realize that inspiration can be leveraged in numerous different ways – many of which he refused to engage in. Overall though the narrative is quite padded throughout but delves into a compelling and structured rhythm in exploring Jordan's competitiveness and dominance plus the manner in which it encompassed him to an all-consuming degree. For a man who reached the zenith of the sports and popular culture zeitgeist, we watch a man who feels like the loneliest man on the planet and those complexities, told through the voices and anecdotes of those other than Jordan here, provide a compelling framework and unique insight into the challenges that accompanied the Bulls' threepeats. The infighting, intrigue and politics set against the 97-98 Championship run is emblematic of the Bulls dynasty – Jerry Krause's troubled relationships with his players and staff, the disparate ideological differences between every level of the organization – through all of it, Jerry Reinsdorf comes out of it smelling a little too nice when he deserves a lot more blame for the tumult and turmoil that led to the eventual breakup of the team. Would have loved to get a little more insight from Scottie Pippen, Dennis Rodman, Phil Jackson (especially on the triangle offense) and others throughout the documentary. Also would have liked to seen the heavy motifs that humanized Michael Jordan more frequently; one of which being his father's murder and how the ensuing grief influenced his decisions that get explored throughout the latter half of the documentary. All the controlling impulses and subconscious ability to will himself and his team to victory is enthralling but undeniable brilliance aside, seeing it all lead to MJ completely letting loose with a rare vulnerability in his on court interview and in the locker room writhing on the floor after beating the Sonics is remarkable to witness. The Last Dance feels incomplete because Michael is going to tell the story he wants but it feels like even though the narrative has been framed and re-framed there is still a lot of unfulfilled resentfulness and doubt that must be vanquished for him to find the happiness and peace he's still chasing and you wonder, if he could trade everything he wants for what he achieved, would he? The conflict between invincibility and helplessness author a fascinating dichotomy.

"That wasn't Michael Jordan out there. It was God disguised as Michael Jordan" … you're god damn right, Bird.


(22) Unsolved Mysteries [[Netflix]] - ★★★☆☆

Can't mention True Crime without invoking the cultural resonance of the original Unsolved Mysteries that ran for two decades towards the end of the 20th century. So, when I heard Netflix was bringing a classic back -- albeit re-imagined and updated to 21st century standards, I was a tad hesitant. Suffice it to say, the reboot is more grounded, authentic and stylistically appropriate in exploring the human tragedies it depicts and reconciles than the original and has, at the same time, thankfully done away with aspects that allow for more breathing room. What worked for the original, a formulaic and ridiculously over-the-top reenactment spectacle, is nowhere to be found in the reboot and the mysteries' emphasis and focus are squarely centered around familial grief and trauma while being unraveled by eyewitnesses, authorities and friends. The original series tended to also veer into the paranormal, miraculous and extraterrestrial a little too often for its own good and its stories found themselves veering into conspiratorial wonderlands rife with supposition, implausible claims and a lack of verifiable evidence. The reboot grounds itself in intriguing mysteries that vary in terms of the degree to which they've been solved but are all connected in terms of presenting questions that range from being seemingly obvious to impossible to tantalizingly close to being answered. Going forward I'd love to see more contemporary mysteries like the Alonzo Brooks episode explored – an African Hispanic man who was clearly murdered and possibly tortured by racists in rural small-town Kansas is one of those cases where you can't help but seethe at the obvious reality that local authorities, its residents and others conspired to protect those who carried out a modern day lynching of a non-white person in their sundown town. Seeing Unsolved Mysteries dare to confront and tackle issues such as this is both necessary and much welcomed and I look forward to seeing what they have coming in the next 6 episodes.


(23) Away S1 [[Netflix]] - ★★½☆☆

For a show that draws its inspiration from Astronaut Scott Kelly's yearlong assignment on the International Space Station, Away would be better served by hiring him on in a consulting role as a foundation for its scientific exploration going forward. Before committing, it serves the viewer well to understand that the first season pins its hopes on being a space soap opera instead of a space epic grounded in real-world science. Interpersonal conflict often feels like an unearned plot device here because the balance between the humanity of characters and the broken families they've left behind on Earth constantly compete in an awkward tug of war with the technical difficulties of sending a crewed capsule to Mars. Perhaps hesitant in looking too far forward and establishing itself and its characters instead, Away often finds itself looking backwards making a deliberate choice to delve into exploration of the difficulty of coping with long distance relationships and how one's personal ambitions and mental wellbeing often is of less import than sacrificing one's ethos in the pursuit of a greater good. To be fair, while the plotting of these narratives between the crew of the Atlas and those back on Earth can be pedantic and disjointed, flashbacks from before the launch do an effective job of fleshing out and peeling back the layers of the Atlas crew and tying together the thematic threads of abandonment, guilt and loneliness these characters are trying to navigate. Some of these – Misha's relationship with his daughter and Lu's relationship with someone she loves being inhibited by a xenophobic nationalistic society -- are beautifully crafted and nuanced efforts that feel authentic. For other characters, less so with the heavy reliance on their backstories serving as vehicles to lock the show into what can admittedly become a wearisome character driven narrative cycle where conflicts and emergencies are always resolved by, unsurprisingly, discovering commonality between one another. This makes Away feel frustratingly predictable as a viewer and leaves a lot of scenes devoid of impact in a show that should be keeping the viewer on the edge of their seat. Hillary Swank's character, Emma, is done a disservice having the majority of her character arc revolve around her relationship with her Husband and Daughter back on Earth which comes off without the depth and nuance the writers were going for and her Husband, Matt, seems to always be caught somewhere between overwhelmed and angry or supporting and loving as he tries to balance his roles as father, spouse and NASA engineer leaving his character and performance stretched thin. Going forward, Away would benefit by exploring the destination of the Atlas crew's journey, its unknown quantities and the existential threat it provides instead of the known one they journeyed from. And perhaps somebody else besides Matt will be capable of coming up with solutions in NASA's control room.


(24) Star Trek Lower Decks S1 [[CBS AA]] - ★★½☆☆

In many ways, Lower Decks is a love letter to Star Trek that finds itself a little too infatuated for its own good in some moments and straddles that line adequately in others. It falls back on callbacks and references to previous series at the same time tending to invoke memorable scenes and characters with a unique flair and nostalgic sincerity that does work pretty well but its frustrating reliance on these moments comes at the cost of the show embarking on its own unique adventures and telling its own original stories. Perhaps this is more by design in an attempt to establish a foothold before differentiating itself tonally and plot wise moving forward but one can't help but feel that Lower Decks is caught in a weird purgatory without knowing if it wants to be comedy or parody. Satire as a plot device is fine in doses but hinting at character development and teasing adult themes without ever committing to doesn't give me confidence that the creators ever fully intend to – or even know, if they want to explore thematic issues this series is perfectly capable of tackling. If that's the case and Lower Decks chooses to not sacrifice interesting ideas by forcing hastily B-plots into episodes that don't have enough time or space to acclimatize to them, this will allow the show to dedicate the resources it's sorely lacked thus far in fleshing out the overarching plotlines it often neglected throughout the first season. Conceptually Lower Decks has a ton of potential, the main characters of the series are a diverse cast with their own unique niches; Beckett is a rebel with a cause whose brilliance is as outsized as her personality, Brad's obsession to duty is overbearing, Tendi's naivete and curiosity is refreshing and Rutherford is a nice counterbalance to her. Their interpersonal relationships with each other and the crew are humorous and interesting even if their adventures aren't anywhere as intriguing. I did really love seeing Jonathan Frakes and Martina Sirtis in the season finale on the bridge of the Titan. John de Lancie's return as Q, JG Hertzler reprising a Klingon – it will be interesting to see which alumni reprise roles or play new characters throughout this series.


(25) Challenger: The Final Flight [[Netflix]] - ★★★★☆

If there's one thing the viewer unquestionably, and so frustratingly, takes away from Challenger: The Final Flight, it's once again being reminded at how preventable this tragedy was and why it should have never happened. The regressive arrogance and culture of entitlement at NASA that trivialized the human equation at the expense of funding and adulation from the public is contextualized in an unflinchingly honest and powerful prosecution of those at fault through a comprehensive bevy of interviews, archives and news footage further incriminating and indicting those involved in the space program at NASA and the solid rocket booster development at Morton Thiokol. A lot of this information is already known of course and most of us are more than familiar with the Challenger tragedy but The Final Flight emphasizes and discerningly humanizes Dick Scobee, Michael Smith, Christa McAuliffe, Greg Jarvis, Judy Resnik, Ellison Onizuka and Ronald McNair by exploring the unbounded hope with which they lived their lives anecdotally through their family members and friends – it's a heart wrenching recollection of the extraordinary lives lost and a sorrowful contemplation of what should have been. A lot of time throughout The Final Flight's four episodes is dedicated to the scientific and societal impacts of NASA embarking on its journey to transform space travel with the Shuttle Program, efforts to diversify a profession that lacked diversity and make space flight more accessible but these naked performative attempts and exploitation only serve to infuriate as the curtain is peeled back and these efforts are exposed as little more than jingoistic propagandization. Counterbalanced against the profound desires of a revering public who had come to deify NASA during one of the most hopeful and exciting times in American history and seeing a generation of dreams – a loss of innocence, the grief and sorrow that transfixes over children's faces as they watch Challenger explode after liftoff is soul crushing in a way that's impossible to put into words. Brian Russell, an engineer at Morton Thiokol, who repeatedly warned that the O-rings were bound to fail at colder temperatures but was overruled by his managers and NASA is a man who is clearly pained and carries the deaths of those onboard Challenger with him every waking moment but the same can't be said for William Lucas. This is a man who has nauseatingly compartmentalized his complicity in the murder of seven innocent souls and clearly possesses neither a conscience or any shame whatsoever by saying he'd do it again. He has the audacity to not only hold himself accountable for launching Challenger knowing full well he was playing Russian Roulette but also justifies his actions by trivializing their deaths as the cost of scientific advancement and equivocating the Challenger disaster with his ancestors crossing the Appalachian Mountains. One thing I would have liked to see The Final Flight devote more time to is the roadblocks put up by the Roger's Commission, the systemic issues at NASA that were glossed over and the research that went into redesigning Morton Thiokol's solid rocket boosters instead of lending credence to Christa McAullife constituting a safety risk. I'd be interested in seeing Netflix offer a similar miniseries on Columbia because space exploration, inclusive institutions in STEM fields, our cultural mood towards them, transparency and lack of faith in the systems, policies and people designed to protect us are still as relevant today as they were back in 1986 and 2003.


(26) Blood of Zeus S1 [[Netflix]] - ★★★★☆

Netflix is becoming an animation powerhouse and their latest offering is, in many ways, one of their best efforts so far. Blood of Zeus brilliantly creates a wholesome contextual groundwork of its setting and takes careful aim in crafting its plotting in order to build its world in a thoughtful nuanced manner. The amount of scenery explored in a scant 8 episodes – running at less than 30 minutes each, is nothing short of impressive. Blood of Zeus also feels wholly original, looks unique and doesn't mind offering up a modern interpretation on Greek mythology in exploring its origin story while keeping the authenticity of familiar Olympian canon close to its vest. I find Zeus' fallibility doesn't get the attention it deserves often enough in Greek pantheon but Blood of Zeus, in balancing the conflicts on Olympus between the Gods and the conflict transpiring on Earth, offers an essential and dramatic interpretation of his (and plenty of others) foibles. If there is one minor complaint however, the heavy focus on Zeus' infidelity and Hera's resentful jealousy does comprise the vast majority of the conflict we're subjected to on Mount Olympus which often times leaves the other Gods on the periphery. Overall, the stories we do get are an enjoyable exploration of the pantheon and in future seasons there's plenty of expectation that the other gods should be getting a little more time devoted to their stories being fleshed out. Heron's story on its own leaves a little to be desired but balanced again Seraphim's, the expository efforts of thematic elements – identity, vengeance, redemption are tightly plotted and lead to a final confrontation that crescendos impactfully with both of these characters channeling their demons in starkly contrasted manners. The gorgeous animation, character design, weighty orchestral score and striking set pieces add an element of epic feeling to the package that elevates both the story Blood of Zeus is telling and makes this journey through the lore of the Greek pantheon feel rewarding and earned. The entire final battle, from the giants emerging from the sea approaching Olympus and the fight between them and the Gods is visually intoxicating and choreographed beautifully. In a potential second season I'll be looking to see how the future of Olympus shakes out without Zeus and whether his sacrifice and reconciliation with Hera affects Heron into being a unifying force whose battle with Seraphim and willingness to shift his morality drew parallels with Zeus' own. Seraphim's desire for autonomy in the mortal realm was a rewarding arc but with Hades likely eyeing up the same desires for him in the Underworld alongside harnessing the power of the souls he guards, there's a ton of potential for where the Parlapanides brothers can take this series moving forward. Looking forward to it.


(27) + (28) Scooby Doo Mystery Incorporated S1, S2 [[Cartoon Network]] - ★★★★½

Scooby Doo Mystery Incorporated transcends its roots and builds upon the lore of the series with an ambitious and fully realized entry that fleshes out its previously undeserved and neglected characters by infusing them with actual motivations, interpersonal dynamics and relationships that exist beyond the archetypal tropes the series has relied on in the past to help solve its mysteries. Mystery Incorporated doesn't do this at the expense of embodying the traditional formulaic approach Scooby Doo is known for however -- there are still plenty of running gags, self aware references and satirical homages to previous incarnations offering up the lovable goofy zaniness everybody has come to love but the difference here is these serve as a framework to drive an overarching plot that creates genuine suspense and affects the lives of those in Crystal Cove in measurable ways instead. As a result, the way in which the series is able to balance itself tonally between the innocuously lighthearted and harmless moments as well as its more structured sinister moments is brilliant and lends itself to delivering some truly heartbreaking emotional gut punches with an intelligence and maturity that elevates Mystery Incorporated into a satisfying package leaving its viewer fulfilled. Gone are the two-dimensional simplistic caricatures the main gang has typically embodied – Fred is ambitious but clueless, obsessed with one true love while oblivious to another; Daphne is alluring and intelligent but burdened by her station in life and the expectations placed upon her; Velma is quick witted and perceptive but insecure due to unrequited love that leaves her isolated; Shaggy and Scooby's relationship is still the co-dependent friendship it's always been but the complexity and empathy explored humanizes both characters beautifully. These characters now feel fleshed out and designed as they were originally intended helped in part by the addition of their parents and families who serve to introduce personal consequences and thematic undercurrents of betrayal and deceit throughout. The world building here is cleverly imagined as well aiding in grounding the adventures and characters we meet along the way. Crystal Cove feels like its own versatile unique entity with the atmosphere of a decidedly nostalgic small-town horror vibe that aesthetically resonates with the sophisticated tone, humor and motifs artistically developed throughout the overarching plotline. Pericles is diabolical and willing to eschew any modicum of morality in order to achieve his purpose – it's here that Scooby Doo reconstructs its mythos with its best imagined antagonist, never allowing him to become parody and offering up a rewarding conclusion to the series that crescendos in a well-earned finale. Mystery Incorporated took a risk on deconstructing its formula and exploring the versatility of the horror genre and in the process, introduced us to the best adaptation of the series yet. The exploration of cosmic horror and Lovecraftian monsters that both scares and amuses, the existential threads exploring the determination of fate and free will, the Babylonian mythology introduced – all of it is done with a genuine wit, scope and depth that makes Mystery Incorporated one of the best animated shows people have slept on. Whether Mystery Incorporated is a prequel to Where Are You or not is thrown into question in the finale but it is left open ended to potentially continuing with another season. Something that would be welcomed.


(29) The Boys S2 [[Prime]] - ★★★★½

The most enjoyable aspects of The Boys, for me, is the way this series unpacks complex themes such as gender identity, self-acceptance and tolerance, toxic masculinity and others so intelligently. Exposition wise, so much is crammed into every episode and the high's that get hit -- relevant societal issues like the cyclical nature of racism, the performative vapidity when it comes to representation and inclusion by corporate entities, violence and oppression -- are given the time to breathe they deserve and all the more impactful because of it. I could nitpick about the lack of originality in boiling things such as Naqib's ability to blow himself up as a terrorist down to casual bigoted tropes but the writers rarely stray into that lack of originality for long. There's a particularly effective, although downright disturbing, scene this season which chronicles the effects of white supremacy through radicalization as a result of weaponizing and projecting one's own insecurities onto others in order to satisfy a need for themselves and those who indoctrinated them. It's enough to make you sickeningly despondent. Stormfront and her characterization is the vehicle through which this narrative that underpins much of the season is delivered and damned if she isn't a perfect entry into The Boys' pantheon. Her and Homelander are not so different in their desire to exploit positions of privilege in order to achieve their goals but Aya Cash does a tremendous job masquerading Stormfront's fascism as patriotic freedom. The hatefulness with which she sells the torture and sociopathic vengeance as she belittles Kenji, her explanation of the efficacy of right-wing memes – it might as well be art imitating life. The quiet part being said out loud leads to a tonal shift for Stormfront that doesn't always work towards the end of the season however and it feels as if the showrunners had a little difficulty squaring up Vought's tolerance of neo-nazism and xenophobic ideology as it relates to immigrants and terrorists only becoming an issue only at a certain point. Homelander and his ever-evolving unmatched ability in being unable to form emotional connections with anybody besides himself and desperate need for adulation continues to allow the writers to subvert typical superhero tropes and play around with the allegorical undertones the show enjoys exploring so much. His thirst for power plays out in a horribly uncomfortable and torturous dynamic between himself, Becca and their son at multiple points throughout the season and made the reunion between Becca and Butcher feel a little anticlimactic and emotionally flat in comparison unfortunately. The Hughie and Starlight pairing introduces another minor qualm as it just doesn't work for me and it feels like Hughie's self-righteousness and naivety acts more of a device to further the show's machinations than anything else. On the other hand, Giancarlo Esposito is perfectly cast as Edgar – a man who knows fear is a powerful tool that those in power wield to subjugate populations and the systemic foundations of capitalist and nationalist structures they're built upon. I also loved the character development Frenchie received throughout this season; his relationship with Kimiko has humanized him and allows us to stop gnawing around the edges of his self-hatred, trauma and guilt. I have absolutely no idea where seasons 3 and 4 of The Boys is going to take us but I can't fucking wait. Just give me a lot more satirical takes, especially as it relates to public relations crafting people who can't form identities themselves, the corporate entities that control them and the entertainment industries that buoy their personas. Maeve, Annie and Kimiko though… god that was cathartic – Girls really do get it done.


(30) Alien Worlds [[Netflix]] - ★★☆☆☆

Alien Worlds
is not groundbreaking, but it is interesting on a basic level. At least from a theoretical standpoint. The blend of documentary style storytelling offers up a compelling, if somewhat narrow in scope, hypothetical basis and assumption of what the possibilities would entail for sentient life on hospitable exoplanets we've just begun to chart based on our own planet and theorizing how different cosmic or planetary variations would have an effect on their ability to adapt to potentially inhospitable circumstances. The exploration of these four distinct worlds teeming with biological diversity are beautiful to look at and the symbiotic relationships between organisms on them is fascinating but the fiction feels very constrained and limited in scope. This is because other than a handful of species and ecosystems, Alien Worlds has a frustrating habit of recycling the same footage and rarely expounds beyond a basic understanding of what would need to exist for life to thrive on these planets. It's a shortcoming, entirely understandable, that makes the knowledge presented about our own planet more engrossing than the journeys this miniseries takes us on to its other worlds. The best aspect of Alien Worlds is undoubtedly its incorporation of scientists and experts in the fields of evolutionary biology, ecology and astrophysics who are able to offer up a broad spectrum of opinions as it relates to phenomenon existing on Earth adapting to circumstances on other exoplanets. Overall, Alien Worlds plays it safe and never takes much narrative leeway and is content to ground itself in the science it presents and examines but any more than 4 episodes would feel needlessly repetitive.


(31) Star Trek Discovery S2 [[CBS AA]] - ★★☆☆☆

Discovery can't figure out if it is more interested in placing more importance exploring its writing and plot elements or if it would rather elevate its scenery and atmosphere above everything else. The latter seems to be more of a favorite for the writers which forces the show into a frustrating pattern of neglecting its setting and underusing its characters as devices in a misguided attempt to narrow the focus of its exploration to well-trodden tropes instead. Conceptually and dramatically, grief and sadness are also exploited too often and instead of opting for depth and exploration of these themes, Discovery glosses over their reality by choosing a safe route instead of challenging its audience. It tries to overcome these shortcomings by relying on an overly theatrical vibe (with an accompanying overbearing score) and ridiculous dramatic beats to elevate moments that don't feel earned into something more than they deserve which ends up doing just the opposite by making them land with a thud. Why, after three seasons now, the showrunners don't understand that not relying on erratic behavior or random decisions to generate conflict or present tension are a much more effective way to let these stories develop naturally is beyond me. There are a handful of times Discovery's third season allows its plotting context and room to be fleshed out even if its exploration of Michael's messiah complex never delves into critique or subversion of expectations. What I did enjoy about the third season is the potential of a new setting and the ability for the show to forge its own path and reset narratives in order to craft an identity independent of previous Star Trek incarnations. Being unburdened by canon and continuity also offers Discovery the opportunity to – or it should, focus on interpersonal relationships. The introduction of Book and Admiral Vance, thankfully, give us a glimpse of commitment to world building and grounding this alien universe in its human stories. Book serves as a sympathetic and relatable figure that grounds Burnham with his pragmatism while having the added benefit of counteracting the typical hero worship she often receives. His transhumanistic connection to nature is a thread that sadly feels abandoned until the finale and deserves further time devoted to it moving forward. Admiral Vance's beliefs and devotion to an entity in the Federation that finds itself out of time and place in the 32nd century offers up a little exploration of faith we place in institutions and their guiding principles but could go further. I'm also thankful that we finally get some non-binary representation on Star Trek but it does come off as token and not authentic in nature, to some degree. Adira's boyfriend dying had little emotional impact and felt like it was a hastily written plot mechanic ignoring the thematic element of shared traumatic trauma the episode revolved around entirely. An argument can be made that the relationship between a non-binary and transgender character was exploitative, the love between them taking a backseat to serve as another beat in a compounded tragedy. Also problematic is the pathos of their relationship feeling messy in general as if the writers had no clue in how to depict it. In a season that heavily focusses on an overarching theme of shared trauma, Michelle Yeoh's absence is one that leaves big boots for the show to fill. While her character veered into the territory of caricature at times and her plotting was too loose, she consistently brought levity and biting satire to a show that relies far too often on irrational characterization and poorly executed plotting. The Burn's reveal is similarly disappointing and is decidedly less exciting than the journey that came before the destination. Discovery does this often – it travels a well trodden path of expectation in lieu of the unexpected, never opting to feel anything other than predetermined. The Burn's origin offered up a thematic hypothesis that could have been intriguing and intelligently explored, not dumbed down to the omniscience of Star Trek's universe in a desperate and unsatisfying conceptual underpinning devoid of conflict or ambiguity. At least the finale gave us an awkwardly shot, disconnected from reality action scene in the cavernous turbo shaft that offered a metaphorical representation for Discovery not taking itself seriously unless it's offering up a grandiose spectacle. Michael lacking any self-awareness in questioning Saru's impartiality and objectivity when she's eternally compromised by her own shortsighted intentions has to be satire too, right? At least the new uniforms look really good. That's something at least.


(32) Dark S3 [[Netflix]] - ★★★★½

The reason Dark will do down as one of television's greatest series of all time is because there's never been anything quite like it that has managed to so expertly blend an intricate knot of time travel, alternate realities and the concept of both into an ambitious package that feels too venturesome to work. Exploring deterministic time travel with rules that ambitiously flirt with their own consistency, the exploration of branching realities conscientiously foreshadowed and a mind-bendingly efficient theoretical exploration of mythos and philosophy encompassing numerous cultures, Dark manages to juggle all of the aforementioned gracefully and more coherently than it has any right to. Admittedly, and expectedly, its final season does sometimes struggle to work through developments and plotting that get thrown towards the viewer at a breakneck pace – it's easy to lose sight of or formulate a coherent throughline because tonally and pacing wise, the numerous events and non-linear reveals do get slightly jumbled at times. I can't fault Dark here at all though; a series that hasn't always shown us the pieces falling into place while making it plainly clear that unseen hands are at work manipulating pieces into position gets some leeway if it happens to abandon a handful of story beats and some of its metaphorical existentialism comes off as half finished. Causality, much like the recurring themes of individual will, fatalism and indistinct consciousness between individuals and the concepts of compassion and sacrifice there with-in have been central to everything Dark has explored and it's one well-trodden slippery slope – something that lends itself to fertility and creation, morality, sin and judgement working so well as the primary framework season 3 coalesces around. Seeing these characters punished as the fragility of their love and compassion is taken advantage of has always grounded Dark in its characters and given meaning to the archetypal events that play out across worlds, time and dimensions. And also, how those actions are justified. I suppose one could find fault in Dark basing its entire premise on pain being borne out of loss which leads to the desire to invent and reinvent time travel ad nausea in a desperate attempt to find what one has lost while assuming that one is owed whatever they want at the expense of everyone else's need and desires – it's not original, but it doesn't need to be because everything Dark's characters do is what they're convinced is in the pursuit of a greater good to save themselves and those they care about while sparing no expense. Ultimately, the series sticks its ending as well as could be expected. The montage of "What a Wonderful World" playing while we see certain characters dissolving from their worlds is beautifully framed and a genuinely touching goodbye to this universe (or universes) and the lives we've invested in over 3 seasons. The final scene is neither definitively happy or sad but it is slightly ambiguous in a way that keeps the door tantalizingly cracked open and allows the viewer to create their own suppositions as to what it means – but even this is done in a tasteful and intelligent way, leaving a few questions unanswered without taking away any satisfaction of the finale's final act. I can't wait to see what Jantje and Baran do next with their upcoming series '1899'. If it juxtaposes its narrative on a tightrope while the metaphorical beats offer up a tantalizing mashup of Tempest, MacBeth and A Midsummer's Night Dream like Dark managed to do, we're in for a treat.


(33) The Haunting of Bly Manor [[Netflix]] - ★★★★½

Bly Manor
manages to replicate the same permeating and unsettling atmospheric unease that found itself woven seamlessly throughout Hill House but tends to construct it into a sense of dread and uncertainty that feels even more entwined and overarching throughout. It impressively serves its purpose in weaving an aesthetically layered and omnipresent fleshed out world that manages to frame the unique characterization, disturbances and quirks binding together a meticulously woven groundwork of interconnected stories against this backdrop. What I also appreciated was the storytelling narrative being framed through the use of a narrator to add better context through a personal re-telling in order to peel back and add extra dimension to some of the vagaries Bly Manor explores. The technical and visual transitions from past to present are also served well by this framework as the narrative finds itself more effectively providing clues to previously posed questions. Getting to better understand particular idiosyncrasies, coping mechanisms, attachments and the possessions of certain people whose interpersonal relationships depend on them makes them feel more reliable. The connection of haunted people and haunted settings being intrinsically drawn to one another is, I suppose, a well-trodden trope – but the Haunting Of series has never failed to intelligently maintain the specter of supernatural influences and characters sharing the same trauma. Through attention to detail, props and set pieces, the visual ques offered up create uncertainty and ambiguity that subverts expectations while exploring undertones. It's a novel effectiveness that invites the viewer's attentiveness and helps to establish the groundwork as it thematically explores and layers its characters' words and actions behind the obfuscation of motive, supernatural possession and complex trauma. In terms of representation, Dani's queerness isn't fully realized to the extent it could be but it is nuanced, well written and complex without ever defining her; the subtextual complexities of her relationship with Edmund could have been grounded with further exploration of the emotional nuance behind her apprehension however. His death, and the accompanying haunting it inflicts on Dani, comes across as hesitation and shame – internalized homophobia where his ghost is the metaphorical representation of punishment. The repression of her identity is an opportunity for Bly Manor to really explore this device but it decides to chew around the edges instead which I did find a little disappointing. By the time the finale rolls around Dani and Jaime's love story does feel convincing and wholly earned because of vulnerable exposition and attentive exploration. It is a genuine equitable romance through love and guilt, shame and regret and the decisions we make in our lives; thus, Bly Manor's gothic romance works because of how it grapples with loss and exploring the depths of confronting the reality of losing people we desperately long to be with. Another thing I feel Bly Manor knocked out of the park was the concept of memory jumping and how it established the meaning and purpose of the ghosts in Bly Manor. Repeating and reliving what was and being unable to change the past through unreliable recollections is affecting in its emotional doubt as these characters grapple with their existences. The construction of psychological horror here is deftly executed and satisfying in delivering its reveal even as the origin of its ghosts is uncovered. The structural foundation of the perpetual hauntings didn't neuter the fear or uncertainty around them for me, it deepens and layers the history of them and dynamically shows the bitterly cruel exposition of life and the afterlife through metaphorical exposition. I appreciate Bly Manor not justifying or excusing Peter's selfish manipulativeness but instead opting to contextualize him through a history of an abusive household which built him up into even more of a jealous possessive monster. I would have appreciated a little more agency for Rebecca's character though as it did feel like Peter was a codependent toxic trap she was never given a chance of escaping. The subtlety of Dani's haunting in the finale is brilliant and effective. Her and Jaime trying to appreciate each moment together as Viola's intrusive presence is embedded into ever moment gives an urgency and depth to their lives together. It's a purposeful hour of television that frames important context around character choices while offering up emotionally resonant and well-earned moments for some and less so for others as it ties up loose ends and narratives. Because it successfully forms a coherent narrative around the destruction or corruption of love and how those opportunities can either be realized or unexploited, it is well realized and doesn't stumble abjectly like Hill House's finale. Bly Manor is a sublimely acted series that constructs premises straightforward in nature and twists them on their head through psychological thrills and repetitive exploration of concept and understanding. Hill House presented psychological horror, Bly Manor dabbles in melancholic horror; how it played with our concept and understanding of memory and the people, places and things with-in them terrified and thrilled in all the ways it needed to. The beauty and warmth with which Jaime's love for Dani definitely resonates in the final few scenes while feeling relatable and natural – this gothic romance lets us explore their love in its purest most unadulterated form where it's worth all the risk in the world even knowing it will eventually be taken away.


(34) (35) (36) (37) (38) Breaking Bad S1, S2, S3, S4, S5 [[AMC]] - ★★★★★

As good on a second watch as it was the first time I had the privilege of watching this masterpiece.

Surprised it took me as long as it did to go through it from start to finish again but it gave me a renewed appreciation for one of the defining TV series of our time.
 
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Deleted member 1265

user requested account closure
Banned
Oct 25, 2017
339
There's no way I'm gonna come close to 52 (or probably even 10 for that matter) but let me grab a post for the sake of cataloging.

fatyoshi - 4/52 seasons

1. Buffy the Vampire Slayer (Season 1) - ★½
2. Buffy the Vampire Slayer (Season 2) - ★★★½
3. How to Get Away With Murder (Season 3) - ★★
4. Buffy the Vampire Slayer (Season 3) - ★★★★
5. How to Get Away With Murder (Season 4) - ★½
 
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Oct 28, 2017
848
2B or not 2B - 1/52 TV Seasons

= Bad, ★★ = Meh, ★★★ = Good, ★★★★ = Great, ★★★★★ = Excellent

Jan:
1. Sugar Rush - Season 1 (2019) -
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2/1/20 || Number of Episode: 6 ||★★★
Sugar Rush is an okay, some of the cakes are fantastic. However the regular judges on it get on my nerves (Hunter (the presenter) is quite good though). It's fun to watch, but often the judges don't seem to know what they're taking about, and it acts as more of a favouritism contest than anything else.


 
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William

Avenger
Oct 26, 2017
348
I will use this post as my List:

Completed Seasons: 18/52:


1. Messiah - ★★ I liked it and was good for a hungover new years day binge watch. I lost interest towards the end for a couple of episodes, but the final episode was pretty good.
2. Gomorrah (Season 1) - ★★★★★ Brilliant stuff, gripping from start to finish, what a great collection of utterly despicable characters who manage to keep you hooked. Ciro in particular, that guy is chilling. The actor who plays Gennaro does a fantastic job too.
I am going to watch season 2 straight away.
3. Gomorrah (Season 2) - ★★★★★ Continues to be really really good.
4. Gomorrah (season 3) - ★★★★ I think the opening episode is my favourite of the whole series but the rest of the season was not as great as previous 2.
5. Suburra (S1)- ★★★★ really liked this 1st season but fell off the 2nd almost immediately after starting it which was a shame.
6. Derry Girls (s1) ★★★★★ one of the best Sitcoms to come out in recent years I think.
7. Don't F**k With Cats ★ Watched this based on someones recommendation and thought it was really badly done. Not going to spoil it for people but I cant recommend anyone watch it.
8. Babylon Berlin (s1) ★★★★★ Wow this was amazing! The attention to detail and look of the show is fantastic, some great Flapper dance sequences and brutal violence and interesting Police stuff.
9. Locke & key ★★★ not perfect by a long shot but I enjoyed my time with it
10. Westworld S1 ★★★★★ amazing stuff I was blown away by how good this was
11. Westworld S2 ★★★★★ brilliant! The finale was great can't wait for the S3 to start
12. Better Call Saul Season 1 ★★★★★
13. Better Call Saul Season 2 ★★★★★
14. Better Call Saul Season 3 ★★★★★ Im giving them all five stars cause they are great but this one is my fave
15. Better Call Saul Season 4 ★★★★★
16. Narcos Season 1 ★★★ I think this could have been great but it is ruined by really bad pacing I think. The narration is bad too.
17. Narcos Season 2 ★★★ Narration continues to be bad and they could have spread the story out a bit better maybe?
18. Narcos Season 3 ★★★★ Much better


Abandoned:
Suburra S2 They killed everyone I liked and I made the mistake of spoiling myself on something from the film, which this is a prequel to, which kind of ruined it for me. I might go back and finish it as I think there is another season planned.
Gomorrah S4 - watched the first 4 episodes and not feeling it, but i think i might go back later on.
Medical police (not as as good as Children's Hospital, but has its moments)
James May our man in Japan
 
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KingFox

Member
May 17, 2018
998
Aight I'm in! Dracula will likely be this years first show since it's only three episodes long. Think I'm going to wait until it drops on Netflix on the 4th instead of live watching it on the BBC.

In the meantime I will check out the first eps of Messiah and Spinning Out.

Both episodes piqued enough of an interest to move on to the three-ep test to determine if I want to watch the whole thing. It's AA Netflix stuff, but that's OK not everything needs to be Stranger Things or The Crown level to be entertaining.

Also started American Horror Story: 1984. It's a short season so I should be done with it even before Dracula hits. Just hope the twists will be good, because it is really aggressively stupid so far. Even for an 80's slasher spoof.
 

radosiewka

Member
Oct 29, 2017
95
Warsaw, Poland
I'm in and it seems more doable for me than 52 games (I want to read 75 books though, still waiting for a similar thread for them).

  1. Greatest Events of WWII in Colour (S1) ★★★★
  2. Movies That Made US (S1) ★★★
  3. Dracula (S1) ★ ½
  4. Narcos (S2) ★★★
  5. Narcos (S3) ★★★ ½
  6. After Life (S1) ★★★★
  7. Hitler's Circle of Evil (S1) ★★★
  8. Sex Education (S2) ★★★★½
  9. BoJack Horseman (S6) ★★★★½
  10. The Good Place (S4) ★★★ ½
  11. Chilling Adventures of Sabrina (S3) ★★★
  12. Wataha (S3) ★★★★½
  13. Sacred Games (S1) ★★★½
  14. Sacred Games (S2) ★★★
  15. Ragnarok (S1) ★★★★
  16. Inside the Mossad (S1) ★★
  17. Big Little Lies (S2) ★★★★½
  18. The Last Czars (S1) ★★★★
  19. Empire of the Tsars (S1) ★★★★
  20. Beforeigners (S1) ★★★★
  21. Altered Carbon (S1) ★★★★
  22. Altered Carbon (S2) ★★
  23. The Righteous Gemstones (S1) ★★★★½
  24. Collateral (S1) ★★★½
  25. Star Trek Discovery (S1) ★★★★
  26. Star Trek Discovery (S2) ★★
  27. Into the Night (S1) ★★★★½
  28. Run (S1) ★★★½
  29. Last (S1) ★★★
2020 CHALLENGE STATUS: 28/52

Watching right now:
  • Glow, Season 3 on Netflix
1. Greatest Events of WWII in Colour (S1) ★★★★
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(Netflix, 10 episodes) The documentary series premiered at the end of last year (with some controversies as in the first minutes of the first episode they showed the incorrect map) and it is a good entry-level documentary series about WWII. Some mistakes and brushing of important parts of the war (Russians are basically only on one episode, there is almost nothing about Poland, not enough about Balkans, Italy, Afrika Korps and Australia) are evident but I wasn't disappointed in the final effect.

I wanted to see a complex outlook on WWII and I got it (I will later expand it with reading books about the topics I'm the most interest in). Netflix advertises it as an amazingly restored footage and indeed, it's done just fine. Sometimes for the sake of the narration and having some material to show - they used footage of similar events from the War, but it is understandable. The best part of this well-structured documentary series are interviews with military and history experts and people who took part in the world. Not five stars because it omitted some important parts of the history and sometimes it just wanted to push on us some perspective and ideas instead of letting the viewers judge it by themselves. I found episodes about Blitzkrieg (ep1), Pearl Harbor (ep3), Battle of Midway (ep4) and Hiroshima (ep10) most comprehensive.
2. The Movies that Made Us (S1) ★★★
the-movies-that-made-us-netflix.jpg

(Netflix, 4 episodes) I had high expectations about this one after my friend recommended it to me. And I was kind of disappointed. Mostly because its such an uneven series - episodes about Home Alone and Dirty Dancing are great, but the one about Die Hard is just so boring and they try to make it more attractive blowing up some usual problems with film production (noises for the neighbors etc.). Still - if you are interested in the cinematography or love one of the shows that are presented in this series - give it a try.
3. Dracula (S1) ★ ½
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(Netflix & BBC, 3 episodes) I didn't have big expectations for that title, still - I was so disappointed. Boring and forgettable story. There are better shows to watch.
4. & 5. Narcos (S2) ★★★ and (S3) ★★★ vv
narcos

(Netflix, 2 seasons 10 episodes each). It took me a while;e to come back to this series after watching the first season. It's one of those shows that are good, but not so great that you would tell about them to your friends and encourage them to watch. I've liked the third season about the Cali Carter more than the first two about Pablo Escobar. If you are interested in the topic or are a fan of Pedro Pascal - watch it.
6. After Life (S1) ★★★★
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(Netflix, 1 season with 6 episodes) Ricky Gervais for most of the time is seen as a funny, comedy guy - and here he provides an intriguing story of a man, who lost his beloved wife and can't cope with it. Short season mixes times of sadness with a more heartwarming one, when the people around the main characters are trying to support him.
7. Hitler's Circle of Evil (S1) ★★★
01_33_CircleOfEvil_S01.jpg

(Netflix, 1 season with 10 episodes) Another TV show about history - this one is definitely for people who already have some knowledge about the events of WWII, because as the title states - it's not about that at all. So you won't know how the war was proceeding, why Hitler failed on the Eastern Front etc. Instead of that viewers get a thorough look at the people inside Hitler's closes circle and how they influenced him. It's even more about them than Hitler himself. This could have a more general outlook on Nazi Germany but it's still a good add-on to the basic knowledge about history.
8. Sex Education (S2) ★★★★½
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(Netflix, second season with 8 episodes) The first season was a big hit for Netflix and it refreshed the young adult genre. After watching it, I liked the second season even more. Otis is a son of the well-known sex-therapist and he is a teenager who sees his chance to get some more money and use his knowledge to give sexual advice for his classmates. The second season went a little bit away from Otis problems and gave more time for other characters - his gay friend in a love triangle, a girl who was sexually assaulted in the bus (the talk with other girls from the school in the 7th episode is great and disturbing in the same time) and problems of the adults (including Oti's mother played by great Gillian Anderson). I've watched it in two seatings (7 episodes in the night and one after some hours of sleep in the day) and it's a perfect show to binge-watch if you are looking for something lighter but with important topics as well.
9. BoJack Horseman (S6, part 2) ★★★★½
9-Quotes-from-Bojack-Horseman-That-Are-Solution-to-Your-Problems.jpg

(Netflix, the second part of the 6th season) This is one of those shows that everyone recommends you to watch and you are like 'nah, it's a cartoon with animals why should I watch it'. And you should listen to your friends because they are right! Story of a fading star in the Hollywoo industry, who is kind of trying to change, to be on top and yet - never happy and achieving something lasting is disturbing and surprisingly mature. BoJack Horseman is a character that is hard to categorize, because as always - it's more complicated than describing a person with only one or two words. The same goes for him and other characters. Through the series, we meet a lot of them and in the end - I think they all go through a journey for an ending that is satisfying. It's a show that can be very depressing but it's just how life is - not always great, sometimes we try and nothing good happens, and sometimes we just have to learn how to live in it, even though it's different that what we've expected. Afterall - one of the best TV shows on Netflix, definitely must-watch (even though the earlier episodes were better).
10. The Good Place (S4) ★★★ ½
the-good-place-season-4-netflix-release-schedule.jpg

(Netflix, final season with 13 episodes) It's a unique TV show about afterlife and people who are living there. The final season wraps up everything nicely - and this is exactly how this show looks like - it's nice. Kirsten Bell as Eleanor played her character's journey well and I am glad, that I've watched it. The other cast members are doing a stellar job as well and they are getting an intelligent scenario to play. And somewhere in the absurdist humor are a witty remarks on the humans life, motivations and needs.
11. Chilling Adventures of Sabrina (S3) ★★★
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(Netflix, third season with 8 episodes) This is a bit weaker than the second season (which had some strong subplots about feminism and in this one Sabrina basically throws out everything for a boy), yet still satisfying, dark and full of original characters. The finale is interesting and well-written.
12. Wataha (S3) ★★★★½
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(HBO GO, third season with 6 episodes) The best season so far and it closed so many plot threads that they may as well leave it that way. It's a story set in Bieszczady - south-eastern part of Poland, near the border with Ukraine. Two main characters are a border guard (great Leszek Lichota) and state prosecutor (even better Aleksandra Popławska). In the third season, series gets into some up-to-date topics: human trafficking at the Polish-Ukraine border (and the same time EU border), illegal slavery of people transferred there to work on the lowest conditions possible and mafia influences at the highest levels of government and corporations. Great story and the views of forests and mountains are stunning.
 
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dead souls

Member
Oct 25, 2017
4,317
I'm in of course, and like others have mentioned I think Dracula will most likely end up being my first show due to its brevity and release date.
 
Oct 25, 2017
93
Love that there is finally one of these for TV.

ThisNoHasNoName - 19/52

01. Supergirl (S3) - ★★★
02. The Flash (S3) - ★★½
03. Arrow (S5) - ★★★½
04. The Mandalorian (S1) - ★★★★★
05. High School Musical: The Musical: The Series (S1) - ★★★★
06. Yes! Precure 5 GoGo! - ★★★
07. Arrow (S8) - ★★★★
08. His Dark Materials (S1) - ★★★★½
09. Harley Quinn (S1) - ★★★★
10. Fresh Pretty Cure! - ★★★★★
11. Shadowhunters (S1) - ★★★½
12. The Chilling Adventures of Sabrina (S1) - ★★★
13. Harley Quinn (S2) - ★★★★★
14. Batwoman (S1) - ★★★
15. Sailor Moon R - ★★★★
16. Inuyasha (S1) - ★★★★
17. The Owl House (S1) - ★★★★★
18. Dating Class - ★★★★
19. Inuyasha (S2) - ★★★★
20. The Mandalorian (S2) - ★★★★★
21.

It's Okay Not To Be Okay
Nancy Drew (S1)
Stumptown (S1)
Doctor Who (S11)
Steven Universe: Future (S1)
Ducktails (2017-) (S1)
Legacies (S2)
 
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KtotheRoc

One Winged Slayer
Member
Oct 27, 2017
56,615
Doing the 52 game challenge, so why not?

Quick question, can I count things that I didn't start this year such as the final season of The Good Place? Or do I need to go back and watch that from the beginning?

January

1. Preacher (S4) - ★★★
2. Watchmen (S1) - ★★★★
3. The Good Place (S4) - ★★★★

February

4. Dr. Stone (S1) - ★★★

March

5. Castlevania (S3) - ★★★
6. Curb Your Enthusiasm (S10) - ★★★★
7. Black Lightning (S3) - ★★★

April

8. Kaguya-Sama: Love Is War (S1) - ★★★
9. Modern Family (S11) - ★★
10: Brooklyn Nine-Nine (S7) - ★★★

May

11: Stumptown (S1) - ★★★
12: Cells At Work (S1) - ★★★
13: The Flash (S6) - ★★½
14: Rascal Does Not Dream Of Bunny Girl Senpai (S1) - ★★★★

June

15: Aggretsuko (S2) - ★★★★
16: Amagi Brilliant Park (S1) - ★★

July

17: Hi Score Girl (S1) - ★★★
18: Hi Score Girl (S2) - ★★★
19: My Hero Academia (S4) - ★★★
20: Portlandia (S6) - ★★★
21: Legends of Tomorrow (S5) - ★★★★
22: Supergirl (S5) - ★★
23: Better Call Saul (S5) - ★★★★★
24: Batwoman (S1) - ★★½
25: Monthly Girls' Nozaki-kun (S1) - ★★★★
26: Space Force (S1) - ★★½
27: BNA (S1) - ★★★½

August

28: Portlandia (S7) - ★★★
29: Portlandia (S8) - ★★★★
30: Harley Quinn (S1) - ★★★★
31: Harley Quinn (S2) - ★★★★
32: Disenchantment (S1) - ★★½
33: The Legend of Korra (S3) - ★★★½
34: The Legend of Korra (S4) - ★★★½
35: The Dragon Prince (S1) - ★★★
36: The Dragon Prince (S2) - ★★★
37: The Dragon Prince (S3) - ★★★½

September

38: Aggretsuko (S3) - ★★★½
39: Riverdale (S4) - ★★
40: Cobra Kai (S1) - ★★★★
41: Agents of SHIELD (S7) - ★★★½
42: Cobra Kai (S2) - ★★★★
43: Wizards: Tales of Arcadia (S1) - ★★★½

October

44: Konosuba (S1) - ★★★
45: Konosuba (S2) - ★★★
46: Dragon's Dogma (S1) - ★
47: Evil (S1) - ★★★½

November

48: JoJo's Bizarre Adventure (S1) - ★★★½
49: Last Week Tonight With John Oliver (S7) - ★★★★★
50: JoJo's Bizarre Adventure (S2) - ★★★½
51: Young Justice (S3) - ★★★★
52: Animaniacs (2020) (S1) - ★★★½

December

53: The Mandalorian (S2) - ★★★
 
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Pluto

Member
Oct 25, 2017
6,416
Finished:
  1. Interior Design Masters ★★★
  2. The Good Place Season 4 ★★★★
  3. Der Tatortreiniger Season 1 ★★★
  4. His Dark Materials Season 1 ★★★★
  5. Rick and Morty Season 4, Part 1 ★★
  6. Ultra Q ★★
  7. Doctor Who Series 12 ★★★
  8. Der Tatortreiniger Season 2 ★★★
  9. Kishiryu Sentai Ryusoulger ★★
  10. Star Trek Picard Season 1 ★★★
  11. Steven Universe Future ★★
  12. My Hero Academia Season 1 ★★★★★
  13. Der Tatortreiniger Season 3 ★★★
  14. Der Tatortreiniger Season 4 ★★★
  15. Der Tatortreiniger Season 5 ★★★
  16. Der Tatortreiniger Season 6 ★★★
  17. Der Tatortreiniger Season 7 ★★★
  18. Next in Fashion Season 1 ★★★★
  19. Making the Cut Season 1 ★
  20. The Big Flower Fight ★★
 
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Joni

Member
Oct 27, 2017
19,508
01. 01/02 The Wire S5 - ★★★

Show should have ended after the third season, when it was a nice whole. The fourth season was unfocused, with keeping everyone apart and the fifth season just changes the scope and goes completely crazy. Chris/Snoop are the only great parts. But some people just suck, like Herc and S5 McNulty.
 

dead souls

Member
Oct 25, 2017
4,317
01. 01/02 The Wire S5 - ★★★

Show should have ended after the third season, when it was a nice whole. The fourth season was unfocused, with keeping everyone apart and the fifth season just changes the scope and goes completely crazy. Chris/Snoop are the only great parts. But some people just suck, like Herc and S5 McNulty.
The fourth season of The Wire is the best season of television ever. It not existing would be a travesty.
 
Oct 27, 2017
359
Nashville
Fun! I'm in! :)

NolaDaControlla - 12/52 TV Seasons
1. The Witcher - S1 ★★★★★
2. Dracula - S1 ★★★
3. Unbelievable - Miniseries ★★★★
4. Sex Education - S2 ★★★★★
5. Ragnarok - S1 ★★★
6. Locke & Key - S1 ★★★★
7. I Am Not Okay With This - S1 ★★★
8. The Sinner - S2 ★★
9. The Outer Banks - S1 ★★★
10. Dead To Me - S1 ★★★
11. Dead To Me - S2 ★★★
12. Letter For The King - S1 ★★★

Currently Watching:
- Hunter x Hunter - Season 2
- The Mandalorian - Season 1
 
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KyleP29

Member
Oct 25, 2017
127
Guess I will give this a go.

  1. See (S1) - 1/2/2020 - ★☆☆☆☆
  2. Watchmen (S1) - 1/7/2020 - ★★★★★
  3. Fleabag (S1) - 1/8/2020 - ★★★☆☆
  4. Fleabag (S2) - 1/8/2020 - ★★★☆☆
  5. The Expanse (S1) - 1/11/2020 - ★★★☆☆
  6. The Expanse (S2) - 1/13/2020 - ★★★★☆
  7. The Expanse (S3) - 1/15/2020 - ★★★★☆
  8. The Expanse (S4) - 1/16/2020 - ★★★☆☆
  9. Killer Inside: The Mind of Aaron Hernandez - 1/17/2020 - ★★☆☆☆
  10. The Witcher (S1) - 1/20/2020 - ★★★☆☆
  11. Sex Education (S2) - 1/21/2020 - ★★★★☆
  12. Messiah (S1) - 1/24/2020 - ★★☆☆☆
  13. Chilling Adventures of Sabrina (P3) - 1/29/2020 - ★★★★☆
  14. Evil (S1) - 1/31/2020 - ★★★☆☆
  15. BoJack Horseman (S6) - 2/3/2020 - ★★★★☆
  16. His Dark Materials (S1) - 2/4/2020 - ★★★☆☆
  17. Servant (S1) - 2/5/2020 - ★★★★☆
  18. Truth Be Told (S1) - 2/7/2020 - ★★★☆☆
  19. Locke & Key (S1) - 2/11/2020 - ★★★☆☆
  20. Dracula (S1) - 2/13/2020 - ★★★☆☆
  21. Mythic Quest: Raven's Banquet (S1) - 2/14/2020 - ★★★☆☆
  22. The New Pope (S1) - 2/16/2020 - ★☆☆☆☆
  23. Shameless (S10) - 2/18/2020 - ★★★★☆
  24. Narcos: Mexico (S2) - 2/21/2020 - ★★★☆☆
  25. Hunters (S1) - 2/28/2020 - ★★☆☆☆
  26. Gordon Ramsay's 24 Hours to Hell and Back (S3) - 3/1/2020 - ★★☆☆☆
  27. Altered Carbon (S2) - 3/6/2020 - ★★★☆☆
  28. Castlevania (S3) - 3/12/2020 - ★★★★☆
  29. Hillary - 3/16/2020 - ★★☆☆☆
  30. Dirty Money (S2)- 3/17/2020 - ★★☆☆☆
  31. Lincoln Rhyme: Hunt for the Bone Collector (S1) - 3/17/2020 - ★★☆☆☆
  32. 100 Humans (S1) - 3/18/2020 - ★★☆☆☆
  33. All American (S2) - 3/19/2020 - ★★★☆☆
  34. Avenue 5 (S1) - 3/20/2020 - ★☆☆☆☆
  35. Kidding (S2) - 3/22/2020 - ★★★★☆
  36. Tiger King - 3/29/30 - ★★★★☆
  37. Curb Your Enthusiasm (S10) - 3/31/2020 - ★★★★☆
  38. Ozark (S3) - 4/4/2020 - ★★★★★
  39. Dark (S1) - 4/5/2020 - ★★★★☆
  40. Dark (S2) - 4/6/2020 - ★★★★☆
  41. Miracle Workers: Dark Ages - 4/6/2020 - ★☆☆☆☆
  42. High Maintenance (S4) - 4/9/2020 - ★★★☆☆
  43. Brews Brothers (S1) - 4/11/2020 - ★★☆☆☆
  44. Community (S1) - 4/13/2020 - ★★★☆☆
  45. Community (S2) - 4/15/2020 - ★★★☆☆
  46. Community (S3) - 4/15/2020 - ★★★☆☆
  47. Community (S4) - 4/16/2020 - ★★☆☆☆
  48. Community (S5) - 4/16/2020 - ★★☆☆☆
  49. Community (S6) - 4/16/2020 - ★★☆☆☆
  50. The Outsider (S1) - 4/22/2020 - ★★★☆☆
  51. The Sinner (S3) - 4/22/2020 - ★★☆☆☆
  52. Better Call Saul (S5) - 4/24/2020 - ★★★★☆
  53. After Life (S2) - 4/25/2020 - ★★★☆☆
  54. Little Fires Everywhere (S1) - 4/28/2020 - ★★★☆☆
  55. The Last Kingdom (S4) - 5/1/2020 - ★★★★☆
  56. Uploaded (S1) - 5/2/2020 - ★★★☆☆
  57. Hollywood (S1) - 5/4/2020 - ★★★☆☆
  58. Dispatches From Elsewhere (S1) - 5/6/2020 - ★★☆☆☆
  59. Devs (S1) - 5/8/2020 - ★★☆☆☆
  60. The Rookie (S2) - 5/10/2020 - ★★☆☆☆
  61. Westworld (S3) - 5/11/2020 - ★★★☆☆
  62. Homeland (S8) - 5/13/2020 - ★★★★★
  63. Survivor (S40) - 5/14/2020 - ★★★☆☆
  64. The Plot Against America (S1) - 5/15/2020 - ★★☆☆☆
  65. How to Get Away with Murder (S6) - 5/17/2020 - ★★☆☆☆
  66. Shark Tank (S11) - 5/17/2020 - ★★★☆☆
  67. The Last Dance - 5/20/2020 - ★★★★★
  68. Australian Survivor (S6) - 5/21/2020 - ★★★★☆
  69. Dead to Me (S2) - 5/25/2020 - ★★★★☆
 
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Naijaboy

The Fallen
Mar 13, 2018
15,249
Does Youtube+ count? Because I'm going through guilty pleasure Escape The Night.
 
Oct 27, 2017
12,974
(1) You S2 [[Netflix]] - ★★★½

Now an original Netflix production, S2 builds on everything that made S1 great. The second season takes time to flesh out its source material with changes and additions, some subtle and others more apparent, for the better. Where You really elevates itself is in its carefully crafted characterization and exposition wrapped up in an atmosphere equal parts harrowing, creepy and familiar. It's uncanny how this show can humanize an irredeemable character like Joe and make him sympathetic to the viewers. While I find his ability to escape situations after he backs himself into a corner a little too ridiculous sometimes and need to suspend my disbelief, I do appreciate the psychological layers they peeled back in exploring his traumatic childhood and the effect it had on his warped worldview. Can't wait to see what's in store going forward. I'm hopeful that the show surprises again and doesn't head in the direction they hinted at in the 2nd season finale; there's a lot of story they can tell but there is a danger in playing it too safe and making Joe's new fascinations seem too familiar at some point.

(1) You S2 [[Netflix]] - ★★★½☆



(2) Lost In Space S2 [[Netflix]] - ½☆☆☆

The first season of this series bored me and I skipped numerous episodes; the second, addictive to say the least. Lost In Space is, from a production standpoint, the best looking show on TV at the moment. No expense is spared in its budget. If you turn your brain off and enjoy it for what it is, it provides a thrilling ride. Writing (constant deus ex machinas, trope riddled characters) and pacing (stuck in 6th gear) could use work but what the show lacks here, it makes up for with its action dependent narrative. I bounce back and forth on the Robinson family; they feel like ridiculous caricatures checking off the boxes too often for my liking and I am not invested in their stories as much as it feels like the show wants me to be. June Harris/Dr. Smith on the other hand, she is a ridiculously written evil villain but is, in my opinion, the most interesting character here and steals every scene she's in.
 
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William

Avenger
Oct 26, 2017
348
Just finished S1 of Gomorrah and I had no idea it was so good, wow. I think Ill be binge watching the remaining 3 seasons of this next. Then I have to dive into some murder mystery shows, as I got addicted to them over christmas with the parents. It is non stop Death In Paradise (which is good fun if anyone hasn't seen it, although not particularly deep) at their house.
I like the look of Hinterland on Netflix so might give that a go.
 

vypek

Member
Oct 25, 2017
12,532
That is awesome that stuff that concludes this year counts. I could have been off to a great start but I binged too much last year. RatskyWatsky , should we keep a single post in the thread and keep updating it as we conclude our seasons?

01. The Boys (S1) - ★★★★
I'm not sure what even will qualify as a 5 star season to me at this point but this show is one I enjoyed a lot and already looking forward to season 2.
02. Dollface (S1) - ★★
An okay show that I may or may not stick around for when/if season 2 comes along. I would probably give it 3 stars if the lead were different. Kat Dennings just seems so emotionless in a lot of scenes and pretty much all other cast members are more entertaining to me than her.
 

KingFox

Member
May 17, 2018
998
I will use this post for my full list from here on out:

KingFox - 130/52

01. American Horror Story: 1984 [FX] - ★★★½
02. Dracula [BBC] - ★★½
03. Spinning Out S1 [Netflix] - ★★★½
04. Messiah S1 [Netflix] - ★★★
05. Obsolete S1 [YouTube Premium] - ★★★
06. Watchmen [HBO] - ★★★★
07. Huge in France S1 [Netflix] - ★★★
08. Living with Yourself S1 [Netflix] - ★★★½
09. October Faction S1 [Netflix] - ★★
10. Chilling Adventures of Sabrina: Part 3 [Netflix] - ★★½
11. Unbelievable [Netflix] - ★★★★½
12. The Good Place S4 [NBC] - ★★★
13. Dickinson S1 [Apple TV+] - ★★★½
14. See S1 [Apple TV+] - ★★★
15. For All Mankind S1 [Apple TV+] - ★★★★½
16. Truth Be Told [Apple TV+] - ★★★
17. Agatha Christie's The Pale Horse [BBC] - ★★★
18. Harley Quinn S1 [DC Universe] - ★★★½
19. The Morning Show S1 [Apple TV+] - ★★★★½
20. Mythic Quest: Raven's Banquet S1 [Apple TV+] - ★★★½
21. Servant S1 [Apple TV+] - ★★
22. I Am Not Okay With This S1 [Netflix] - ★★½
23. Altered Carbon S2 [Netflix] - ★★½
24. Hunters S1 [Amazon Prime] - ★★★½
25. Castlevania S3 [Netflix] - ★★★½
26. Locke & Key S1 [Netflix] - ★★★
27. Kidding S2 [Showtime] - ★★★
28. Kingdom S2 [Netflix] - ★★★★
29. Devilman Crybaby [Netflix] - ★½
30. Ragnarok S1 [Netflix] - ★★★
31. Dollface S1 [Hulu] - ★★★½
32. Curb Your Enthusiasm S10 [HBO] - ★★★½
33. Ballmastrz: 9009 S2 [Adult Swim] - ★★★
34. The Righteous Gemstones S1 [HBO] - ★★★★
35. Ozark S3 [Netflix] - ★★★½
36. Star Trek: Picard S1 [CBS All Access] - ★★½
37. The Outsider [HBO] - ★★★
38. Modern Family S11 [ABC] - ★★
39. Narcos: Mexico S2 [Netflix] - ★★★
40. Dark S1 [Netflix] - ★★★★½
41. Dark S2 [Netflix] - ★★★★
42. Better Call Saul S5 [AMC] ★★★★
43. Daybreak [Netflix] - ★★★
44. Brooklyn Nine-Nine S7 [NBC] - ★★★½
45. After Life S2 [Netflix] - ★★★½
46. Ghost in the Shell: SAC_2045 S1 [Netflix] - ★★★
47. The Last Kingdom S4 [Netflix] - ★★★½
48. GLOW S2 [Netflix] - ★★★½
49. Young Sheldon S3 [CBS] - ★★★½
50. Hollywood [Netflix] - ★★★
51. Westworld S3 [HBO] - ★★★★
52. Brockmire S4 [IFC] - ★★★½
49. Young Sheldon S3 [CBS] - ★★★½
50. Hollywood [Netflix] - ★★★
51. Westworld S3 [HBO] - ★★★★
52. Brockmire S4 [IFC] - ★★★½
53. Homeland S8 [Showtime] - ★★★★
54. Solar Opposites S1 [Hulu] - ★★½
55. The Goldbergs S7 [ABC] - ★★★½
56. Schooled S2 [ABC] - ★★★½
57. GLOW S3 [Netflix] - ★★★½
58. Gangs of London S1 - [Sky] - ★★★½
59. Bob's Burgers S10 [FOX] - ★★★
60. Family Guy S18 [FOX] - ★★½
61. A.I.C.O. Incarnation [Netflix] - ★★★
62. Mrs. America [Hulu] - ★★★★
63. Space Force [Netflix] - ★★
64. Rick and Morty S4 [Adult Swim] - ★★★★
65. Killing Eve S3 [BBC America] - ★★★
66. Homecoming S2 [Amazon Prime] - ★★★
67. What We Do in the Shadows S2 [FX] - ★★★½
68. The Great [Hulu] - ★★★½
69. Reno 911! S7 [Quibi] - ★★½
70. Most Dangerous Game [Quibi] - ★
71. Flipped [Quibi] - ★★½
72. The Stranger [Quibi] - ★
73. His Dark Materials [BBC One] - ★★★
74. She-Ra And The Princesses Of Power S1 [Netflix] - ★★★
75. She-Ra And The Princesses Of Power S2 [Netflix] - ★★★½
76. She-Ra And The Princesses Of Power S3 [Netflix] - ★★★★
77. We Hunt Together [Alibi] - ★★½
78. Harley Quinn S2 [DC Universe] - ★★★½
79. Dark S3 [Netflix] - ★★★★
80. Dorohedoro S1 [Netflix] - ★★★½
81. Warrior Nun S1 [Netflix] - ★★★
82. Ju-On: Origins [Netflix] - ★★
83. She-Ra And The Princesses Of Power S4 [Netflix] - ★★★★
84. She-Ra And The Princesses Of Power S5 [Netflix] - ★★★★
85. Hanna S2 [Amazon] - ★★★
86. Japan Sinks 2020 [Netflix] - ★★
87. Snowpiercer S1 [TNT/Netflix] - ★★★★
88. Black Monday S2 [Showtime] - ★★★★
89. Cursed S1 [Netflix] - ★★★½
90. Transformers: War for Cybertron S1 [Netflix] - ★★★
91. Die Hart [Quibi] - ★★★
92. The Umbrella Academy S2 [Netflix] - ★★★★
93. Doom Patrol S2 [DC Universe/HBO Max] - ★★★½
94. Stargirl S1 [DC Universe] - ★★★½
95. Perry Mason S1 [HBO] - ★★★½
96. Marvel's Agents of S.H.I.E.L.D. S7 [ABC] - ★★★½
97. Lucifer S4 [Netflix] - ★★★½
98. The Fugitive [Quibi] - ★★
99. Teenage Bounty Hunters S1 [Netflix] - ★★★★
100. The Naked Director S1 [Netflix] - ★★★
101. Penny Dreadful: City of Angels [Showtime] - ★★½
102. A.P. Bio S3 [Peacock] - ★★★
103. Tales from the Loop [Amazon Prime] - ★★★½
104. ZeroZeroZero [Amazon Prime] - ★★★★
105. The Idhun Chronicles [Netflix] - ★★
106. The Duchess [Netflix] - ★★★
107. Das Boot S1 [Sky] - ★★★½
108. Das Boot S2 [Sky] - ★★
109. Dragon's Dogma [Netflix] - ★★½
110. The Kominsky Method S1 [Netflix] - ★★★★
111. The Kominsky Method S2 [Netflix] - ★★★★
112. Utopia [Amazon Prime] - ★★½
113. Raised By Wolves S1 [HBO Max] - ★★½
114. The 100 S7 [The CW] - ★★★
115. The Walking Dead S10 [AMC] - ★★★
116. Star Trek: Lower Decks S1 [CBS All Access] - ★★★½
117. The Boys S2 [Amazon Prime] - ★★★★
118. The Haunting of Bly Manor [Netflix] - ★★★
119. Lovecraft Country S1 [HBO] - ★★★½
120. La Révolution S1 [Netflix] - ★★★
121. Barbaren S1 [Netflix] - ★★★
122. Primal S1 [Adult Swim] - ★★★★
123. The Queen's Gambit [Netflix] - ★★★★
124. Blood of Zeus S1 [Netflix] - ★★★½
125. Vinland Saga S1 [Amazon Prime] - ★★★★
126. The Liberator [Netflix] - ★★★
127. The Good Lord Bird [Showtime] - ★★★½
128. Moonbase 8 [Showtime] - ★★
129. The Crown S4 [Netflix] - ★★★★
130. Fargo S4 [FX] - ★★★
131. The Walking Dead: World Beyond S1 [AMC] - ★★
132. The Grand Tour Presents: A Massive Hunt [Amazon Prime] - ★★★½
133. The Flight Attendant S1 [HBO Max] - ★★★★
134. The Mandalorian S2 [Disney+] - ★★★★
135. His Dark Materials S2 [BBC/HBO] - ★★★½
136. Transformers: War for Cybertron Trilogy - Earthrise [Netflix] - ★★★
137. Death to 2020 [Netflix] - ★★½
 
Last edited:

Joni

Member
Oct 27, 2017
19,508
01. 01/02 The Wire S5 - ★★★
02. 01/04 The Vampire Diaries S6 - ★★★★

Season 5 was weak with that Traveller focus, but Kai ensures a return to form. But most important, the couple of the decade with Elena and Damon. Also, Warner has a fantastic Blu-Ray feature. When you reach the end of the disc, it just asks you to eject and insert the next disc, and then it nicely starts the next episode without going through the menu. If you compare that to some Blu-Rays where you have to keep notes because the disc doesn't keep track, this is great.
 

Naijaboy

The Fallen
Mar 13, 2018
15,249
01. 1/4: Escape the Night (S4)
★★ 1/2

Not exactly my favorite season (especially disappointing as it was an all-star episode) but it was entertaining as always.
 

Pluto

Member
Oct 25, 2017
6,416
I finished Interior Design Masters on Netflix, it was fun but I didn't like the winner, the runner up should have won.
 

vypek

Member
Oct 25, 2017
12,532
I don't really know how I want to keep formatting stuff but I think I will stop writing too much for a review and will probably stick with the star ratings for now. Gonna repost my old stuff and add onto them.

01. The Boys (S1) - ★★★★
02. Dollface (S1) - ★★
03. Infinity Train (S1) - ★★★
04. Oh Jerome, No (S1) - ★★★★★

Oh Jerome, No might be something thats hard to count. Not sure if should be included under the rules but it did have a 2 hour marathon of all 8 episodes. I think they are just typically cut into the show, Cake.
 
OP
OP
RatskyWatsky

RatskyWatsky

Are we human or are we dancer?
Member
Oct 25, 2017
14,931
RatskyWatsky - 175/52 TV Seasons, 147/52 TV Series

1. Star Wars: Clone Wars | S3 | ★★★
2. Dracula | ★★½
3. The Good Place | S3 | ★★★★
4. Bonding | S1 | ★★★
5. Star Wars: Clone Wars | S4 | ★★★ 1/2
6. Peaky Blinders | S5 | ★★★
7. Derry Girls | S1 | ★★★
8. Star Wars: Clone Wars | S5 | ★★★ 1/2
9. Medical Police | S1 | ★★★★
10. Derry Girls | S2 | ★★★
11. Grace and Frankie | S6 | ★★★
12. Kipo and the Age of Wonderbeasts | S1 | ★★★
13. Seis Manos | ★★
14. Sex Education | S2 | ★★★
1/2
15. Little America | S1 | ★★★★
16. The Good Place | S4 | ★★★
17. Chilling Adventures of Sabrina | Pt 3 | ★★
1/2
18. Land of the Lustrous | ★★★★
19. BoJack Horseman | S6.B | ★★★★
1/2
20. Giri/Haji | ★★★★
21. Made in Abyss | ★★★
22. Carole & Tuesday | Pt 1 | ★★★★
23. Kaiba | ★★★★
24. Schitt's Creek | S2 | ★★★★
25. Pop Team Epic | ★★
1/2
26. Anohana: The Flower We Saw That Day | ★★★★
27. One Punch Man | S1 | ★★★★★
28. Carole & Tuesday | Pt 2 | ★★★★
29. Schitt's Creek | S3 | ★★★
1/2
30. Puella Magi Madoka Magica | ★★★ 1/2
31. Lovesick | S3 | ★★ 1/2
32. Altered Carbon | S2 | ★★
33. Castlevania | S3 | ★★
34. Kidding | S2 | ★★★
35. The Outsider | ★★
36. Dare Me | ★★★
37. The New Pope | ★
1/2
38. Gentefied | ★★★
39. Top Boy | S1 | ★★★
1/2
40. Ghost in the Shell: Stand Alone Complex | ★★★★
41. Everything's Gonna Be Okay | ★★★
42. Kingdom | S2 | ★★★★
43. Avenue 5 | ★
1/2
44. Schitt's Creek | S4 | ★★★ 1/2
45. Feel Good | ★★★
46. Top Boy | S2 | ★★★
47. Awkwafina is Nora from Queens | ★★★
48. Beastars | ★★★
49. Fauda | S1 | ★★★

50. The Corner | ★★★★ 1/2
51. Top Boy | S3 |★★★ 1/2
52. Dead Set | ★★ 1/2
53. Babylon Berlin | S1 | ★★★★
54. High Maintenance | S4 | ★★★
1/2
55. Babylon Berlin | S2 | ★★★★ 1/2
56. Tales from the Loop | ★★★★
57. Fauda | S2 | ★★★
58. Modern Family | S11.B | ★★
1/2
59. Babylon Berlin | S3 | ★★★ 1/2
60. Devs | ★★★
61. For All Mankind | S1 | ★★★★
1/2
62. Strike Back | S8 | ★★★
63. Get Shorty | S2 | ★★★
1/2
64. Ghost in the Shell: Stand Alone Complex 2nd GIG | ★★ 1/2
65. Better Call Saul | S5 | ★★★★★
66. The Plot Against America | ★★★★ 1/2
67. Fauda | S3 | ★★★ 1/2
68. Brooklyn Nine-Nine | S7 | ★★★
69. Get Shorty | S3 | ★★★
70. Homeland | S8 | ★★★ 1/2
71. Dispatches From Elsewhere | ★★★★
72. The Midnight Gospel | ★★★★
73. Breeders | ★★ 1/2
74. Dave | ★★★ 1/2
75. Better Things | S4 | ★★ 1/2
76. The Bureau | S3 | ★★★★
77. The Last Kingdom | S4 | ★★★★
78. Westworld | S3 | ★★
79. My Brilliant Friend | S2 | ★★★★★
80. Brockmire | S4 | ★★★ 1/2
81. Gomorrah | S3 | ★★★ 1/2
82. Hollywood | ★ 1/2
83. Nagi's Long Vacation | ★★★★★
84. Outlander | S4 | ★★★★
85. Normal People | ★★★ 1/2
86. Schitt's Creek | S5 | ★★★★
87. Solar Opposites | ★★ 1/2
88. Creepshow | ★★★
89. Alias Grace | ★★★★ 1/2
90. London Spy | ★★★★ 1/2
91. Bob's Burgers | S10.B | ★★★
92. Parade's End | ★★
93. Homecoming | S2 | ★★★
94. Run | ★★
95. Mrs. America | ★★★★ 1/2
96. Angels in America | ★★★ 1/2
97. Vida | S3 | ★★★
98. Killing Eve | S3 | ★★ 1/2
99. Rick and Morty | S4.B | ★★★
100. Quiz | ★★★ 1/2
101. Jonathan Strange & Mr Norrell | ★★ 1/2
102. Betty | ★★★ 1/2
103. Ramy | S2 | ★★★★
104. Kemonozume | ★★★★
105. What We Do in the Shadows | S2 | ★★ 1/2
106. Insecure | S4 | ★★★
107. I Know This Much Is True | ★ 1/2
108. Kipo and the Age of Wonderbeasts | S2 | ★★★
109. Search Party | S3 | ★★★ 1/2
110. Penny Dreadful: City of Angels | ★★ 1/2
111. Dorohedoro | ★★★★
112. Japan Sinks: 2020 | ★★★★
113. Dark | S1 | ★★★ 1/2
114. Dark | S2 | ★★★★
115. Dark | S3 | ★★★
116. Lost in Space | S2 | ★★★
117. Please Like Me | S3 | ★★★★
118. Please Like Me | S4 | ★★★ 1/2
119. Perry Mason | ★★ 1/2
120. PEN15 | S1 | ★★★★
121. In My Skin | ★★★
122. Marvel's Agents of S.H.I.E.L.D. | S7 | ★★★
123. One Punch Man | S2 | ★★★ 1/2
124. We Bare Bears | S2 | ★★★ 1/2
125. The Promised Neverland | S1 | ★★★★ 1/2
126. Black Lagoon | S1 | ★★★ 1/2
127. Terror in Resonance | ★★
128. The Great | ★★★★
129. NOS4A2 | S2 | ★★★
130. Black Lagoon | S2 | ★★★
131. Sherman's Showcase | S1 | ★★★ 1/2
132. Yellowstone | S3 | ★★★ 1/2
133. I May Destroy You | ★★★★ 1/2
134. Hellsing Ultimate | ★★ 1/2
135. Mushi-shi | S1 | ★★★★
136. P-Valley | S1 | ★★★★
137. Teenage Bounty Hunters | ★★★
138. The 100 | S7 | ★★ 1/2
139. Raised by Wolves | ★★★
140. The Walking Dead | S10.B | ★★★
141. Power Book II: Ghost | S1.A | ★★ 1/2
142. The Boys | S2 | ★★★ 1/2
143. Room 104 | S4 | ★★ 1/2
144. The Duchess | ★★★
145. The Haunting of Bly Manor | ★★★
146. Lovecraft Country | ★★ 1/2
147. The Third Day | ★★★ 1/2
148. Schitt's Creek | S6 | ★★★★★
149. Kipo and the Age of Wonderbeasts | S3 | ★★★
150. Archer | S11 | ★★ 1/2
151. The Queen's Gambit | ★★★★
152. Primal | S1.B | ★★★ 1/2
153. We Are Who We Are | ★★★ 1/2
154. Soulmates | ★★★ 1/2
155. Star Wars: Clone Wars | S6 | ★★★
156. The Good Lord Bird | ★★★★
157. Star Wars: Clone Wars | S7 | ★★★★
158. Star Wars Rebels | S1 | ★★★ 1/2
159. Fear the Walking Dead | S6.A | ★★
160. Star Wars Rebels | S2 | ★★★★
161. The Walking Dead: World Beyond | S1 | ★★ 1/2
162. How to with John Wilson | ★★★ 1/2
163. The Undoing | ★★ 1/2
164. Fargo | S4 | ★★ 1/2
165. Moonbase 8 | ★★ 1/2
166. Star Wars Rebels | S3 | ★★★ 1/2
167. Warrior | S2 | ★★★ 1/2
168. Star Wars Rebels | S4 | ★★★★
169. Industry | S1 | ★★ 1/2
170. The A Word | S3 | ★★★
171. Bob's Burgers | S11.A | ★★★
172. The Mandalorian | S2 | ★★★★
173. The Flight Attendant | ★★★ 1/2
174. His Dark Materials | S2 | ★★★
175. Hilda | S2 | ★★★ 1/2

~

1 star = bad
1 1/2 stars = bad, with a few bright spots
2 stars = meh
2 1/2 stars = meh, with a few good moments
3 stars = good
3 1/2 stars = good, with some great moments
4 stars = great
4 1/2 stars = great, with some excellent moments
5 stars = excellent
 
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hom3land

Member
Oct 27, 2017
2,582
01. Firefly ★★★★1/2
02. Messiah ★★★
03. Mr. Robot ★★★★
04. The Witcher ★★★★

Finally watched Firefly. Had no idea it was only 14 episodes. Now I know why it's such a loved show. The setting is great, the characters are quickly well developed, and it has Nathan fillan. Watched the movie for closure, but man I could watch another 4 seasons

Watching

The good place
The good doctor
Picard
Arrow
Flash
 
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Naijaboy

The Fallen
Mar 13, 2018
15,249
02. 1/5: Superstore (S3)
★★★★

Another great season from my winter binge watch. In retrospect, if I had known, I would have watched Runaways this year. I had to speed things up since I found out S5's coming out sooner than I though. My favorite episodes were episodes 1-6, 14-16, and 20-21. Kelly took a while to gel, but I thought she did well. She turned things around in the Halloween episode. Oh, and I finally got the foot joke.
 
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KingFox

Member
May 17, 2018
998
KingFox - 02/52

~ January ~
01. American Horror Story: 1984 - ★★★½
02. Dracula - ★★½

Finished up Dracula. I liked the first episode well enough, the second a little less and the third, well that one was just straight up garbage. Claes Bang was a fun Count Dracula at least.

Still need to continue with Spinning Out and Messiah, but I also really need to start catching up on some stuff for the TV Show of the Year Thread.
 

dead souls

Member
Oct 25, 2017
4,317
Well, ratsky you said we had to be honest so I must reluctantly acknowledge that the first season I completed in 2020 is...

01. The Witcher (S1)- ★★
 

Spectromixer

Avenger
Oct 25, 2017
16,614
USA
Spectromixer - 105/52 Seasons

Seasons:

  1. Runaways | S3*
  2. Dracula
  3. The Twilight Zone | S3
  4. Infinity Train | Book II
  5. The Twilight Zone | S4
  6. The Witcher | S1
  7. The Twilight Zone | S5
  8. Star Wars: Resistance | S2*
  9. The Righteous Gemstones | S1
  10. Shrill | S2
  11. Star Wars: The Clone Wars | S4**
  12. Star Wars: The Clone Wars | S5**
  13. Star Wars: The Clone Wars | S6**
  14. Chilling Adventures of Sabrina | Part 3
  15. The New Pope
  16. Doctor Who | S12
  17. Star Trek: The Original Series | S1* **
  18. Star Trek: The Original Series | S2**
  19. Avenue 5 | S1
  20. Black Lightning | S3*
  21. Castlevania | S2**
  22. Star Trek: The Original Series | S3**
  23. Locke & Key | S1
  24. Star Trek: Picard | S1
  25. 90 Day Fiancé: Happily Ever After | S2
  26. Castlevania | S3
  27. Altered Carbon | S2
  28. Tiger King: Murder, Mayhem, and Madness
  29. Future Man | S3
  30. Lost in Space | S2
  31. Quantum Leap | S1
  32. Carnival Row | S1
  33. Better Call Saul | S5
  34. 90 Day Fiancé: Happily Ever After | S3
  35. Disenchanted | Part 2
  36. McMillion$
  37. His Dark Materials | S1
  38. Westworld | S3
  39. Star Wars: The Clone Wars | S7
  40. Riverdale | S4
  41. 90 Day Fiancé: Happily Ever After | S4
  42. The Family Chantel | S1
  43. Survivor | S40
  44. Solar Opposites | S1
  45. Katy Keene | S1
  46. Magic for Humans | S3
  47. The Flash | S6
  48. The Mandalorian | S1 **
  49. Batwoman | S1
  50. Supergirl | S5
  51. Rick and Morty | S4 *
  52. DC's Legends of Tomorrow | S5
  53. Constantine | S1
  54. Disney Gallery - Star Wars: The Mandalorian
  55. Mythic Quest: Raven's Banquet | S1
  56. Harley Quinn | S1
  57. Penny Dreadful: City of Angels | S1
  58. Crossing Swords | S1
  59. What We Do in the Shadows | S1
  60. What We Do in the Shadows | S2
  61. Tales from the Loop | S1
  62. Floor is Lava | S1
  63. Ramy | S2
  64. Unsolved Mysteries | Volume 1
  65. Harley Quinn | S2
  66. Warrior Nun | S1
  67. Ugly Delicious | S1
  68. The Twilight Zone | S2
  69. Close Enough | S1
  70. Down to Earth with Zac Efron | S1
  71. Outcry
  72. Hanna | S1
  73. Doom Patrol | S2
  74. Stargirl | S1
  75. The Umbrella Academy | S2
  76. Agents of SHIELD | S7
  77. Jeffery Epstein: Filthy Rich
  78. Infinity Train | Book III
  79. Fear The Walking Dead | S1
  80. Fear The Walking Dead | S2
  81. Hanna | S2
  82. High Score
  83. 90 Day Fiancé: Before the 90 Days | S1
  84. PEN15 | S2
  85. Raised by Wolves | S1
  86. 90 Day Fiancé: Happily Ever After | S5
  87. Fear The Walking Dead | S3
  88. Star Trek: Lower Decks | S1
  89. The Boys | S2
  90. The Vow | S1
  91. Lovecraft Country | S1
  92. Unsolved Mysteries | S1
  93. I'll Be Gone in the Dark
  94. The Haunting of Bly Manor
  95. Seduced: Inside the NXIVM Cult
  96. Eli Roth's History of Horror | S2
  97. The Expanse | S1
  98. The Expanse | S2
  99. The Expanse | S3
  100. The Expanse | S4
  101. The Walking Dead: World Beyond | S1
  102. The Family Chantel | S2
  103. The Mandolorian | S2
  104. Big Mouth | S4
  105. His Dark Materials | S2

*partial season, watched the other part of the season in 2019
**rewatch

52 Books | 52 Movies 2020 Challenge
 
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dead souls

Member
Oct 25, 2017
4,317
Back with a much better show for number 2...

01. The Witcher (S1)- ★★
02. Dracula- ★★★1/2
 

Joni

Member
Oct 27, 2017
19,508
01. 01/02 The Wire S5 - ★★★
02. 01/04 The Vampire Diaries S6 - ★★★★
03. 01/10 The Vampire Diaries S7 - ★★★

I find this season to be less interesting, they spent too little time on the Julian-infested town and too much on the Armory which is just not that interesting aside from the set-up for the eight season. Rayna also fizzles out a bit.