.
I do. As a white person, she accepted an opportunity to stand as an authority of black art. However knowledgeable she is, the role would be best fit by a black person. Like damn, black people can't even curate an exhibit preserving their own cultural artifacts?
so someone tweeted this yesterday:
and people have been responding from all over about whether or not white people should be in charge of curating black art at a museum (which has always been a completely white space).
these are basically my thoughts:
Is it respectful to take up a space that could've been reserved for someone black though? There's already barely any black people in museum jobsI don't see a problem with this if she's knowledgeable, respectful, and does a good job.
And you shouldn't. I really have no idea why she didn't feel the same way.This is the tweet I agree with the most. I couldn't in good conscious as a straight black male guy accept a position to curate a LGBTQ exhibit, or a Latino exhibit etc.
Hmmmmmmm
Man, first they were some pimps. Then they were some aliens or some genies - some shit. Then they be talkin' 'bout that black righteous spaceman. Fuck them. I ain't fuckin' with them no mo.As long as she puts ATLiens as the s first thing she's alright with me.
What the hell? If skin color didn't dictate feelings then this museum wouldn't even exist.If she does the job well and better than anyone else, than she should have it. Any other feeling towards it is letting someone's skin color dictate your feelings, which should make you feel like absolute shit.
.I want to hear her response to killshot before commenting further.
Timothy began her career with the Smithsonian at the National Museum of American History in 2003 where she worked in the Archives Center and Division of Cultural History, then helped to launch that museum's hip-hop collecting initiative in 2006. In 2009 she joined what was then a small NMAAHC team to work on an exhibition about the Apollo Theater in Harlem, New York that toured the country from 2010-2012. She collected objects and developed content for multiple NMAAHC inaugural exhibitions, including Musical Crossroads, Sports: Leveling the Playing Field, Taking the Stage, Cultural Expressions, and Power of Place. In addition to collecting and developing projects for the NMAAHC, Timothy is currently working on the forthcoming Smithsonian Anthology of Hip-Hop and Rap, the first collection to include music from every major label and dozens of independent label recordings. With songs, photographs, essays, and extensive liner notes, the Anthology reveals the cultural, social and political implications of this multifaceted genre, and provides a unique window into the many ways hip-hop has created new traditions and furthered musical and cultural traditions of the African diaspora.
This literally goes against the entire idea of a black museum. congrats on the terrible postIf she does the job well and better than anyone else, than she should have it. Any other feeling towards it is letting someone's skin color dictate your feelings, which should make you feel like absolute shit.
I say based on this post alone....she's qualified.Not that it will matter to many folks, but here is the lady in question:
https://timothyanne.com/
She clearly has the museum cred, but I think the hire from within argument is flawed. How many black museum curators are there? Is it an area that is friendly to people of color to pursue? And how many are at the Smithsonian, or would have the same opportunities to get in there in the first place.
Like, was Fab 5 Freddy too busy? Any number of college professors around the country that study and teach about hip hop?
Are we supposed to believe this woman was the only fit for the job among the tons of black academics that work at HBCUs and study hip hop for a living? Like really.Not that it will matter to many folks, but here is the lady in question:
https://timothyanne.com/
She clearly has the museum cred, but I think the hire from within argument is flawed. How many black museum curators are there? Is it an area that is friendly to people of color to pursue? And how many are at the Smithsonian, or would have the same opportunities to get in there in the first place.
Like, was Fab 5 Freddy too busy? Any number of college professors around the country that study and teach about hip hop?
I do. As a white person, she accepted an opportunity to stand as an authority of black art. However knowledgeable she is, the role would be best fit by a black person. Like damn, black people can't even curate an exhibit preserving their own cultural artifacts?
The thing is, her resume is impressive.Are we supposed to believe this woman was the only fit for the job among the tons of black academics that work at HBCUs and study hip hop for a living? Like really.