I love this. Everything is just on point.
"Unlimited Budget" as one comment pointed out haha.
Yeah it was disappointing since I thought they'd do full espionage action with Hibiki and PP sneaking into the Sorbet kingdom.Aikatsu Friends 57
A PSA episode about traveling abroad? Huh? Also, Aine has been part of Japan's, maybe the world's, top Friends for over a year. How has she not gone overseas once? And how does she not know anything about the subject? She needs to go back to regular school. I'd complain about how a top idol's agents should be taking care of the passport issue, but that actually did happen. So I guess this episode is really about managers scrambling to cover for their charges' incompetence. Ichigo puts Aine to shame once more. And boo, I was hoping for some spykatsu when they finally arrived at this country halfway across the globe whose princess came to Japan to be an idol for reasons.
I disagree with this at almost every level. It's been a while since I saw so I don't want to get into the specifics but I'll just say that this is very much not an unnecessary sequel, it is a natural conclusion from the TV show and it is a story that needed to be told. Saying this as someone who was at one point apprehensive about watching it because I thought the TV ending was good enough.I actually just watched Madoka Magica and was pleasantly surprised by it. Great art for the witches and labyrinths (Didn't care for the art style for the humans though), great pacing and drama and overall great Magical Girl anime trop turned into a Greek fucking tragedy.
So, I decided to listen to some Era members and give Rebellion a watch because it took place after the original series and was regarded highly. And not to my surprise, it was complete garbage. Filled with fan service, confusing as fuck second half and a shitshow for having contrived as hell reasons for story moments to happen. This is what happens when a person who is done with writing a story is forced by the higher ups to make a sequel to something that didn't need one. Sometimes you should just let a story end and have the audience come up with what happens after instead of a tired creator. Also, they had the balls to bait for a sequel to this mess at the end. At least the art and animation was good, but it's not enough to save this insulting train wreck.
Chikas solo and the whole sequence after made me tear up a little too. Kinda feels like chika is the mc of the show and not the guy with glasses.Kono Oto Tomare!: Sounds of Life Episode 5 EngDub
omg I cried from the whole koto playing part, it was so emotional and everything, seeing everyones thoughts coming together and emotional with tetsuki's and chika's linked past and tetsuki always being his only friend to find him in the trash and etc and cry for him and take care of him, and then grandfather,, aw.
Have you finally fallen for the budget meme ?so that's where all the tax money they never bothered to pay went
Fate/Stay Night UBW S2E7 (or Episode 19)
I'm confused. They casually reveal that
Yeah it seems heavily implied throughout the series but the whole pendant thing was always lost on me. I had no idea that it carried such a significance lol.It's been a while since I watched the show, but I'm pretty sure that at that point,
It's heavily implied that everyone already knows about Archer. On obvious example I still remember is the red pendant/necklace that Shirou has a copy of, despite Rin insisting there's only one of it in existence, but I think there were a bunch of other obvious clues.
Either way, none of this is in Fate/Zero, because Stay/Night Archer doesn't show up there, and it's a prequel. If anything, it would show up in the first route of the VN, but I never read that or watched its adaptation (which has a reputation for being terrible), so I wouldn't know.
Well to each their own I supposed, it just felt like a tacked on psychedelic sequel to what I thought was a perfect ending to a TV show.I disagree with this at almost every level. It's been a while since I saw so I don't want to get into the specifics but I'll just say that this is very much not an unnecessary sequel, it is a natural conclusion from the TV show and it is a story that needed to be told. Saying this as someone who was at one point apprehensive about watching it because I thought the TV ending was good enough.
I disagree with this at almost every level. It's been a while since I saw so I don't want to get into the specifics but I'll just say that this is very much not an unnecessary sequel, it is a natural conclusion from the TV show and it is a story that needed to be told. Saying this as someone who was at one point apprehensive about watching it because I thought the TV ending was good enough.
It's okay to say that if they're dodging taxes.Have you finally fallen for the budget meme ?
Truly, the end times are coming.
Welcome !
I know Madoka's selfless altruism through her wish is very cool and all but Homura was looking at the bigger picture.Well to each their own I supposed, it just felt like a tacked on psychedelic sequel to what I thought was a perfect ending to a TV show.
At least the visuals made this not an entirely painful watch, so I guess I recommend it if you want to see some cool medium mixing.Homura turning into Satan made my eyes roll harder than anything, even if you take into account that for every good thiing, there is a bad thing or whatever, the way it was executed was confusing and stupid.
I know Madoka's selfless altruism through her wish is very cool and all but Homura was looking at the bigger picture.If Madoka's response was to pay a heavy price for the 'greater good', Homura was all about rejection, not just the idea of being a 'magical girl' but also the world that deems them necessary, even if it meant that she were to become the devil herself. Do I want Homura who questions the basis of rules/structure of a world that expects benevolence from the weak(Madoka + Magical girls in general) with no accountability from the powerful(Kyuubey) just to function, to be right? Fuck yes, I want her to be right.
Rebellion is still probably my favorite anime movie. I was ok with how the series ended, but absolutely adored Rebellion and additional layers of development it gave to characters. The biggest mark I can give against it is that I don't think Kyoko got enough screen time.
Rebellion is still probably my favorite anime movie. I was ok with how the series ended, but absolutely adored Rebellion andv additional layers of development it gave to characters. The biggest mark I can give against it is that I don't think Kyoko got enough screen time.
That's a fine argument but I still feel Homura's decisions and actions were a tale meant to be told, especially after the TV show. Even at the cost of 'reopening that can of worms'.The question is...how much of a conclusion was that really supposed to be?
Unlike the Madoka TV show, which was originally written by Urobuchi as a definitive ending, Rebellion feels more like re-opening a can of worms and creating a new extension into another possible outcome, rather than a truly one-off movie.
In other words, the film's story was made open-ended rather than closing it all up again. I didn't have a huge issue with that myself, but I did feel the movie created the real or apparent need for more sequels (I mean, you can confirm the staff and the studio still wanted to make more Madoka, after the fact, by looking at interviews)...and those haven't happened yet.
Rebellion does represent an additional layer of character development for Homura, whether the viewer wants to accept or reject the underlying concept behind her decisions, but it's not exactly a resolution in and of itself. There's still unresolved tension and Homura faces relatively little opposition. One could believe her to be right, but...who knows what would happen next?
That's a fine argument but I still feel Homura's decisions and actions were a tale meant to be told, especially after the TV show.
The OP in HD shows some areas of it aged pretty badly but i'm surprised manga UK managed to author their own Blu-ray without any faults in the standard edition and it's pretty nice to hear anime in 5.1 rather than the 2.0 track 99% of it's done in
I think that's fair too, since any real thematic analysis of the film ends up going back to her. The issues some people tend to have, which I'd say are also valid in either case, were often more narrative-based and/or empirical in nature. At the end of the day, no work of fiction is or isn't "necessary" per se, outside of what we can label as such within our own interpretations and experiences.
This reminds me...it's still a huge shame that Anchor Bay didn't care about fixing the annoying audio/subtitle issues with the U.S. release of GITS:SAC, but I am glad that at least the UK version seemed to come out in good shape.
Regarding the tv series ending to Madoka:
To be clear, all those who girls who were going to become witches just died instead?
Haven't seen a lot of people talking about it on here (I might have just missed it though).. is anyone watching that Midnight Occult show? Is there a good consensus surrounding it?
I will probably give it a go as I only have a few shows I'm watching this season and it feels like they're mostly on the same days so half the week I'm just like hmm.. okay, I'll do another Space Brothers episode.Wife and I watch it. It's okay, it has its moments but I think it botches the set up for its more dramatic elements.
Something something Homura did nothing wrong.I actually just watched Madoka Magica and was pleasantly surprised by it. Great art for the witches and labyrinths (Didn't care for the art style for the humans though), great pacing and drama and overall great Magical Girl anime trop turned into a Greek fucking tragedy.
So, I decided to listen to some Era members and give Rebellion a watch because it took place after the original series and was regarded highly. And not to my surprise, it was complete garbage. Filled with fan service, confusing as fuck second half and a shitshow for having contrived as hell reasons for story moments to happen. This is what happens when a person who is done with writing a story is forced by the higher ups to make a sequel to something that didn't need one. Sometimes you should just let a story end and have the audience come up with what happens after instead of a tired creator. Also, they had the balls to bait for a sequel to this mess at the end. At least the art and animation was good, but it's not enough to save this insulting train wreck.
shouldn't you have watched Fate/Zero before UBW? :PAnd that's Unlimited Blade Works finished!
Can I watch Fate/Zero now? Kind of don't want to have to wait until all of the Heaven's Feel movies are out. :(
Nope. Zero basically spoils all three routes. Hence my question hehe.
Man... everyone is so divided on this. I've read some more impressions elsewhere and there's a big portion of the VN audience that recommends starting with Zero even lol.I'd rather not get the good one spoiled than the other way around but hey, that's me!
WW1, but our protagonist isn't exactly good, though.Saga of Tanya of evil episode 1
Since I watched all the other shows in isekai quartet I thought I watch this one.... But I don't know if I want to . Is this show really about good guy Germany fighting the asshole allies in WW2 but with magic? Liked the action though.
WW1, not WW2. But yeah, the first episode is rough, and a bad introductory to the story. It gets better afterwards, once the proper start of the story happens in episode 2. At least watch the next two episodes.Saga of Tanya of evil episode 1
Since I watched all the other shows in isekai quartet I thought I watch this one.... But I don't know if I want to . Is this show really about good guy Germany fighting the asshole allies in WW2 but with magic? Liked the action though.
After watching up through episode 3 I think you are right because yeah that first episode was rough.WW1, not WW2. But yeah, the first episode is rough, and a bad introductory to the story. It gets better afterwards, once the proper start of the story happens in episode 2. At least watch the next two episodes.