Lord El-Melloi II's Case Files 2
This is more in line with the kind of material I wanted to see from Case Files after the pilot back in January. While perhaps a bit esoteric to work out as an actual mystery, watching Waver navigate the thorny society of Mages while trying to solve a magical mystery is every bit as fun as I was hoping it would be.
There's this undercurrent of brutality that exists under the polite society of mages that feels in line with the works of Agatha Christie or Sir Arthur Conan Doyle. While the cast all engages in the pleasantries associated with high society, the truth of who everyone is under that mask is more brutal than you might expect. A mage is only as good as his research and his crest, and anyone who didn't strike when either presented enough value was a fool without the means to survive in this cutthroat world. Waver has always struggled with making the hard choices of his peers, and while that has won him the adoration of powerful allies both here and in Fate/Zero, it does mean he's often left with only his wits to help him survive.
One thing I did appreciate is that in Fate, some of the franchise's authors tend to like to over-explain the circumstances of the situations their protagonists end up in. However, Case Files often feels more classically written. While fleshed out with magical gobbledygook, the core mystery gives you just enough to be able to figure out the basics of what's happening, or the "howdunit." You see the body parts aren't in the right places and that they don't follow the traditional geocentric model due to their placement throughout the mansion. It's left to the viewer to realize they are instead arranged using the heliocentric model, meaning there should be one more celestial body to represent that wasn't accounted for in the previous model. It's decently clever and not explicitly spelled out, which makes it more satisfying when I had an inkling before Waver did his best Sherlock impression.
Seeing Gray in action was quite nice. It does raise more questions than it answers about what exactly she is, what her relationship to Add is, and if that affects her somewhat drastic change in personality. But I'm sure that will be drip fed throughout the season, with Gray playing into the finale significantly. For now, I like where this is going and hope this episode becomes a good barometer for the rest of the season.
GeGeGe no Kitaro 64 - CONTENT WARNING: EPISODE FOCUSES ON SUICIDE AND FANTASIES OF MASS VIOLENCE
I should not have watched this episode in the early hours of the morning. After last week's somewhat incoherent mess, GeGeGe no Kitaro is back with an episode so brutal in its depiction of suicidal tendencies and the depraved pleasure of acting out on psychopathic tendencies that it's genuinely shocking and rather upsetting to watch.
For anyone who's ever been at rock bottom and seriously contemplated suicide to escape from whatever is causing their overwhelmingly suffocating levels of depression (myself included), the first half of this episode is one of the hardest things I've had to watch on Kitaro specifically because I can relate to the mindset that both drives this episode's protagonist to the brink and later to her making a literal "deal with the devil" to eradicate those who drove her to despair. The important thing, though, is the delay of time from when she meets the Suiko and when she begins her vicious rampage. There's a long stretch of suffering that puts the opening of the episode with her at a cliff's edge into a harsh context that its genuinely hard to watch, even if the way her family has been singled out for their treatment is somewhat unrealistic.
The change that comes over her once she embraces the Suiko's power to drag everyone down with her is truly horrifying. It's that mantra of someone who thinks they have nothing to lose casting aside who they once were to tear down the world that pushed them so far. And the Suiko is a wonderful lens for that; instead of the usual conniving youkai villain, it's more emblematic of raw emotion than an individual with personality; it's justice on an absolute level given physical form, hence why it's capable of acts of such a callous nature without any signs of sympathy or remorse.
And while Kitaro and friends manage to fix things and help stop our protagonist before she loses what's left of her because this is a kids show, there's this overwhelming sense of the Suiko's power being something that feels a lot more real than most youkai because it's not based on folklore or superstition, but rather psychology. People pushed to the brink are going to act one of two ways: they'll erase themselves or those who brought them so low: sometimes they do both. The Suiko represents that desire to seek vengeance for the wrongdoings, perceived or otherwise, that exists within all who have been at that moment on the cliff's edge. It's so much more powerful of an episode because of that, and one that I think is worth watching for anyone, though not without sufficient preparation for what you'll find going in.