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Loudninja

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Oct 27, 2017
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When Kenya Barris sat down last fall to write an episode of his ABC comedy Black-ish, titled "Please, Baby, Please," he had a sense it might stir up trouble.

The setup was relatively simple: Dre, the Johnson family patriarch played by Anthony Anderson, was telling his infant son, Devante, a bedtime story that reflected on the events of his first year on the planet. It was, per multiple sources, a mix of political allegory (an animated fairy tale about a character named The Shady King) and actuality (news footage of Donald Trump, the Charlottesville attacks and the NFL kneeling protests). "When you're putting a baby to sleep, you're trying to soothe whatever anxieties they're having," says Barris, speaking for the first time about the controversial episode. "So, this was about me trying to pat the butt of the country and soothe people."

"Please, Baby, Please," which was supposed to air in the back half of the Emmy-nominated series' fourth season, was shot in wide angle, with very little score. Production is said to have upped its usual episode budget of $3 million or so, spending handsomely on rights and clearances for such things as the Sam Cooke ballad "A Change Is Gonna Come," which Barris personally met with Cooke's goddaughter to secure. He enlisted a high-profile illustrator, too, and hired his hero Spike Lee to do voiceover, since the episode took its title and inspiration from a children's book written by Lee and his wife. Rather than focus on the entire Johnson clan, as Black-ish typically does, the episode centered primarily on Dre and his interpretation of real-world events presented to his son as a form of catharsis. As a father of six, Barris has had plenty of experience calming children at bedtime.

"We approached it with the network and the studio as, 'This is different,'" says the 44-year-old showrunner. "We certainly knew people would talk about it."
The episode did, in fact, get people talking, if not for the reason Barris anticipated. Mere days before its scheduled Feb. 27 air date, "Please, Baby, Please" was mysteriously and indefinitely shelved. While Barris is strategic with his choice of words — careful never to utter the phrase "censorship" as others throughout the industry do — the move turned out to be the last straw in his long-standing and already complicated relationship with The Walt Disney Co.

What Barris hadn't told his actors was that he'd been quietly locked in battle over the episode's fate for weeks. There'd been a flurry of back-and-forths with executives as high up as CEO Bob Iger, who called Barris from home, sick with laryngitis, and, per two sources, had a reasoned conversation with the showrunner about the political sensitivities of being a broadcast network in 2018. Executives at ABC, more than any other network, have been forthright about their desire for more red-state programming since Trump's win — and with Barris' latest episode, they feared they'd be alienating the very population they'd tried so hard to court. That Disney brass wouldn't want to poke Trump himself just as the company was seeking Justice Department approval of its acquisition of most of 21st Century Fox is widely believed to have been a factor as well.
https://www.hollywoodreporter.com/f...rris-abc-exit-netflix-plans-interview-1141981
 
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