Sssssssht... only hate is allowed.If she has final say on this show, doesn't that mean she also had final say on Mandalorian? A show almost everyone loves?
Watch them replace Kennedy with a Disney suit. Shit can easily get worse.
Sssssssht... only hate is allowed.If she has final say on this show, doesn't that mean she also had final say on Mandalorian? A show almost everyone loves?
It will be a Knight Of Feige.Sssssssht... only hate is allowed.
Watch them replace Kennedy with a Disney suit. Shit can easily get worse.
Fair enough. I don't have any reliable data to prove exactly how many fans were pissed off.You:
So you weren't implying that more fans than not hated the creative decisions? So you agree it was a minority of fans?
You're a bit all over the place.
Sssssssht... only hate is allowed.
Watch them replace Kennedy with a Disney suit. Shit can easily get worse.
If you'd said TROS didn't meet expectations, you'd absolutely be correct. This statement is just baffling
If TLJ didn't meet expectations, TROS certainly didn't either. Internal industry expectations pegged it at grossing at least $1.3 billion, which would match the "polarizing" and "controversial" TLJ; it's not even going to come within spitting distance of that figure.
And the problems unfortunately began long before TLJ. Both TFA and Rogue One were a complete shitshow behind the scenes, but Disney did a good job of covering it up and their financial success helped smooth over the controversy.
Honestly I'm not that invested in this particular line of argument, I suspect you're right about the process itself.He's communicating with several other creatives and letting them do their own thing only planting the tiniest of seeds in the post credits sequences of films that tend to have self contained narratives. It has not been a completely smooth ride whatsoever and the only reason it's worked out is due to express communication between the creatives as when making an avenger's film it all comes to a head. It is NOT the result of a grand plan that didn't have major changes along the way to the destination, (i.e., the tone of the Thor movies literally changing from serious to comedic because of the second film's poor reception). Even Thanos, the main villain who was always in the background, quietly had his entire motivation changed as he was majorly rewritten to be somewhat sympathetic when it was time for him to be in the spotlight, retroactively making his smirk in response to the word odd and out of place, as the character Death seemingly does not exist in the MCU.
If ANYTHING, the MCU is literally an exact example of what I stated.
"Stories often evolve as they continue, with the tone and original ideas shifting to accommodate what's best for the story."
It's called putting people with stunted imaginations in charge. See: JJ Abrams and Chris Terrio.
Watch them replace Kennedy with a Disney suit. Shit can easily get worse.
Kathleen Kennedy was not happy with the script?
Then the script was fucking great.
Seriously. Imagine if SW was firing on all cylinders like Marvel. We would be in nerd heaven.Yup.
If nothing else, it really proves the strength of the brand,
You fuck up that bad and your movies still bring home half a billion in pure profit, before merchandise?
That's insane.
Did she not produce TFA? I only ask because that movie always seems to be forgotten when people are killing Kennedy or when they're killing JJ. I thought that movie reviewed just as good if not better than TLJ but it never gets mentioned.The Kathleen Kennedy hate continues to be obnoxious and baffling. Has everything worked smoothly? Of course not. Has she overseen some garbage? Yes (tRoS).
She has also produced an excellent film, TLJ. And most of you that hate that film also like the Mandalorian, which you conveniently give her zero credit for.
We literally have people in here posting that her not liking a script means it must be great. Kennedy, a producer on films such as ET, Jurassic Park, Schindler's List, Munich, Roger Rabbit, Back to the Future, Indiana Jones, etc. apparently knows nothing of storytelling.
She has made mistakes but the amount of hate she receives is ridiculous.
For whatever success or quality these movies had is equally Kathleen Kennedy and the directors of these projects fault; as well as many other executives up the long chain all the way up to Bob Iger.Did she not produce TFA? I only ask because that movie always seems to be forgotten when people are killing Kennedy or when they're killing JJ. I thought that movie reviewed just as good if not better than TLJ but it never gets mentioned.
Kevin Feige has the benefit of collaborating with creatives on loose adaptations of existing material. There are decades upon decades of Marvel comics that they pull storylines from. LF has no such resource, as the old EU was discontinued and not just that, most of it was terrible material that would not work at all for film. Hell TROS is the closest example of that.Honestly I'm not that invested in this particular line of argument, I suspect you're right about the process itself.
The broader concern is what comes out as the end product. The MCU feels like it's following a grand design, regardless of what happened behind the scenes. The sequel trilogy as a whole could not feel more disjointed.
I choose to pin the credit and the blame on the managers of those respective brands. If you don't then we have a fundamental disagreement, and you must think that Kevin Feige is the luckiest producer to ever walk the face of the Earth.
Kevin Feige has the benefit of collaborating with creatives on loose adaptations of existing material. There are decades upon decades of Marvel comics that they pull storylines from. LF has no such resource, as the old EU was discontinued and not just that, most of it was terrible material that would not work at all for film. Hell TROS is the closest example of that.
Wooof! The snowman... maybe a good call getting a different writer!Gotta be honest lol... Hossein Amini(writer) track record is pretty.. uuh iffy. Curious about what he wrote...
Leaky leak time?
edit:https://en.m.wikipedia.org/wiki/Hossein_Amini
LoL oh FUCK!
KK and LF's reactions since then have only further proven that. The random "END OF THE SKYWALKER SAGA" marketing scheme was so out of left field--it was a sign of stress.
Kevin Feige built the MCU with a box of scraps and turned B-tier (and under) superheroes into household names. And puts out multiple films per year, to ever-increasing demand. Let's not pretend he has it easy.Kevin Feige has the benefit of collaborating with creatives on loose adaptations of existing material. There are decades upon decades of Marvel comics that they pull storylines from. LF has no such resource, as the old EU was discontinued and not just that, most of it was terrible material that would not work at all for film. Hell TROS is the closest example of that.
Considering that during this time period Obi-Wan learns Qui-Gon how to manifest himself after death, if they were to take any cues from Clone Wars arc covering Yoda's training then there's opportunities for some absolutely fascinating material unlike anything we've ever seen in live action.Good. What the fuck was it gonna be about? Ewan sitting in the desert and jerking off for an hour?
Move on from the PT/OT era, FFS.
Kevin Feige has the benefit of collaborating with creatives on loose adaptations of existing material. There are decades upon decades of Marvel comics that they pull storylines from. LF has no such resource, as the old EU was discontinued and not just that, most of it was terrible material that would not work at all for film. Hell TROS is the closest example of that.
Dude. TLJ just took what people expected and did the opposite, thinking it was clever while doing so.It just occurred to me that this obsession with the idea of a "solid plan" comes from theory culture, which always sets out to figure out the story before we get it. All of the theories for what the story would be post TFA were rote and derivative. People thought they figured it out. TLJ came out and actually gave us an interesting narrative with something to say. People then felt that there was deviation from a "plan." I.e. Their boring ass fan fiction
Imagine thinking JJ set stuff up after TROS.Dude. TLJ just took what people expected and did the opposite, thinking it was clever while doing so.
It was not clever. And doing the exact opposite of what the story set up is not brilliant. It's high school subversion.
Considering that during this time period Obi-Wan learns Qui-Gon how to manifest himself after death, if they were to take any cues from Clone Wars arc covering Yoda's training then there's opportunities for some absolutely fascinating material unlike anything we've ever seen in live action.
30 second pitch:Good. What the fuck was it gonna be about? Ewan sitting in the desert and jerking off for an hour?
Move on from the PT/OT era, FFS.
30 second pitch:
Stricken with overwhelming grief and guilt over the loss of his padawan, Anakin Skywalker to the Dark Side, Obi Wan Kenobi takes a vow to watch over the son of Skywalker, hidden away on the desert planet of Tatooine.
When a stranger arrives with orders to investigate the existence of the young boy, Kenobi springs into action to protect the young one at all costs, even if it means tracking down the source of this bounty hunter across the galaxy.
Basically have the show start on Tatooine but take it off world with Kenobi battling enemies and whatnot to protect a clueless Luke, back on Tatooine. There's a lot you could do there and also really explore his PTSD.
30 second pitch:
Stricken with overwhelming grief and guilt over the loss of his padawan, Anakin Skywalker to the Dark Side, Obi Wan Kenobi takes a vow to watch over the son of Skywalker, hidden away on the desert planet of Tatooine.
When a stranger arrives with orders to investigate the existence of the young boy, Kenobi springs into action to protect the young one at all costs, even if it means tracking down the source of this bounty hunter across the galaxy.
Basically have the show start on Tatooine but take it off world with Kenobi battling enemies and whatnot to protect a clueless Luke, back on Tatooine. There's a lot you could do there and also really explore his PTSD.
10 second pitch
Bo-Katan Kryze traces Kenobi thanks to his connection to her late sister , in an effort to weaken the empire's threat to her rule on Mandalore she makes Kenobi an offer he can't refuse, either help her or she will give the order to sell both him and Luke to the empire.
And that way you link it to Mando.
He basically made two SW movies that are better than any SW project since ROTJ.Kevin Feige built the MCU with a box of scraps and turned B-tier (and under) superheroes into household names. And puts out multiple films per year, to ever-increasing demand. Let's not pretend he has it easy.
When Yoda learned from Qui-Gon how to manifest himself, it wasn't just sitting around meditating. It involved traveling to the deeply Force-ingrained birth-planet of all life in the galaxy, as well as going to the capital planet of the Sith, facing down the essence of Darth Bane in a valley where the ancient Sith Lords were buried. Also Force priestesses. And a looooot of weird shit happens along the way.Yea, but if Obi-Wan is sitting there working on the Qui-Gon training then it generally means he's in an okay place. He's just Obi-Wan working on his mission and watching over Luke and...I think generally people want to see an Obi-Wan that's dealing with the catharsis of the impacts of what has happened. Something that challenges Ewan to do something new with the character. Maybe the training and Obi-Wan being depressed aren't mutually exclusive, but they don't seem like a good fit imo.
Heck...maybe it shouldn't even take place on Tatooine. I always imagined it would, but honestly, it doesn't have to. It's becoming tired as a setting and it's really not that big of a deal if Obi-Wan had some kind of doubt or crisis that led him away from the planet for a bit. Obi-wan foiling some secret plot to kill Luke is the kind of predictable thing that Star Wars should probably be avoiding right now.
"We just pushed the shoot to the beginning of next year. The scripts are really good. I saw 90% of the writing and I really liked it," Mcgregor said during a press scrum at an event promoting Warner Bros.' upcoming film "Birds of Prey."
"All this bulls— about creative differences and all that stuff is, none of it true," he continued. "We just pushed the dates, they want — last episode, episode 9 came out, everyone had more time to read the stuff that had been written, and they felt that they wanted to do more work on it. So they slid the shoot. It's not nearly as dramatic as it sounds online."
Lmao. Sounds like a take that is grounded in reality.. aka real life.
Mmmm. Can't say it bothers me, Kenobi as a character never really interested me all that much tbh. But a series about Vader in his prime going around being badass and killing a monster the size of a mountain? Sign me right the fuck up.