It's basically already dead.
It's undead and still shambling along if you are near theaters with e-ticketing, though.
Wrong. We don't need to support on the basis that it features an all Asian cast. Projects like Better Luck Tomorrow, Gook, or My Life in China would be better examples to support. Transposing yellow faces onto a universal story with a sprinkle of Asian flavor doesn't do it for me.What type of 'full-measure' do you expect people to do? If this bombs, I guarantee you Holywood execs will say "See. This bombed because of the all Asian cast. We need white people to succeed."
John is cool as fuck. I met him like 6 years ago.
He's also the only reason I watched this terrible ass show
I'm more interested in John Cho's Searching. It's the first time I've seen an Asian American family depicted in an American movie. I'm also happy Cho finally got a leading man role:
https://www.vanityfair.com/hollywood/2018/07/john-cho-starring-searching
Cho also recently was a leading man in the indie movie Columbus:
He's finding a niche in indie movies.
Which is weird. Are there no asian producers in hollywood? Wheres the asian tyler perry?Only all asian cast movie I have seen on commercials since crouching tiger hidden dragon
Props to them
Probably wouldn't look very different, lol.Honestly that is true equality, when everyone can be mediocre and still succeed. I want to see an asian Kevin James, and a spanish Josh Duamel
Which is weird. Are there no asian producers in hollywood? Wheres the asian tyler perry?
Which is weird. Are there no asian producers in hollywood? Wheres the asian tyler perry?
It's slowly starting to happen:
Walter Hamada is now heading the DC Universe Films
https://variety.com/2018/film/news/...see-dc-films-production-exclusive-1202652878/
Him and Justin Lin (Fast & Furious director)
Did we watch different trailers?
Looks horrible. Jon Chu is a bad filmmaker amd there's no way he can elevate this bland as fuck book. At the same time it's cool that Asian-Americans can enjoy the mediocrity of a generic romcom.
Call me when someone with talent produces a Celeste Ng penned script.
The novel is taken from the childhood of a Singaporean author and is intended to highlight not only the extravagant culture of excess wrought by the explosive growth of wealth in the region but the growing generational stress it creates between older family members expecting their kids to carry on the old ways and the younger folks who have absorbed western, individualist values.Transposing yellow faces onto a universal story with a sprinkle of Asian flavor doesn't do it for me.
Dunno I liked the lead and her best friend and the movie looked really pretty. Each to their own.
Jet Li's production really fell off due to health problems, and I seem to recall Chan just wanting to do more Chinese stuff because it's a huge market (and he's Chinese lol). Seems interested in Chinese international collaborations too. The British-Chinese co-production "The Foreigner" was great, if you haven't seen it, though very serious.I would love to know what happened to the trend in the early 00s to atleast Jet Li and Jackie Chan (co)starring in a whole lot of movies.
Now its just a chinese beauty showing up in the "for the chinese market" segments, with a korean or a elderly japanese guy once in a while.
This isn't the first romcom where the partner is a secret rich person and the main character has to "prove his/herself" to the family.The novel is taken from the childhood of a Singaporean author and is intended to highlight not only the extravagant culture of excess wrought by the explosive growth of wealth in the region but the growing generational stress it creates between older family members expecting their kids to carry on the old ways and the younger folks who have absorbed western, individualist values.
I have zero clue where you're getting this 'universal story sprinkled with yellow faces' nonsense from.
Deriding a movie for sticking to a formula and reaching for mass-appeal strikes me as needlessly snobbish.
What's wrong with making a movie starring Asians that non-Asians may also find appealling?Transposing yellow faces onto a universal story with a sprinkle of Asian flavor doesn't do it for me.
How is this movie bad for Asian representation?Not all representation is good representation. Support it if you want, but I don't have to just because I'm Asian too.
Dan Lin of Lin Pictures has been involved in some prominent films that don't star Asians.
Window dressing doesn't make it a movie about the Asian experience. "We're like you too"-type productions has a place, but when that's all that's made, then it's an issue.What's wrong with making a movie starring Asians that non-Asians may also find appealling?
How is this movie bad for Asian representation?
So, a film adaptation of a book that was based on an Asian author's actual life in Singapore is window dressing? Has his entire life been a lie to appeal to white audiences then?Window dressing doesn't make it a movie about the Asian experience. "We're like you too"-type productions has a place, but when that's all that's made, then it's an issue.
As for representation: when the only Asian males I see are The Superman and minstrels, it's a problem.
Support it if you want, but I won't do it blindly.
Window dressing doesn't make it a movie about the Asian experience. "We're like you too"-type productions has a place, but when that's all that's made, then it's an issue.
As for representation: when the only Asian males I see are The Superman and minstrels, it's a problem.
Support it if you want, but I won't do it blindly.
Which is weird. Are there no asian producers in hollywood? Wheres the asian tyler perry?
You've been pretty adamant that this movie isn't "about the Asian experience" and other forms of "this isn't a real Asian movie" throughout this thread, despite the fact:
It's just embarrassing how you keep tripping over yourself screaming "NOT FOR ASIANS" when that is 100% what the book is, and (from what it sounds like) the movie as well. To me, it just looks like you see this movie is aimed more at women than the hyper-malecentric movies you seem to prefer, and conflate that with designed to appeal to white people.
- It has an all-Asian cast and an Asian director.
- It's based on a book written by an ethnically Chinese man who was born to one of the Singaporean "royalty" families that the book depicts.
- The entire plot is how a Chinese-American woman is introduced to her boyfriend's family and the reaction is that all of the younger members of the family absolutely adore her for being this refreshing, very American person whereas all of the older members reject her for being not Asian enough (and the ways she is Asian, she's mainland Chinese, which shouldn't mingle with their stratosphere of social group).
- The author's original purpose for writing the novel was to pull back the curtain on the culture and attitudes of this very small subset of an ethnic group in a very small nation in Asia--i.e. Chinese immigrants who came to Singapore decades before China went communist and became rich off of the backs of shipping, financial and other industries.
The novel is taken from the childhood of a Singaporean author and is intended to highlight not only the extravagant culture of excess wrought by the explosive growth of wealth in the region but the growing generational stress it creates between older family members expecting their kids to carry on the old ways and the younger folks who have absorbed western, individualist values.
I have zero clue where you're getting this 'universal story sprinkled with yellow faces' nonsense from.
At least one movie a week releases telling a story about how a parent has certain expectations for a child and the child tries to show them that they have different values and want to take a different path in life. Eventually, the parents see that they are wrong to hold the kid back and that they can still be successful even if they don't follow the old way.
Sound familiar?
At least one movie a week releases telling a story about how a parent has certain expectations for a child and the child tries to show them that they have different values and want to take a different path in life. Eventually, the parents see that they are wrong to hold the kid back and that they can still be successful even if they don't follow the old way.
Sound familiar?
I've seen it in front of almost every movie I've seen for over a year. I feel like I have to see it at this point.Alpha gets an Oscar for the trailer that I'm tired of seeing each time I go to the theater.
Did anyone else here read the book?
My friend recommended it to me so I read it and thought it was enjoyable. I don't really like all the glamorization of wealth and was hoping the book would be more critical of the wealth inequality, but Hollywood always has that problem and hollywood loves making movies about over the top weddings so this seems like it could do well. However for me reading the book almost always means there is no reason to watch the movie so I won't be seeing this.
I've seen it in front of almost every movie I've seen for over a year. I feel like I have to see it at this point.
Sure Does!At least one movie a week releases telling a story about how a parent has certain expectations for a child and the child tries to show them that they have different values and want to take a different path in life. Eventually, the parents see that they are wrong to hold the kid back and that they can still be successful even if they don't follow the old way.
Sound familiar?
Did we watch different trailers?
Looks horrible. Jon Chu is a bad filmmaker amd there's no way he can elevate this bland as fuck book. At the same time it's cool that Asian-Americans can enjoy the mediocrity of a generic romcom.
Call me when someone with talent produces a Celeste Ng penned script.
Deriding a movie for sticking to a formula and reaching for mass-appeal strikes me as needlessly snobbish.