There's so much to love about Johnson's triumph, both as gratuitously enjoyable entertainment and the first film to take on the significance of a President Trump without lapsing into corny preachiness, and so little of it can be discussed here. Just suffice it to say that the genre maestro has his audience in good hands, "good" in this instance meaning both "skilled, capable, expert" and "decent, ethically sound." He's assembled a dazzling contraption that, if twisted in just the right way, pops open to reveal a nugget of wisdom crystallized by the cathartic final shot: we only really own what we earn. [A]