Similar emphasis on box-pushing, but there's this really weird logic system in the game where objects are defined by in-world text objects. For instance, Player control is dictated by _____ is You. You can put anything in ___ (an early level has you using the walls of the level in there). It's still very heavy on the box-pushing puzzles, but there's a layer of complexity to it.
its gonna be great i play it for 5 minutes then never touch it again in my life $60 well spent!
No I think it plays bad. Like, I was doing basically everything Mike Mahardy was doing within 10 minutes of opening the game, implying that it's just the exact same shit for 150 hours.
I watched the first episode on a whim last month and ended up binging it all in less than two weeks. It is good.
I think the 'cast suffers from a bunch of people skyping in. It's good when they do more structured episodes, like I think Waypoints is pretty good. But I haven't listened to any of their 'casts in a while because the audio mixing is bad and I can't really listen to it in my car. It's always like, Natalie is super low, Austin is slightly louder, and then Patrick is like an elephant shouting in my ear. So there's no good volume level to listen to this while driving.
Same. Austin was a better fit over at GB because he was contributing something that was missing from the site, both in personality and knowledge. His insights during the Beastcast added a lot of value to the discussion.
I think that's also why I didn't get into Hitman 2 in the same way as 1. It's stupid because I COULD choose to play it episodically and just focus on one level at the time, but my brain just doesn't want to work that way. As a result I played each level once or twice and never went back to it despite wanting to.
One of the best cast ensemble on TV. I love D'Arcy Carden and Ted Danson is gold.
