The biggest issue I find with Halo 4 (and Halo 5) is that it feels like when the soundtracks were written and composed they were done so without knowledge of what the mission set pieces were and the music never flowed well within most gameplay moments. For example, On A Pale Horse is placed perfectly in AOTCR and Two Betrayals, This Is Our Land in The Storm, Under Cover of Night in T&R and Two Betrayals, ect, ect. Halo 4 and 5 have moments with the soundtrack, but alot of good music in Halo 4 was not even used in the campaign, only cinematics and Spartan Ops.
That's a fair criticism. "Haven" and "Solace" are great pieces but they often come off as tone poems rather than being evocative of exactly the moment they're used. I do think Halo 4 still has some of those moments still though (the entire ramp up in "Forerunner" to the Didact reveal is pretty great, and is probably the high point of Halo 4 from a temporal gameplay standpoint because you always have your objectives in sight and mind, something the rest of the campaign fell apart on.)