i almost missed the last sentence when i quoted this, but it's not gonna stop me from going through with my planned rant about the production. in a lot of ways, Blood On The Leaves brings many of Kanye's production hallmarks full circle, and in a way that fully realizes their potential. Kanye's sampling of soul records has been a staple since he started, and it's not even the first time he's cut up a Nina Simone sample, but he's come a long way from the RZA inspired style of College Dropout. here, the chop is still the 'center' of the beat, but it serves the rest of the elements of the song as much as they do the sample itself. he finally decodes how to balance the trap drums he'd stumbling on since the Watch the Throne/Cruel Summer days, and similarly figures out a way to capture the bombastic feeling of the synths from Graduation and Late Registration with much harsher tones.
the song sounds big, similarly to how MBDTF sounds big, but in a much more organic manner. MBDTF is a fantastic album, and All Of The Lights a fantastic song, but my big knock against it is how consciously the album feels like 'stadium rap'. it sounds like the album that came out after a guy had his opening gig for the biggest popstar in the world's stadium tour cancelled. it sounds like what it is - someone who, after being spurned by the media and audiences at large, realized they had previously underestimated their standing in pop culture relevance, and started making music that sounds like someone who can fill 20,000 seats a night would make.
then he's like "fuck all that shit" and puts out Yeezus, which flies in the face of that whole aesthetic as much as intentionally possible. "as soon as they like you, make 'em unlike you" is as much a thesis statement for Yeezus as it is for Kanye's entire career. yet after an opening track with almost zero percussion, and an album thus far with a total of maybe two actual snares, by the time Blood On The Leaves comes around, he's making a song that relies on several techniques he's gone to time and again throughout the years, but manages to make something that sounds wholly unique compared to anything in his preceding catalog.
it's a fantastic song that should go all the way. i will also be fine with All Of The Lights or Runaway going all the way. Street Lights is weak and it's sad that's the sole 808s survivor