What releases?The biggest back to back weeks of the year in terms of video games starts this friday so i hope no worthwhile albums are dropping this or next week lol
RE3 this friday, FFVIIR next fridayWhat releases?
Had Cyberpunk 2077 really released next month it would have saved my sanity for the next few locked down months. Well if I make it out alive, the ER is getting a little dicey.
And Persona 5 Royal today.
Oh rad I get re3 for free I think.
Pray for paris Tracklist
400 Million Plus Tax
No Vacancy (prod. DJ Muggs)
George Bendo (feat. Conway & Benny) [prod. Daringer]
327 (feat. Joey Bada$$, Tyler the Creator, Billie Essco) [prod. Camo Monk]
French Toast (feat. Wale & Joyce Lunce) [prod. Camo Monk]
Euro Step (prod. Beat Conductor)
Allah Sent Me (feat. Benny & Conway) [prod. Daringer]
$500 Ounces (feat. Freddie Gibbs & Roc Marci) [prod. Alchemist]
Ver$ace (prod. Jay Versace)
Claymore Kick (feat. Boldy James) [prod. Alchemist]
Party wit Pop Smoke (feat. Keisha Plum) [prod. Tyler the Creator]
LE Djoliba Cartier Williams (?????) (prod. Bahama Lunch???)
It starts and ends a snoozefest, the middle is pretty good thoughlate final impressions of the lil baby album: there's like 3 good songs here (no sucker, emotionally scarred, heatin up) lmao keep the rest, idk why i thought this was fire at first
Honestly they're always super uninformed about everything that doesn't originate or work out of the dusty 90s. I don't think they're good reviewers. I don't take anything that they say seriously that isn't a review of some boom bap. I shook my head pretty hard when whatever his name couldn't figure that Part 2 was a followup to X0 Tour Life. There are some pretty interesting and weird flows on Eternal Atake that Uzi has only shown glimpses of before and while it's not a weirdo rap album by means there is enough experimentation here and there to say that Uzi is utilizing some of those outside influences that Myke seems to expect from his persona. I also don't think people understand that Uzi is a big fan of punk music. The upside cross is more than likely an homage or ode to GG Allin than it is to Aleister Crowley. There's definitely a GG Allin, punk ethos to how Uzi approaches music making though he still manages to fit it within the zeitgeist of popular modern radio rap. This whole notion that he's an outsider, an alien, or an alien abductee is as much an ode to GG thinking he's Jesus as it is to prime Lil Wayne.
I mean, they're aware that they aren't the beat when it comes to talking about this type of trap since they know their age has affected their view of it. Hell, they're aware they listened to music that even older rap heads were shaking their heads at. If you haven't already, you should take the time to watch their old Lil Yachty Teenage Dreams review. They make note of the fact that this whole wave of music takes heavy inspiration from punk and that it's a factor in the draw it has over people.Honestly they're always super uninformed about everything that doesn't originate or work out of the dusty 90s. I don't think they're good reviewers. I don't take anything that they say seriously that isn't a review of some boom bap. I shook my head pretty hard when whatever his name couldn't figure that Part 2 was a followup to X0 Tour Life. There are some pretty interesting and weird flows on Eternal Atake that Uzi has only shown glimpses of before and while it's not a weirdo rap album by means there is enough experimentation here and there to say that Uzi is utilizing some of those outside influences that Myke seems to expect from his persona. I also don't think people understand that Uzi is a big fan of punk music. The upside cross is more than likely an homage or ode to GG Allin than it is to Aleister Crowley. There's definitely a GG Allin, punk ethos to how Uzi approaches music making though he still manages to fit it within the zeitgeist of popular modern radio rap. This whole notion that he's an outsider, an alien, or an alien abductee is as much an ode to GG thinking he's Jesus as it is to prime Lil Wayne.
I mean, they're aware that they aren't the beat when it comes to talking about this type of trap since they know their age has affected their view of it. Hell, they're aware they listened to music that even older rap heads were shaking their heads at. If you haven't already, you should take the time to watch their old Lil Yachty Teenage Dreams review. They make note of the fact that this whole wave of music takes heavy inspiration from punk and that it's a factor in the draw it has over people.
I think here though, the crew is simply trying to understand musically what separated Uzi from his peers so much that he became this super, superstar in a way. Granted, several of his contemporaries unfortunately died, but it is fascinating to see him of all people stick his releases so well, especially with the gap between shit.
Also if we're being critical about the album, they're critique about the space cocept is spot on. It's surface level aesthetic at best and an abandoned idea not matched at all by the production and lyrics at worst.
But it is full of bangers and that's pretty much the main point Uzi was probably after so eh.
If anyone's an old school dubstep fan, Loefah just re-released a bunch of his old shit on Bandcamp. I still think Goat Stare has the heaviest bass ever, real speaker blowing shit.
You know we're hype for both.