Yeah, I have these. The original theatrical trilogy is quite low-res, but it is all there. It certainly beats the ROTJ special edition.It's not like Lucas didn't do it himself ages ago on DVD (even if they were inferior transfers).
That drives me mad. We are talking visual special effects, sound editing, sound mixing that won a buttload of awards... and nobody has a legal way to see it!Because it's not true. Disney would release the theatricals if they could. They can't. George still doesn't want that to happen, and it almost certainly was part of their sale deal. And it wouldn't surprise me if it was written into his will that it can never happen, although I don't know how well that would stand up in court.
Earlier this year the Academy of Motion Picture Arts & Sciences held a special weekend symposium/celebration of classic ILM effects artists and their work. The centerpiece of the weekend was a screening of the Academy's archive copy of the original Star Wars. Lucas threw a fit and and refused to allow it to be shown. It took Kathleen Kennedy and Bob Iger personally arguing with him for months to convince him to let them show it, and only because they were finally able to get across their point that it makes no sense to screen a version of the film that doesn't include most of the special effects the event was supposed to be honoring. Even after that he basically made them swear it would never happen again. He is dead set against the originals ever seeing the light of day again, and nobody really knows why.
art does not belong to any one person once it's out there
and it's not like the release of the original cuts would make Lucas's neverending alterations suddenly disappear
people are going to continue bootlegging the despecialized editions, they just won't be seen in as high a quality as they deserve
Lucas's wishes are petty and misguided
Jesus...People who alter or destroy works of art and our cultural heritage for profit or as an exercise of power are barbarians, and if the laws of the United States continue to condone this behavior, history will surely classify us as a barbaric society. The preservation of our cultural heritage may not seem to be as politically sensitive an issue as "when life begins" or "when it should be appropriately terminated," but it is important because it goes to the heart of what sets mankind apart. Creative expression is at the core of our humanness. Art is a distinctly human endeavor. We must have respect for it if we are to have any respect for the human race.
These current defacements are just the beginning. Today, engineers with their computers can add color to black-and-white movies, change the soundtrack, speed up the pace, and add or subtract material to the philosophical tastes of the copyright holder. Tomorrow, more advanced technology will be able to replace actors with "fresher faces," or alter dialogue and change the movement of the actor's lips to match. It will soon be possible to create a new "original" negative with whatever changes or alterations the copyright holder of the moment desires. The copyright holders, so far, have not been completely diligent in preserving the original negatives of films they control. In order to reconstruct old negatives, many archivists have had to go to Eastern bloc countries where American films have been better preserved.
In the future it will become even easier for old negatives to become lost and be "replaced" by new altered negatives. This would be a great loss to our society. Our cultural history must not be allowed to be rewritten.
George Lucas, speech to Congress, 1988
I don't see what the big deal is. It's like releasing a "Theatrical Version" and "Director's Cut" on a two-disc Blu-Ray. Disney Doesn't owe George Lucas shit, he sold them the rights. And it's not impossible. The fact that unofficial despecialized editions already exist is testament to that. Disney should just pay the dudes who released the despecialized versions for their versions and release them. They're probably better than anything Lucasfilm would re-release. They are literally leaving money on the table.
He still guided, funded and oversaw all the other movies, no decision was made without him, they're still his movies despite appointing better directors. He always did what he wanted, told the writers guild to get lost because he felt the beginning crawl was so important to his movies etc. Even if you don't like it, that doesn't matter, its his creation and I think it's fair he ultimately has final say on it.George Lucas directed only one of the original trilogy. Just because he created Star Wars and owned Lucasfilm does not give him the artistic right to alter the work of others. He should have preserved the films as constructed by their original directors and present his versions alongside them.
I may have gone too far in a few places.People who alter or destroy works of art and our cultural heritage for profit or as an exercise of power are barbarians, and if the laws of the United States continue to condone this behavior, history will surely classify us as a barbaric society. The preservation of our cultural heritage may not seem to be as politically sensitive an issue as "when life begins" or "when it should be appropriately terminated," but it is important because it goes to the heart of what sets mankind apart. Creative expression is at the core of our humanness. Art is a distinctly human endeavor. We must have respect for it if we are to have any respect for the human race.
These current defacements are just the beginning. Today, engineers with their computers can add color to black-and-white movies, change the soundtrack, speed up the pace, and add or subtract material to the philosophical tastes of the copyright holder. Tomorrow, more advanced technology will be able to replace actors with "fresher faces," or alter dialogue and change the movement of the actor's lips to match. It will soon be possible to create a new "original" negative with whatever changes or alterations the copyright holder of the moment desires. The copyright holders, so far, have not been completely diligent in preserving the original negatives of films they control. In order to reconstruct old negatives, many archivists have had to go to Eastern bloc countries where American films have been better preserved.
In the future it will become even easier for old negatives to become lost and be "replaced" by new altered negatives. This would be a great loss to our society. Our cultural history must not be allowed to be rewritten.
George Lucas, speech to Congress, 1988
Let's assume that the fans overwhelmingly had loved the Special Editions and the prequels to the point of it being ubiquitous good will on the level of Peter Jackson's LOTR trilogy. Do you think Lucas would have perhaps allowed for the original versions to go on the market?It's absolutely pathetic that anyone would back Lucas on this.
Film preservation is important. Cultural preservation is important. History is important.
Lucas can do whatever he wants to the movies, yes. No one is saying otherwise. That said, it should be optional. Every release should contain the theatrical versions alongside his clown shoes dipshit versions. He has an obligation to history, which he is ignoring by attempting to erase the theatrical films from existence.
As to why this is still happening post Disney sale, my assumption is that Lucas had it written into the contract when he sold. He's that vindictive and petty.
Seriously, fuck George Lucas.