Him getting beat up in the beginning while sign holding, and in the subway seemed pretty cheap. I don't know. Why are they beating on him?
PornographyWhat were the photos in his notebook by the way? My screening was censored.
He definitively kills her in the old script?? Lmao wow that would have knocked this from a 6 to a 4 instantly for me.I wonder if they cut the scene where he kills Zazie Beetz because of the reaction it got from the leaked script. It's so ambiguous now that people are debating if it even happened.
I wonder if they cut the scene where he kills Zazie Beetz because of the reaction it got from the leaked script. It's so ambiguous now that people are debating if it even happened.
That was never a part of the script. She was alive and watching him on the Murray show in test screenings.I wonder if they cut the scene where he kills Zazie Beetz because of the reaction it got from the leaked script. It's so ambiguous now that people are debating if it even happened.
I don't think that happened, there's a filmed scene from the script that got cut just before dancing on the steps where he leaves flowers at her door telling her to watch the Murray show.I wonder if they cut the scene where he kills Zazie Beetz because of the reaction it got from the leaked script. It's so ambiguous now that people are debating if it even happened.
Nope. Saying that it felt unnecessary and there could have been better factors to lead him to lashing out than random beatings by random people.
Joker has around 20 years to develop into the "criminal mastermind" that is Batman's rival. Bruce in this movie is just a 10 year old, so there is plenty of time for Joker to evolve.I thought this movie was average to ok.
Someone said earlier.. it's just trauma porn.
I felt like rhis character is not the joker though.
This character's big scheme only works because he is unassuming and seems harmless. It's impossible for this guy to become a super villain, who is able to constantly avoid arrest and sometimes get the upper hand on the greatest detective in the world.
like everyone has said she is alive in the scriptI wonder if they cut the scene where he kills Zazie Beetz because of the reaction it got from the leaked script. It's so ambiguous now that people are debating if it even happened.
This sequence is obviously based/inverted on the Bernhard Goetz subway shooting. When it first happened, Bernie was a hero to many. The NYC subway was dangerous, and he was acquitted of the shooting (even though he also stood over one of his victims and shot them). He served under a year in prison for illegal gun possession. By the time his civil suit was finished a decade later, the city/subway had changed enough that he was found liable. Gotham City is not based on some fantastical version of Manhattan, it's all/only the shitty parts. Watch the 1981 movie Wolfen with its blocks and blocks of destroyed South Bronx landscape to see how bad NYC was back then. Random beatings by random people happened all the time.Nope. Saying that it felt unnecessary and there could have been better factors to lead him to lashing out than random beatings by random people.
I wonder if they cut the scene where he kills Zazie Beetz because of the reaction it got from the leaked script. It's so ambiguous now that people are debating if it even happened.
Which would seem like a weirder decision to cut those scenes to make it more ambiguous about her fate and his purpose of being in her apartment.I don't think that happened, there's a filmed scene from the script that got cut just before dancing on the steps where he leaves flowers at her door telling her to watch the Murray show.
I'm not even that versed on how Thomas Wayne was as a person, but I thought it was weird that they didn't just make him seem to have a darker side we don't see in typical depictions to make the character more nuanced but instead it just straight up make him a fairly unsympathetic asshole. Bruce not only had an asshole role model as a father, but they made Alfred an asshole as well for good measure.They really nailed how much of an asshole Thomas Wayne would be, it never really fit that he was a billionaire and a kind person at the same time.
Nice to see a more accurate portrayal of what he'd be like.
I'm not even that versed on how Thomas Wayne was as a person, but I thought it was weird that they didn't just make him seem to have a darker side we don't see in typical depictions to make the character more nuanced but instead it just straight up make him a fairly unsympathetic asshole. Bruce not only had an asshole role model as a father, but they made Alfred an asshole as well for good measure.
Does that mean that in this universe, Bruce becomes a total asshole and Joker is actually a hero by comparison?
But why add nuance to Joker but not Thomas?In the real world, most billionaires are unsympathetic assholes who live on a different plane of reality to poor and mentally ill people. As for Alfred, some dude showed up at Wayne manor and started grabbing Bruce's face so us not seeing the best side of him is understandable.
I think in this universe, Bruce would have grown up to be a rich asshole if it weren't for the murder of both his parents but most fictional billionaires are assholes until they have a traumatic or humanising experience to change them. Tony Stark for example
Because Arthur/Joker is the main character of the movie. Why would they waste screen time in an already 2 hour movie to flesh out Thomas Wayne. Especially when his fate was dying at the end of the movie?But why add nuance to Joker but not Thomas?
Was the goal just to subvert heroes to become the 2 dimensional villains and villains to become more complex, sympathetic anti-heroes?
I'm not talking about giving a supporting character a separate arc and b-story, I'm saying they made a conscious decision to portray the character the way they did, a character I assume isn't typically a total asshole and douchebag, and I wonder what that reason was.Because Arthur/Joker is the main character of the movie. Why would they waste screen time in an already 2 hour movie to flesh out Thomas Wayne. Especially when his fate was dying at the end of the movie?
He barely shows up in the movie though. He interacts with Arthur once, after Arthur harassed his son. Arthur cornered him in a public restroom, I wouldn't even give the time of day to someone who did that to me.I'm not talking about giving a supporting character a separate arc and b-story, I'm saying they made a conscious decision to portray the character the way they did, a character I assume isn't typically a total asshole and douchebag, and I wonder what that reason was.
It's not a matter of "why waste the screen time when he'll die anyways".
I can't wait for a home release of this just so that I can pause on his diary and go through everything that's written.
But why add nuance to Joker but not Thomas?
Was the goal just to subvert heroes to become the 2 dimensional villains and villains to become more complex, sympathetic anti-heroes?
evolve into what a senior citizen?Joker has around 20 years to develop into the "criminal mastermind" that is Batman's rival. Bruce in this movie is just a 10 year old, so there is plenty of time for Joker to evolve.
Making Thomas a person who wants to make the city better but also kind of a dick is adding nuance.But why add nuance to Joker but not Thomas?
Was the goal just to subvert heroes to become the 2 dimensional villains and villains to become more complex, sympathetic anti-heroes?
LMFAO
I mean nuance through his actions. Saying he wants to make the city better could be interpreted as empty politician promises, especially when you learn that he is a dick. It throws out all the praise that Penny Fleck gives him since you are shown that Penny's word can't be trusted.Making Thomas a person who wants to make the city better but also kind of a dick is adding nuance.
Adrian Raine did not go into his screening of Joker last Friday with lofty expectations. The neurocriminologist is a pioneer in researching the minds of violent criminals, having been the first person to use brain imaging to study murderers. Truthfully, the revered British researcher—who devoted decades of his life to understanding what makes criminals tick—just wasn't that much of a Batman fan. So when he stepped into a Darlington, England, screening of the controversial Todd Phillips film, it was mostly to spend quality time with his nephews while on break from his professorial duties at the University of Pennsylvania.
But what Raine saw onscreen stunned him. According to the neurocriminologist, the script—from Phillips and Scott Silver—authentically traces the way a man could be driven to deeply troubling acts of violence by a combination of genetics, childhood trauma, untreated mental illness, and societal provocation. And though Raine was not sure how to pronounce Joaquin Phoenix's name, the neurocriminologist was staggered by the nuance and grim grace the Oscar-nominated actor brought to the role—summoning the odd behavior, appearance, and social tics exhibited by those who suffer from certain personality disorders. Predicted the neurocriminologist, "He's sure to be in the Oscar race."
"[The film] was a surprisingly accurate prediction of the kind of background and circumstances which, when combined together, make a murderer," said Raine, who was already considering integrating Joker into a forthcoming course at the University of Pennsylvania. "For 42 years, I've studied the cause of crime and violence. And while watching this film, I thought, Wow, what a revelation this was. I need to buy this movie down the road, make excerpt clips of it to illustrate […] It is a great educational tool about the making of the murderer. That threw me," confessed Raine, still surprised by how much he appreciated the film. "I talk about all of these factors in the class, and honestly, it's really hard to get a true-life story that fits all of these pieces together, let alone a very dramatic and stylized movie that illustrates these factors quite strongly. That was really a revelation."
Raine rattled off a list of the factors depicted in Joker that contributed to Arthur Fleck's disturbing violent turn. "Physical abuse is on the list, as is neglect and malnutrition as a kid," Raine explained, referring to what Arthur discovers upon stealing his mother's mental health files. "Being brought up in poverty is a risk factor. He's adopted, and kids who are adopted are two to three times more likely to become criminal…certainly twice the rate of violence is well established. If you're wondering why that is, it's because with adoptions, the baby is separated from the mum for time—and that is breakage of the mother-infant bonding process in a critical period that we know affects personality development down the road."
Raine was quick to add that "the link between mental health problems and violence is, of course, controversial"—like Joker is proving to be itself. "We don't want to stigmatize mentally ill people as being dangerous people. But we do know that mental illness is a significant predisposition to violence, which we have to recognize so that people can be treated." Raine said that the film was also surprisingly accurate in its depiction of the way that Arthur was incrementally driven to "reactive aggression." He clarified, "Mentally ill people don't go around serial-killing people—plotting a homicide or a bank robbery or a burglary. No, they react on impulse emotionally. It's impulsive and emotion-driven." And in the film, Raine pointed out, all of Arthur's violence seemed authentic to him because it was "reactive aggression."
After Arthur discovers, for example, that his mother lied to him his entire life—she maintained that she gave birth to him, but he discovers he was adopted (and also abused) as a child—he suffocates her. "She totally misled him," Raine explained. "The carpet has been ripped out from underneath his feet with this shocking revelation. He's reacting to this very upsetting, insulting discovery. His whole life has been reversed. His whole identity is gone."
On another occasion, in another example of reactive aggression, Arthur stabs a former coworker to death after discovering that the coworker contributed to him being fired from his job. Reactive aggression, said Raine, stipulates that, "when you get beat up, you beat other people up. Fascinatingly, the work we have done on mental health problems and people becoming aggressive, it's all reactive aggression."
Asked how he would diagnose Arthur, Raine was careful to note that the first step would be diagnosing Arthur's underlying mental health conditions. "Clearly he's suffering from depression. He's morbidly sad all the time," Raine said, before referring to Arthur's fantasy romance with a neighbor. "He's suffering delusions." Raine suggested that Arthur might suffer from schizotypal personal disorder—the same disorder Raine speculates that Adam Lanza, the Sandy Hook shooter, suffered from. (Other mental health professional have speculated that Lanza—who killed 26 people including himself and his mother—was an undiagnosed schizophrenic.)
"Schizotypal personality disorder is like a watered-down version of schizophrenia," said Raine. "And I think Arthur has it. It's related to schizophrenia—but those who suffer from it have bizarre beliefs, odd behavior, odd appearance, odd speech, no close friends other than family members, and emotional-affect issues—either being completely shut down or way over the top."
Asked how he might treat Arthur, Raine noted that Arthur was prescribed several medications which—clearly—weren't working. "The medication which is effective in reducing aggression is an atypical antipsychotic medication that is effective in reducing aggressive behavior. Throughout the United States, children who are aggressive and you can't control them—when other things don't work—you prescribe Risperidone. None of us like medicating our children, but that, when other things don't work, that, for sure, works."
Hours after seeing the film, Raine was still marveling at Joker's authentic portrait of the making of a murder, however fictional that murderer may be. "I don't think the Joker had free will, given his life. He was a walking time bomb waiting to explode—all it took was some significant life stress, beatings up, losing a job. You've got nothing left.… The well-documented risk factors—this was [the character's] destiny. No one is born into that kind of violence."
They really nailed how much of an asshole Thomas Wayne would be, it never really fit that he was a billionaire and a kind person at the same time.
Nice to see a more accurate portrayal of what he'd be like.
Arthur was a monster that just wanted to fit into society. The society was the only thing to hold him back from being the monster he is. It was once that society wasn't bearable to live in anymore, was when the monster got to do his thing. Once he killed Murray, he gives his genuine laugh, because at that moment, he knew who he truly was. If he was born a monster or made into a monster is the age old question behavior scientist have been questioning since the beginning.
I mean nuance through his actions. Saying he wants to make the city better could be interpreted as empty politician promises, especially when you learn that he is a dick. It throws out all the praise that Penny Fleck gives him since you are shown that Penny's word can't be trusted.
Speaking of Penny, I have a problem with the movie supposedly portraying a compassionate and realistic view of mental illness when we are given all the reasons in the world to feel sympathy for Arthur, but Penny is shown to not only be delusional with a personality disorder, but framed by Arthur as a liar who enabled, defended, and allowed his abuse. The film's whole view of her, by proxy of her abusive boyfriend, turns on her, going from showing her being the only person who really cares for Arthur to keeping the secret about Thomas Wayne being his father to then lying to him twice (since he wasn't an illegitimate son of Thomas but adopted and abused) and suddenly she is practically so weak she is in a coma unable to defend her actions and we are with Arthur seething in his rage of betrayal at his lowest and most sympathetic point.
Arthur says the world wants someone with mental illness to act like they don't have it, but after finding out about his mother's own serious mental illness and personality disorder that lead to her own lies to Arthur, Arthur doesn't regard that mental illness with some understanding and compassion, but like she is a liar that doesn't have a mental illness. Being in Arthur's position having to live with a caretaker like that would be awful and wouldn't excuse her actions, but it is a complex issue that does help explain why she acts the way she does, just as his own mental illness doesn't excuse his actions but helps explain why he acts the way he does. I don't think this movie really cares to get into any of that though, and would rather use mental illness as a catalyst for the characters actions than a real honest look at how really difficult it could be for someone to live with mental illness in themselves as well as with others, especially a parent, without having to make it all about outside influences being so cruel to them or enabling them to be cruel to others.
The movie doesn't really do nuance, at all.
Saw this yesterday and while it had style it felt like the overall message is really confused. It frames it's self as clearly anti-rich and anti-austerity but all has those angry at these idolise a literal supervillain. But at least it feels like it's trying to same something.
Because to truly take down the rich, you become the collective! :pAnd this is why I think the movie isn't having an anti rich message.
All of the supporters are portrayed as dangerous and looters. There is no major character on the side of the common man.
Meanwhile, dick he may be, Thomas Wayne had the humanizing element of not wanting a stranger touching his son. And the Jay Leno character had the decency to debate that not everyone in Gotham is horrible and called out Arthur on his pity party.
i feel like the anti rich stuff isn't the point of the movieSaw this yesterday and while it had style it felt like the overall message is really confused. It frames it's self as clearly anti-rich and anti-austerity but all has those angry at these idolise a literal supervillain. But at least it feels like it's trying to same something.
Except no.
The movie does not show that Arthur is a monster from the get go.