Like if you're gonna just freely throw those kinda accusations around, highlight the post.Again, you're really quick to defend anything related to HHH and WWE.
Like if you're gonna just freely throw those kinda accusations around, highlight the post.
I'll freely own up to nay posts where i defend the WWE and their Saudi shit, or their independant contractor bullshit.
If you got a screencap of me saying Sasha deserves the run she's gotten and should quit being a baby, go right the fuck ahead and post em.
Or maybe highlight where I said Vince was a hilarious motherfucker for having the Usos be homophobic as shit to the Revival. Clearly I do that all the god damn time like you're suggesting.
you literally said I defend Anything HHH and WWE do.I specifically said HHH and you noted when you do it, that's all
I just have a much higher bar for referring to someone as being spoken to as "highly", especially in the context of how that summary was written up.
you literally said I defend Anything HHH and WWE do.
There's a lot of connotation to that.
I didn't listen but maybe he meant no word for word scripts and instead just bullet points for everythingMoxley talking about how there should be no scripts in wrestling is a bit of a hot take. I think when you get to the level of WWE you need some kind of script, or storyboard, or something along those lines. Pairing up people with promo coaches or producers is likely needed for a lot of people because I'm sure not everyone is as creative as Moxley or Janella or Jericho.
I didn't listen but maybe he meant no word for word scripts and instead just bullet points for everything
Now back to the shit i was talking about before this.
Why is wrestling always such a god damn travesty? I can't even fully back Joey Ryan in his dunking of Cornette cause Cornette fans easily pull up him tweeting the N word and joking about raping pregnant women.
Why is Wrestle Twitter always like this?
nah, just screen grabs. which is why I'm back and forth on whether it's real or somebody faking it.Are there actual links? Because that stuff is very easily faked.
What Dean might be referring to is to have bookers, not writers. JR, Sullivan, and Cornette have said the same thing.He specifically said 'writers' so he probably means the literal script writing. I still think you need them though because again, cutting promos is hard and coming up with stuff aint easy. Maybe they don't write the literal script but could at least offer an improv type approach of "this week continue talking about X and get in at least one comment on Y"
Let's clarify our terms at the start. Pro wrestling doesn't have "writers", it has a BOOKER. "Sports entertainment" has "writers". Since Toots Mondt laid the groundwork for the position of booker back in the 20's and 30's, the booker in wrestling served as the matchmaker, deciding who would wrestle who, who would win, constructed the finishes to lead to rematches if applicable, and set up the "programs", or series of matches between two opponents. He determined the talent roster by hiring and/or firing the wrestlers who wrestled in the particular territory he was booking. As the TV era began, the booker also laid out the TV formats, came up with the angles to be worked, and gave the talent ideas for what to say in their promos.
The promoter, or owner, of the territory the booker was in charge of was the only person the booker answered to. He might have assistants to carry out his instructions, but he had sole control over any decisions relating to talent. If business was good, he stayed in the position. If business was bad, the promoter replaced him. The wrestlers, especially the main event talent, had great leeway in their performance as long as they carried out the booker's basic instructions. The booker gave the finish and any important spot, the rest of the match was up to the talent. The booker told the talent the subject and time of their TV promos, content and delivery was up to talent. As an example, Dusty Rhodes' instructions to me might be, "You've got 3 minutes, you're wrestling the Rock & Roll Express in Charlotte, last show there you interfered with the racket so this time they've asked for a cage match, and it's for the Tag Title. Go sell me some tickets."
If the talent performed the booker's angles, finishes and promos properly while getting their individual personalities and style over, they drew money. If they didn't, they were replaced with someone who did. So, in summation, a booker assembled a crew of wrestlers that he felt were unique, charismatic and talented, gave them direction and a platform on which to get over, built up their won-loss records, and then manipulated them into personal issues or title matches with other stars he felt were compelling enough that fans would pay to see them. The talent did the rest, and that's why main event stars got reputations as being able to "draw money". You often hear these days that "so and so has never drawn any money." In TODAY's environment, few particular talents "draw money", because few are put in positions to do their own thing and prove it's THEM, not the "writing", that people are paying to see.
My prediction going in was semi-finals: Yuna Manase vs Natsumi Maki and Yuka Sakazaki vs Mizuki with the final being Natsumi Maki defeating Mizuki.Natsumi/Mizuki final would be awesome. But they wouldn't have Shoko lose clean in the QF would they?
What Dean might be referring to is to have bookers, not writers. JR, Sullivan, and Cornette have said the same thing.
I know Cornette is (rightfully) not seen in any good light right now but this is how he describes the difference
"Writers" in the way the WWE uses them script out every little detail
nah, just screen grabs. which is why I'm back and forth on whether it's real or somebody faking it.
Yeah I know the difference, and bookers/produces are needed but I still think at the szie of a WWE you need some kind of writing crew. A lot of people just can't cut promos well and need any help they can get.
My prediction going in was semi-finals: Yuna Manase vs Natsumi Maki and Yuka Sakazaki vs Mizuki with the final being Natsumi Maki defeating Mizuki.
I don't see why they wouldn't have Shoko lose clean in quarter-finals but who knows.
If you have Mizuki get a win over Shoko but not actually win the tournament you always have an easy title match before the Osaka show where Shoko can get her win back.
Yuna's motivated going into the tournament because of all the attention her Ganbare match got, sorry, she's going to beat Rika next week.I just want Brian to know that Miyu 100% lost due to a close personal friend choosing not to watch leading to her demotivate.
Just look at Miyu last year. She was a much stronger champ than Shoko is at this point and they had her lose to Nodoka. A part of my thinks that Miu could be pulling another big upset simply because of the work she's been putting in this year.
Anyway Matt, you're cancelled for suggesting we won't get to see Rika vs Mizuki in the semis or finals.
He also got what he wanted, what he really really wanted.So glad we got Batista going out on the match he wanted, being himself. His Mania match with HHH was everything I wanted it to be.
One thing I'm not a super fan of is Mox being all gungho as a soldier for AEW. Doesn't seem to fit his character to me. I get promoting the product is good so I hope it was just for DON.
it hurts but it's fairI just want Brian to know that Miyu 100% lost due to a close personal friend choosing not to watch leading to her demotivate.
Yuna's motivated going into the tournament because of all the attention her Ganbare match got, sorry, she's going to beat Rika next week.
Actually if I recall, he's not.
So like I thought they'd do some title change shenanigans in the lead up to GCW Japan but I keep forgetting that they're partnered with FREEDOMS out there, not with BJWKodaka seems like a lock to win Tournament of Survival tonight since he's BJW champ, but it certainly would be interesting if he took a pinfall in the months before GCW shows up in Japan. It should be a great show tonight. There is no weak spot in that lineup.
"I was tired of saying goodbye in every town. They wanted me to go out there and say goodbye at Barclays. But I was like, I'm not saying goodbye to THEM. I'm saying goodbye to YOU. Half of these people will be at Double or Nothing
Nope. Finn is though
Balor Club is for everyone, even murderous religious dictators. That's Galaxy brained inclusiveness, friend.
So like I thought they'd do some title change shenanigans in the lead up to GCW Japan but I keep forgetting that they're partnered with FREEDOMS out there, not with BJW
Granted it's not like they don't already have Takeda working both, but I think any real interpromotional crossover would be them
Though you then get into Gage showing up in Big Japan and oh baby
I hope Kodaka comes to play with OrinYeah, my thinking is Freedoms is basically running logistics for them and offering their limited roster, but BJW has been pretty generous with its talent for some time so I'm at least open to the possibility of some shenanigans tonight.
In any case, it's gonna be fucking wild. Colon/Sakuda is going to be some violent gremlin shit, Veidt is going to get eviscerated by Kodaka, Lloyd and Sasuke are going to get up to some outrageous fuckery, and the king will do some gross stuff with G Raver.
Why is this hard for you to understand?Again, you're really quick to defend anything related to HHH and WWE.
not another one