Everything is more obvious on the show just on account of it being filmed visually from an outside camera perspective rather than being the internal monologues from a specific POV character's perspective per chapter.Maybe that explains why it was obvious a whole season away. I wonder if the Red Wedding is more subtle and less obvious in the books? Never read them myself though.
Suddenly, Confederate makes so much more sense now.She doesn't bring a lot of new points but this is a fantastic tear down of why those final seasons are so bad. Fantastic work.
And yeah, that Tyrion speech is ridiculous. Killing slavers is not a prelude to anything bad and acting like it's a natural jump is insulting.
There was nothing likeable about that final season IMO.I also wish she had at least had a section on what was likable about the final season.
Maybe because Bronn was an utterly pointless character and made the ending even more ridiculous.I was surprised that she chose to address Bronn, and not the Cleganes.
I think there were lots of things to like about S8E1 and S8E2. Before they really shit the bed in S8E4-E5 most people were pretty well enjoying the season (the questionable cinematography of The Long Night notwithstanding). It wasn't until they did a very hard shift towards the Mad Queen that people started getting up-in-arms.
Given that "subverting expectations" was a major topic of these videos, I think CleganeBowl was definitely worth bringing up. When the showrunners were intentionally trying to surprise and shock, why is it that this one scenario played out like utter fan fiction? I think that is more interesting than just saying "Yeah Bronn sucks and had nothing really interesting to do."Maybe because Bronn was an utterly pointless character and made the ending even more ridiculous.
It really is amazing how D&Ds sexism is dripping throughout those last 3 seasons.
You see, the show was ruined after S4. At that point, the trainwreck of an ending was inevitable. It was clear D&D never understood the point of ASOIAF in the first place and cared more about turning the show into a Hollywood spectacle. The odd thing is how they swerved at the very end to go back to acting like the series had any sort of thematic point. They take this character driven and thematic show then take a hard swerve into Hollywood Blockbuster town where themes or even internal logic are completely disregarded, then just before ending in a cliche' Hollywood manner they're like SIKE! Actually, it's about how power corrupts as they stroke their sagely beards and wag their fingers at the casual blockbuster audience they cultivated.
Stay away from Star Wars, please.
I think there were lots of things to like about S8E1 and S8E2. Before they really shit the bed in S8E4-E5 most people were pretty well enjoying the season (the questionable cinematography of The Long Night notwithstanding). It wasn't until they did a very hard shift towards the Mad Queen that people started getting up-in-arms.
"If this is liberation, he doesn't believe in liberation theology"
oh man, we dodged a bullet there at least. May it stay dead.
Companies just saw the cultural and financial impact it made and thought I'll have that.Seriously, can you believe the amount of money these dingii are getting paid for their next deal
Without even considering Star Wars
How the
How the hell do the people who inked that deal not pick up on something so obvious, that these guys don't know what they're doing if they aren't taking it out of someone else's work, if at all
They basically bombed 4 seasons straight outside of director intervention, and I say that as someone who gave them the benefit of the doubt much longer than they deserved
One of these dudes wrote X-Men Origins: Wolverine
"From the duo behind Game of Thrones" is straight up negative money at this point
This is how peak TV dies
That's what I mean though. Those first two episodes had all kinds of good character interactions, often between beloved characters that had never before met each other. Brienne getting her knighthood was probably the best moment of the entire season. That stuff kinda gets undercut by the lackluster conclusion and all the bad character stuff that happened, but they were all quite lovable moments at the time.But that's just my take on it of course. If you liked some if that's good. I think the Lannisters - Jaime and Tyrion had some good moment in there. Cogman likes writing for them and gives them good scenes. Jaime knighting Brienne was also good.
Given that "subverting expectations" was a major topic of these videos, I think CleganeBowl was definitely worth bringing up. When the showrunners were intentionally trying to surprise and shock, why is it that this one scenario played out like utter fan fiction? I think that is more interesting than just saying "Yeah Bronn sucks and had nothing really interesting to do."
The thing she doesn't really touch upon (even though it would be a brilliant stroke), is that D&D aren't really about subverting expectations. They are about delivering what fans want. Fans don't want to see Tyrion or Jon as anything less than completely virtuous, therefore Dany has to become Dragon Hitler Who Must Be Killed. If Tyrion and Jon had to make a more difficult or ambiguous choice to kill her, then fans would be upset to see them murdering a potentially good leader.As far as fan favourite characters existing for no other reason than they're fan favourites, Bronn stounds out more than the Hound. Also if you're talking about the Hound, you need to dive into Arya's idiotic arc and the video is already an hour long so using Bronn is just easier.
The entire thesis of GoT is basically summarized in this dril tweetShe doesn't bring a lot of new points but this is a fantastic tear down of why those final seasons are so bad. Fantastic work.
And yeah, that Tyrion speech is ridiculous. Killing slavers is not a prelude to anything bad and acting like it's a natural jump is insulting.
The thing she doesn't really touch upon (even though it would be a brilliant stroke), is that D&D aren't really about subverting expectations. They are about delivering what fans want. Fans don't want to see Tyrion or Jon as anything less than completely virtuous, therefore Dany has to become Dragon Hitler Who Must Be Killed. If Tyrion and Jon had to make a more difficult or ambiguous choice to kill her, then fans would be upset to see them murdering a potentially good leader.
CleganeBowl is the most obvious piece of evidence that D&D just want to write fanservice, and bringing that up works in service of her greater narrative that the plot was largely contrived to keep beloved main characters from having to enter into any kind of moral grey area. I'm not saying Bronn should have been left out, but just that the Cleganes should have had a much bigger priority.
I do think that the idea behind why Dany is dead and Bran is king is because Bran sees the humanity in everyone and Dany does not.
It's implied that Bran values all life from the deleted scene in the script and Daenerys only values the lives of people who she doesn't have anything against.
She's merciless towards anyone that would oppose her which includes people like slavers and rapists but could also include otherwise decent people like Tyrion and Dickon Tarly.
So what Benioff and Weiss are inelegantly saying are that we cheered her on because she directed her brutality against the right people but her views of who the right people aren't always going to be the right people.
She has a mode of conduct against her enemies that is brutal and she's not going to change. The show does build that up. It's just that people thought it was to make Dany look cool rather than foreshadowing and making a statement.
But I hate that they used "the first they came for" approach. It's a little insulting
House Baratheon's revival.
The thing she doesn't really touch upon (even though it would be a brilliant stroke), is that D&D aren't really about subverting expectations. They are about delivering what fans want. Fans don't want to see Tyrion or Jon as anything less than completely virtuous, therefore Dany has to become Dragon Hitler Who Must Be Killed. If Tyrion and Jon had to make a more difficult or ambiguous choice to kill her, then fans would be upset to see them murdering a potentially good leader.
People liked Bronn, but they didn't have any particular expectations for him other than to see him continue to be a lovable rogue. Nobody expected him to become Lord of Highgarden or Master of Coin. By contrast, CleganeBowl is literally a fan theory made canon. So I think it makes her case much more strongly because the direction that D&D went was so much closer to what a certain contingent of fans were intent on seeing happen. In the new video she barely brings up the "subverting expectations" concept, so it just feels like that thread was dropped in favor of a more subtle approach.I think that point was established well enough with her deep dive into Dany's character shift in the final season and how it reflects the story being anchored firmly by the end point. I want to say I would want to her to include The Hound in that but I'm surprised I made it through this video.
This falls into her criticism that much in the show is implied or said by characters about other characters, that is not born out by their actions. Nothing is actually implied by Bran's actions or even statements that makes this evident. Sentiments like 'caring for all things' are also rather bland platitudes that must be reflected in ways of doing. Bran becomes an incredibly bland character, where blandness and disinterest are somehow associated with rationality and wisdom. Nothing he said in the last season was particularly wise or enlightened, and the whole 'sees all things' claptrap also didn't have much relevance outside of the R&L revelation. He is also far from an outsider being the younger son of a major artistocratic family, and while being differently abled, has a supernatural power (which again he makes little effective use of, or seems largely irrelevant).
Harrion Karstark, the oldest of Lord Rickard's sons, bowed, and his brothers after him, yet as they settled back in their places he heard the younger two talking in low voices, over the clatter of wine cups. "… sooner die than live like that," muttered one, his father's namesake Eddard, and his brother Torrhen said likely the boy was broken inside as well as out, too craven to take his own life.
Broken, Bran thought bitterly as he clutched his knife. Is that what he was now? Bran the Broken? "I don't want to be broken," he whispered fiercely to Maester Luwin, who'd been seated to his right. "I want to be a knight."
Bran knew what to say. "Thank you for the notion, my lord," he blurted out before Ser Rodrik could speak. "We will bring the matter to my brother Robb. Oh, and Lady Hornwood."
Leobald seemed surprised that he had spoken. "I'm grateful, my prince," he said, but Bran saw pity in his pale blue eyes, mingled perhaps with a little gladness that the cripple was, after all, not his son. For a moment he hated the man.
The problem is that D&D got the plot synopsis from GRRM, but have none of his craft, skill, time, or subtlety. They were told that Jon kills Dany, so they felt they had to turn her into a war criminal to justify that. And they had to do it within the span of 12-14 episodes rather than two 1000-page books. Ideally the story wouldn't be "Jon murdering a good leader" or "Jon murdering Dragon Hitler"......it would be Jon having to make a difficult decision about murdering a leader with noble goals but brutal and questionable methods of attaining those goals. If nothing else GRRM has insisted that ASOIAF is about exploring the grey areas of morality and ethics. The problem with S8 is that they did not want a grey area, because they felt fans couldn't handle beloved characters doing potentially questionable things.But why would Jon murder a good leader? On the show or in the books, it makes no sense for Jon as a character to murder a good leader. That is not who Jon is. Book Tyrion atleast has a darker arc. Randomly turning Jon into a evil guy murdering good people makes no sense even if they were not into fanservice...They have to justify that writing.
it would be Jon having to make a difficult decision about murdering a leader with noble goals but brutal and questionable methods of attaining those goals. If nothing else GRRM has insisted that ASOIAF is about exploring the grey areas of morality and ethics. The problem with S8 is that they did not want a grey area, because they felt fans couldn't handle beloved characters doing potentially questionable things
They were told that Jon kills Dany, so they felt they had to turn her into a war criminal to justify that. And they had to do it within the span of 12-14 episodes rather than two 1000-page books.
The problem is that D&D got the plot synopsis from GRRM, but have none of his craft, skill, time, or subtlety. They were told that Jon kills Dany, so they felt they had to turn her into a war criminal to justify that. And they had to do it within the span of 12-14 episodes rather than two 1000-page books. Ideally the story wouldn't be "Jon murdering a good leader" or "Jon murdering Dragon Hitler"......it would be Jon having to make a difficult decision about murdering a leader with noble goals but brutal and questionable methods of attaining those goals. If nothing else GRRM has insisted that ASOIAF is about exploring the grey areas of morality and ethics. The problem with S8 is that they did not want a grey area, because they felt fans couldn't handle beloved characters doing potentially questionable things.
Yeah, I was thinking during that bit that Confederate is going to be an absolute shitshow if it goes ahead.
While I don't deny that more time and more episodes would have been useful and important, I tend to think that this argument ignores how many other characters would have been completely left in limbo if the show had been stretched out to 24-36 more episodes. That's ultimately the problem with having GRRM give D&D the Cliff's Notes version of the ending.......they felt obligated to get to the place he wanted them to be, but couldn't come up with storylines to keep the other characters busy for years. At the same time all their child actors are getting older and older and less appropriate to use......while the adult actors are getting more and more opportunities to work on other projects. I think D&D's execution was bad, but I find it hard to fault them for a "wrap it up quickly" approach rather than a "three or four more seasons" approach.Lets be fair, GRRM might not still not get it write even with two 1,000 pages books, hence the rumblings we've constantly heard about him splitting ADoS into two.
The short fact is that this ending could've worked, if we had at least 3-4 more seasons to flesh it out. Watching S7 and especially 8 feels like someone on Youtube who made a compilation video of all the seaons's coolest scenes but cut out all the "boring" stuff like good dialogue and character motivations and set ups.
That is definitely on the showrunners. For whatever reason, they wanted Jon to be the hero and unassailable protagonist, so they couldn't have him agree with Dany's methods in any fashion.But again, considering the world they are in, Jon would agree with those brutal and questionable methods of attaining those goals.
I feel like this just comes down to the admittedly self-inflicted problem of the show just not having enough time to flesh things out. Once D&D realized how much they were flailing for storylines when they ran out of material to adapt, the most logical decision was to end things quickly rather than wait fro GRRM to conclude the story.Again, this is why the climatic battle with the White walkers was important. The books has mythology and prophecies including one in which the prince that was promised has to forge lightbringer by stabbing the one he loves - Nissa Nissa. If Dany asks Jon to kill her to save the world - that completely changes this ending. In this version, Dany has agency. She makes the ultimate decision to give up her life to save everyone and asks that Jon kill her.
Her points about Sansa and Jaime are particularly strong. They completely ruined those characters when they were two of the most unique and interesting characters
That is definitely on the showrunners. For whatever reason, they wanted Jon to be the hero and unassailable protagonist, so they couldn't have him agree with Dany's methods in any fashion.
I feel like this just comes down to the admittedly self-inflicted problem of the show just not having enough time to flesh things out. Once D&D realized how much they were flailing for storylines when they ran out of material to adapt, the most logical decision was to end things quickly rather than wait fro GRRM to conclude the story.
As much as people wanted the show to run for 3-4 more years, I can't help but think it would have been worse if it did.
i never really understand the whole "thrones was ruined by the ending" thing. all the actual criticisms apply to the last four seasons. all that was good about the show in the second half was the spectacle. battle of the bastards, blowing up the sept, pretty much everything "cool" was fucking stupid and made no sense. it was just the plot driving characters to the next "moment," and doing it poorly.
ellis even points out the nonsense how the people of king's landing just disappeared from the story after the explosion as well as other trash along the way, but still ends with the video by saying that it's perhaps the ending that ruined a show the worst. how can that be when half the show was bad?
the problem i have with that is that by season 6 and 7 she show was already such a clusterfuck that it didn't seem possible to wrap it up with a nice bow in any satisfactory way.It's because as long as the ending is still in the future, there's still potential for a course-correction and a good conclusion to the overall journey. When the ending is also terrible it removes that excuse, and makes everything that came before it even worse in retrospect.
the problem i have with that is that by season 6 and 7 she show was already such a clusterfuck that it didn't seem possible to wrap it up with a nice bow in any satisfactory way.
That's all they were, though. Moments. They didn't build up to anything good. Brienne was knighted. That was a sweet scene. But that itself didn't really lead into anything all that good during the rest of the season, which kind of retroactively makes them just not all that noteworthy.That's what I mean though. Those first two episodes had all kinds of good character interactions, often between beloved characters that had never before met each other. Brienne getting her knighthood was probably the best moment of the entire season. That stuff kinda gets undercut by the lackluster conclusion and all the bad character stuff that happened, but they were all quite lovable moments at the time.
That Sansa breakdown felt really cathartic because it outlined every single one of my gripes with her character progression in that final season.
This was my second favourite section of her analysis. I already did not like Dany's turn at all, but watching this actually made me a bit angry about it. It's so vile and nihilisticshe really nails why jon killing dany is so vile.
'look what you made me do'