Okay I'm finished with ep 11. LOL I had a feeling they might do that. I'm not sure if I should be happy for Frank or disappointed by the lack of committing to dramatic plot swerves.
I don't necessarily agree with you, but I will say this: I find it interesting how people say he's the perfect adaptation of the character. Admittedly I've only read Punisher comics by writers Ennis, Miller and Peyer, but to me Jon Bernthal is almost nothing like the comic book character. Bernthal is emotional, vulnerable, empathetic, talkative. The comic book character is stoic, almost robotic and very deadpan. As such, Ray Stevenson is still the more 'accurate' representation of the character in my eyes. Which isn't to say Bernthal's take is 'wrong', the point of adaptation is to transfer the qualities of something from one medium to another, so he's just as valid an interpretation as Stevenson, but I wouldn't call him 'perfect' by a long shot.
Either way, the actor's talents have been wasted in these two seasons in my opinion. You could craft some amazing storylines with him, but for some fucking reason Netflix keeps hiring rubbish writers and showrunners.
I enjoy this take on Punisher, but I do somewhat agree with you here. I would love to see another take on Punisher where he's basically the human Terminator he is in the comics and Warzone. I think they knew that type of character couldn't star in a show on his own and be too compelling, but I think the lighter foils they pair him up with can/should carry that more.I don't necessarily agree with you, but I will say this: I find it interesting how people say he's the perfect adaptation of the character. Admittedly I've only read Punisher comics by writers Ennis, Miller and Peyer, but to me Jon Bernthal is almost nothing like the comic book character. Bernthal is emotional, vulnerable, empathetic, talkative. The comic book character is stoic, almost robotic and very deadpan. As such, Ray Stevenson is still the more 'accurate' representation of the character in my eyes. Which isn't to say Bernthal's take is 'wrong', the point of adaptation is to transfer the qualities of something from one medium to another, so he's just as valid an interpretation as Stevenson, but I wouldn't call him 'perfect' by a long shot.
Either way, the actor's talents have been wasted in these two seasons in my opinion. You could craft some amazing storylines with him, but for some fucking reason Netflix keeps hiring rubbish writers and showrunners.
I don't necessarily agree with you, but I will say this: I find it interesting how people say he's the perfect adaptation of the character. Admittedly I've only read Punisher comics by writers Ennis, Miller and Peyer, but to me Jon Bernthal is almost nothing like the comic book character. Bernthal is emotional, vulnerable, empathetic, talkative. The comic book character is stoic, almost robotic and very deadpan. As such, Ray Stevenson is still the more 'accurate' representation of the character in my eyes. Which isn't to say Bernthal's take is 'wrong', the point of adaptation is to transfer the qualities of something from one medium to another, so he's just as valid an interpretation as Stevenson, but I wouldn't call him 'perfect' by a long shot.
Either way, the actor's talents have been wasted in these two seasons in my opinion. You could craft some amazing storylines with him, but for some fucking reason Netflix keeps hiring rubbish writers and showrunners.
Netflix didn't hint anything, it was a click bait website that spread thhis alt-right thing.Still disappointed that the season didn't turn out anywhere close to what they hinted at leading up to the premiere. Something something alt-right.
Are you talking about the fallout of the warehouse scene? If so, I agree that it was an interesting idea and Punihser acts like how I think he would act in the situation. Fairly similar to the plot to Warzone. However, he completely forgets his rashness is what got him there in the first place with the final episode
Punisher is blindly shooting through the wall of a motel to get Preacher, but doesn't think it will hit anyone in a room or two over. Blindly shooting the window made him think he hit those women. No thought was put into that. Also, the scene is comical in itself since Punisher and Preacher are never on screen at the same time for most of it. I imagine filming the sequence would look pretty comical from afar. "John fire those blanks while yelling at the wall."
You wrote all of the ways I was feeling about this season.The one thing that will stick with me about this season is the show's questionable moral choices, which is really saying something for a show about the freakin' Punisher. More than the bland action, the mostly middling writing, the sludge-like pacing, it's the final episode's decisions regarding a certain character just chafes at me.
Every way the show has handled this character has been dicey at best, but up until episode 13 I was watching, waiting, hoping for it to make a grand statement about the nature of this character. But no, it doesn't, really. It goes out with a whimper.
The Preacher. John Pilgrim. I cannot believe they let this guy live. More than that, I cannot believe they gave him a pseudo-rebirth. There's an element of empathy towards a man who the show LITERALLY paints as a violent racist murderer BEFORE HE DISCOVERS the small all-White Christian Fundamentalist town, lead by a pair of fake religious zealots. There's a moment in a late-game episode where he says to Curtis that if Pilgrim were younger he would've just killed him because he is black. Fortunately becoming a Christian Fundamentalist has changed his ways. Now he just kills people as ordered. No longer a racist ain't that great though?! What the fuck? He gets to live? Because he has kids?
FUCK. THAT.
D. That's what I give this season. I like John Bernthal as Frank, I always have, but his talents are just wasted here. Amy was good, and it's always good to have Curtis around to be a (non-overbearing) moral center. And I like that Madani gets her moment in the spotlight. But everything else goes out the window. Hated the Billy/Dumont relationship and how much time was spent with them. Hated just how much downtime there is in this show, with people just sitting in a room leaving me to wonder where the corners were cut. In a year, a month, a week, I won't remember a single action sequence from this. It'll probably just blur with the ones from season 1.
If this is it, if this is the end for Marvel Netflix's The Punisher, then it was a shit way to go.
Netflix didn't hint anything, it was a click bait website that spread thhis alt-right thing.
The one thing that will stick with me about this season is the show's questionable moral choices, which is really saying something for a show about the freakin' Punisher. More than the bland action, the mostly middling writing, the sludge-like pacing, it's the final episode's decisions regarding a certain character just chafes at me.
Every way the show has handled this character has been dicey at best, but up until episode 13 I was watching, waiting, hoping for it to make a grand statement about the nature of this character. But no, it doesn't, really. It goes out with a whimper.
The Preacher. John Pilgrim. I cannot believe they let this guy live. More than that, I cannot believe they gave him a pseudo-rebirth. There's an element of empathy towards a man who the show LITERALLY paints as a violent racist murderer BEFORE HE DISCOVERS the small all-White Christian Fundamentalist town, lead by a pair of fake religious zealots. There's a moment in a late-game episode where he says to Curtis that if Pilgrim were younger he would've just killed him because he is black. Fortunately becoming a Christian Fundamentalist has changed his ways. Now he just kills people as ordered. No longer a racist ain't that great though?! What the fuck? He gets to live? Because he has kids?
FUCK. THAT.
I agree. It's interesting that Micro and Frank's dynamic was the best thing about the first season as well. In the unlikely event this continues I'd like to see them contort the plot in whatever way necessary to just makes this about the three of them as a team pulling off heists and forget the main conceit of the show.Amy and Frank's dynamic is definitely the best thing about this show.
I agree. It's interesting that Micro and Frank's dynamic was the best thing about the first season as well. In the unlikely event this continues I'd like to see them contort the plot in whatever way necessary to just makes this about the three of them as a team pulling off heists and forget the main conceit of the show.
I thought that was ridiculous too. And then it gets even more tone deaf when the end smash cuts to Frank gunning down a bunch of minorities lol
Not gonna lie, watched episodes 1 to 3 and then skipped to 13. it was a fun ride, but after episode 3 it al pointed to a borefest, after reading this thread, looks like a did the right choice. Ending was cool and i enjoyed all 4 episodes
I wish he'd died where he woke up. It would've been just what he deserved.The best moment in this entire series is the when the doctor is asked to remove a bulletfrom Billy Russo's stomach, and Billy passes out. He wakes up in a dumpster with the bullet still in him and the doctor stole all of his money. Fuck Billy Russo, and yay for that doctor. Doctor's always get threatened in these shows to do shit like this and this was the perfect response.
That was so annoying. How a trained FBI agent couldn't take out an idiotic therapist. And Billy's reaction was like a meme.- Madani's fight scene... good god. She's a trained special agent? I really wanted her to turn Punisher-like with the therapist, to just fuck her up beyond belief, which is where I thought it was going. That would've been an interesting twist for the character.
I think their problem was keeping them as separate as they did. They should've merged them together.Yeah, the more I think about it, the more I think they should've resolved the Pilgrim storyline in the middle of the season, and then having Billy Russo escape soon after. Two smaller arcs instead of one season going back and forth without any consistency.