View from someone who's never watched an entire season/show of Star Trek outside the OST (which was the only one that clicked with me cheese and golden era short fiction SF all).
Overall, pretty mediocre I'm afraid to say. Strong performances, handsomely shot, but otherwise a right old mess showcasing many of the worst aspects of current TV (as opposed to the good ones):
- Far too much going on with far two many characters across far too many timeframes - you'd need a truly top tier writer to wrestle everything they tried to cover in Picard into a cohesive narrative that holds together as a single entity comprised of ten 45 to 50 min chunks and the actual writers clearly weren't up to the task
- Lack of cohesion thematically - there''s constant hints of what the show wants to be about but it never really land them well and often directly muddles their delivery - case in point the finale (mortalty is to be embraced, well unless you're the popular central character in which case why don't you stick around and leave appreciating mortality to others)
- Poor plotting & character arcs - this falls out of the first element but really so many characters were poorly serviced (despite best efforts of the cast who I thought we all well suited to their roles and really tried to elevate the plotting/writing) - Narrisa is a great example, set up as spy in Federation who does zero spying but moves straight to dull 1 dimensional baddie gleefuly enjoying shooting anything that gets in her way, then suddenly out of nowhere there's character development well after she's been in multiple episoeds and far too late to matter; turns out she's endured often lethal and mind shattering experience and truly believes she's doing what's right, with a depth of emotion as she comforts her aunt who's suffered even more than herself (think it was her aunt I'm not re-watching to check) then nope, we need her as 1 dimensional baddie again for a bit of final action, a lame "did she die?" fake out ending an a rote baddie's depth at the hands of an equally poorly handled character (Seven, who seemed interesting but also mostly a cypher apart from a couple of moments)
- Unecessary flash backs - really, in one short season why so many lazy flashbacks to reveal what#s already been heavily, heavily foreshadowed to the point it's essentially obvious? None of it felt like it made the narrative better - the opposite I'd argue - and most of it ate up time going over plot points already laboured and made obvious
- Don't even get me started on the cute scientist murderess character (her actor did far better job than the written character deserverd and almost sold the insantiy of tha character's arc through sheer determination)
There were obviously some very nice scenes and lovely moments, particularly when the show slowed up a bit. Even having only seen a small number of TNG episodes and a couple of the NG films Picard interacting with Troy & Riker was enjoyable and had the resonance of real history and depth of character behind it.
As with Discovery - which I also sampled but drifted away from then back to in season two - more than anything Picard suffered from being overstuffed with ideas, plots, tone and characters with no obvious conviction as to why it should even exist or what it's about. Shame as Steward is a fun and watchable actor and the idea of visiting a character like Picard much later in life seemed very promsing, but ultimately when there's clearly a list of 100 ingredients that had to be included (Data, Borg, Old Friends, New Friends, Extended Lore, Space Battles, Wierd Stuff, Familiar Stuff, Action, Patience, Villians, Twists, etc) the end result could only ever feel like an overstuffed cake with far too much added to the mix.
Season 2? With that motley crew and a regenerated doctor (sorry Picard) I can only hope they put the approach for S1 behind them, focus on a clearer, less convulted narrative with lot less plot lines.
Still, from what I did see of Discovery I would still invest time into more Star Trek if it featured Pike, Spock and Number 1 with the tone of the episodes featuring them most prominantly. Also I'd prefer they drop the over-arching plots and instead go back to quirky SF writers delivering cool little short stories that fit within a tight 50 min narrative. Build the character traits across this and weave character change into specific episodes. Thans in advance.