Filmmaking, like any art, isn't about strict technical abilities. Talking objectively about art is boring. Just because something is more refined doesn't mean it's better either.
Plenty of times shots are chosen not because everything is tachnically good but because 1 element is magic. That's often at the expense of another piece: an errant camera movement, slightly out of focus actor, continuity issue with shot reverse shot. Whatever is, sometimes the technically wrong choice is made to benefit the film as a whole.
So, it's silly to talk about the well-made movies when it comes down to what you as a viewer connect with. Plenty of people call Kubrick's films cold and also talk about how impeccable he is as a director. Or look at the Sergio Leone westerns that have their dubbing issues because of the way they were shot. Lips don't match dialogue, and yet the are considered amongst the greatest films of all time.
I'm not going to bring out a ruler and measure someone's film knowledge and try to take down their love of a film because we "have to" acknowledge that another movie is better made. The only person that helps is the one that needs their film cred justified.
Well, you do as you will but as a student and lover of film, I'm going to call out the bullshit when I see it.
Firstly, I never claimed my metrics were predicated on strict technical merit.
Actually, Lucas is a brilliant visual and technical director; absolutely top notch. But his writing is flaccid, clunky and antithetical to building any type of emotional resonance within the construct of his scripts.
I recently read the biography
George Lucas: A Life and what becomes evident – even by Lucas' own admission – is that writing is something that does not come easy to him and worse, he doesn't particularly like directing actors nor does he give them the freedom to modify or ad lib, thus he essentially robs them of improvisational moments and instead forces them to deliver leaden dialogue and wooden performances, all of which adversely affected his prequels.
The dialogue and acting alone in the prequels preclude them from being superior films to the ST. There are basic tenants of filmmaking Lucas violates because of his rigidity, lack of respect for the art of thespians, and his focus on technology over narrative cohesion.
And yes, we can all hide behind the shield of subjectivity but great art is decided by consensus (usually over the course of many decades or more) and there are, generally speaking, certain basic expectations when analyzing and evaluating film or any other medium.
So, I stand firm by my statement and given how many potentially brilliant emotional moments his prequels dampen or downright ruin, I think I've got plenty of evidence to back it up.
Out of curiosity, are you claiming any of the prequels are better films than the ST?
Because I'm more than happy to have a civil debate about that. :)
(I actually really like the prequels despite my issues with the aforementioned components)