She should literally just dismantle her current staff and convert it into a saberstaff. That would be perfect foreshadowing.
Episode 9 Return to Mos Eisley SpaceportIt seems there were two lines of dialogue in the shareholder footage. They're harmless but I'll tag them anyway.
Rey: It's too dangerous, I'm going alone.
Poe: We're going together.
What if Fallen Kingdom is Episode 9 but with names changed around. The little girl clone is actually Rey and the thicc dino is Kylo.
Never seen fallen kingdom...What if Fallen Kingdom is Episode 9 but with names changed around. The little girl clone is actually Rey and the thicc dino is Kylo.
The script is dumb as shit but J. A. Bayona's directing is fantastic, movie ends up being okay because of Bayona. It's a good thing Trevorrow is not writing Episode 9. A very good thing.Never seen fallen kingdom...
Is it a
So bad so good kinda movie? Or just bad?
Bad badNever seen fallen kingdom...
Is it a
So bad so good kinda movie? Or just bad?
Never seen fallen kingdom...
Is it a
So bad so good kinda movie? Or just bad?
I've got 3 episodes left to catch up with Resistance and it's, like, is it worth it? Am I doing the right thing?
I've got 3 episodes left to catch up with Resistance and it's, like, is it worth it? Am I doing the right thing?
It's long been my contention that the old Star Wars Expanded Universe was seen by many fans as a way to "fix" the perceived problems of the movies as they aged out of impressionable childhood and into nitpicky adolescence. Reactions to #TheLastJedi have cemented that impression. The original trilogy was "cool" a lot of the time, but it was also goofy, cutesy, jokey, silly, kiddie—a lot of things that it's hard for a 14-year-old to admit to liking. The EU leaned heavily on the cool—bounty hunters, dark side Force users, brooding—and dropped the goofy. The EU, and to some degree the prequels, affected the way hardcore Star Wars fans received the movies, allowing them to continue liking Star Wars while growing beyond the pulpy, goofy, fairy-tale parts of the movies. The EU either retconned them outright or let fans elide them.
George killed off Boba Fett, the emblem of "cool" Star Wars, with an accidental death and a burp joke. The EU resurrected him and gave him all the bad boy adventures and backstory an adolescent kid could want. (See: Phasma.) What little Force training George showed us was pretty woo-woo stuff, all about trusting your feelings and reaching out. What teenage boy wants to think about that? The EU gave them lightsaber forms, Jedi academies, plenty of formal training. (See: Rey is a Mary Sue.) George gave us Ewoks; the EU killed them off with the wreckage of the second Death Star. (See: porgs.) George gave us pulpy, overconfident bad guys with questionable tactics; the EU gave us Thrawn. (See: Hux and the First Order chase.) The movies were filled with pulp SF notions, which is to say technology that's gosh-whiz stuff that doesn't need to be poked at too hard. The EU gave us a backup hyperdrive on the Falcon to explain the trip to Bespin. (See: the "terrible" physics of bombers in space.)
Many of the complaints about #TheLastJedi appear to be coming from people who have conditioned and predicated their enjoyment of IV, V, VI with massive EU injections, as though inoculating themselves against pulp. It leaves them ill-equipped to enjoy movies in the mold of the OT. We don't get a backstory (or a name) for Palpatine in the originals (see: Snoke), but someone said today "that was a different time. Storytelling has changed." No—storytelling's the same; you've just internalized a zillion EU books and three prequels to allow yourself to like it. And of course the Luke of the EU was canonized, put on a shelf where he was never allowed to make mistakes, and we've seen how difficult it's been for some hardcore fans to accept a flawed elder Luke. Han shoves Luke into a tauntaun's guts, but milking a critter is "undignified".
The people making the new movies are studying the way George made movies, what he was trying to say, and they're being so faithful to his anti-fanservice pulp aesthetic that they're running into friction with fans of the EU, which was all fanservice and "fixing" George's ideas. (I don't want to paint with too broad a brush here. Plenty of people, including @pablohidalgo, love both the EU and the new movies. I'm talking about the fans who let the EU nudge them away from what they loved in the OT in the first place.) I love the original trilogy in large part _because_ of what some people are calling flaws—improbable pulp technology, goofy humor, a Force that resists RPG-style rules, rubber puppets. The new movies going to that well is my jam, but I kinda get why some fans have a hard time. What some call the "Leia Poppins" scene is the crystallization of my aesthetic—bizarre, beautiful, improbable, unexpected. It's perfectly pulp, perfectly Carrie, a demonstration of the power held by the daughter of Vader—but it's like nails on a chalkboard to the EU aesthetic.
I hope fans rally around #TheLastJedi, the way most of us grew to appreciate The Empire Strikes Back. Time and home video and Episode IX will help. But I suspect that a lot of folks will need to unlearn what they have learned. It's like the EU set a new set of (pretty limiting) rules about what Star Wars is, and the things that violated them in the OT were only grudgingly grandfathered in. They're acceptable as historical curiosities, but no more of that, please; we've grown up. Whereas I am all "Give me more of that goofball humor and unjustifiable spaceship design, please! Sign me up for mysticism and porgs!" And I think most audiences are on that side of the line.
I thought this was an interesting Twitter thread about how the EU brought Star Wars away from its pulpy origins and changed fan expectation.
https://twitter.com/jere7my/status/959639420109578240
@jere7my:
If we consider Leia floating in space as something "cool" then we lose the axis of what is right or wrong and give rise to any fact possible, ridiculous or not, by the fact of being innovative.
I cannot for the life of me understand what this even means.
Also Snoke will obviously get a book. That's where his backstory belongs. The ST is about Kylo, not him. The Emperor didn't have any backstory in the OT, cause that was Vader's story. We only learned about him in the prequels. You want pre-sequels now?
I can't follow that sentence either.
But, I'm all for anything Snoke. I'd be down for Snoke's Slippers a Star Wars Story
...Am I supposed to think this looks bad? Cause I thought that scene was pretty cool looking.
I mean I dunno the dinos just look so cartoonish in those movies, I've never liked the look or feel. Everything in the shot is pretty cool creatively but.. I'm just over the absurdity of it all....Am I supposed to think this looks bad? Cause I thought that scene was pretty cool looking.
I mean I dunno the dinos just look so cartoonish in those movies, I've never liked the look or feel. Everything in the shot is pretty cool creatively but.. I'm just over the absurdity of it all.
On the other hand, I do not think either that Ryan Johnson should bear all the blame, Disney executives approved the script. It seemed like seeing Leia floating was a good idea, but adding more humor to a Han Solo movie was going to be a terrible mistake. These things are the ones I can not understand.
Sometimes I wish some cruel monkey paw scenario where some " fans" will get the movie they are really asking for
Thats hilariousSometimes I wish some cruel monkey paw scenario where some " fans" will get the movie they are really asking for
LolSometimes I wish some cruel monkey paw scenario where some " fans" will get the movie they are really asking for
I'm not 100% in agreement. The problem with TLJ was not the fact of wanting to innovate, but having done it in a ridiculous way. It was to have deconstructed the foundations that had been seated in TFA. It feels like a totally different movie, out of place. It does not connect the dots, it's as if Ryan Johnson had written and directed the entire movie without having paid the slightest attention to the previous details.
If we consider Leia floating in space as something "cool" then we lose the axis of what is right or wrong and give rise to any fact possible, ridiculous or not, by the fact of being innovative.
In my opinion, there are certain limits that must be respected within the universe of Star Wars, because the problem with the sequels is that the minimum change or a false foot alters a story that was thought, elaborated and worked (EU Books, Videogames, Movies ) for more than 40 years (Ryan Johnson, felt the right to break these foundations and do what he wanted.) He did not respect the legacy.
Yes, it is known that George Lucas never paid attention to the fans, but nevertheless the prequels joined points that were inconclusive (with the exception of the midiclorians, big mistake). Rogue One (my favorite) was perfectly carried out.
Finally, comparing Palpatine's story with Snoke's makes no sense. The development of Palpatine was developed through the prequels. Killing Snoke without any prior explanation about who he is, does not help in the story arc. It can no longer be explained (maybe on TV Series, but it does not seem to be the way that Disney is going to take). And besides, it's an important point, it's not a minor character. It is the Dark Lord who could make the empire reappear. Where did he get the strength? Who? How did it come about? Was it immediate to ROTJ? These questions have to be answered, they can not remain in the air. There is not a minimum of development.
On the other hand, I do not think either that Ryan Johnson should bear all the blame, Disney executives approved the script. It seemed like seeing Leia floating was a good idea, but adding more humor to a Han Solo movie was going to be a terrible mistake. These things are the ones I can not understand.
good threadI thought this was an interesting Twitter thread about how the EU brought Star Wars away from its pulpy origins and changed fan expectation.
https://twitter.com/jere7my/status/959639420109578240
@jere7my: