My thoughts now the spoiler ban has lifted and two days after I saw the film.
First of, I really liked TFA and I loved TLJ. Both have grown on me over time (especially TLJ, I needed time to let that one sink in. But it got better everytime I saw it).
And I liked TROS. It's definitely my least favourite of the three and I don't think that will change anytime soon if ever. But I laughed, I was exited and I choked up a few times. It was exactly the fun and weird experience I expect from Star Wars, but without the extra depth of TLJ, nor its brilliant storytelling.
My main problem with TROS is the one many have. It's too fucking fast paced. It is often more occupied by the plot, than by what thet plot does to the characters. It's a McGuffin chase that leaves no time to breathe. And that's a shame, because there are a lot of great moments that deserved some more development. There is for instance that little talk at the end between Finn and Janah about their lives as a stormtrooper, and you just want more of thát. It's the only moment I actually feel an emotional connection to Finn as a character.
So yeah, Finn. Finn and Poe have
a lot to do in this movie. But they have no story. People bitched about Finn in TLJ being on a sidequest, but it's actually in TROS that a lot of his actions and plotlines seem to just be there. It's all with the intention to get the next McGuffin thingy, but there is no character behind it. In TLJ we saw Finn as a character, someone who discovered, learned, made mistakes, learned from it and changed course. In TROS he is a figure. He is on an adventure and does action stuff. That's it. The same holds for Poe. The fast pace doesn't give you time to be bored, but their stories have nothing to tell. There is no theme behind it.
You could also easily cut out some plotlines without hurting the movie (something that is nigh impossible in TLJ, as everything is so connected). C-3PO needing a hack? It's fun, but it's basically an extra obstacle where you didn't need one. More plot to cram in a movie that is already full of it. The sinking sand? Just a little extra hold-up (that is resolved like it is nothing. They just walk out of it) that only delivers more plot. And on top of all that the movie sets up stuff it never pays of, like Finn wanting to tell Rey he loves her. Basically the movie should have cut the fat and slowed down from time to time. Letting things breathe and settle.
Before I wasn't so sure about the return of Palpatine, and I'm still not sure if I like it. (I definitely think they jumped the shark on some of his scenes) Same goes for Rey being a Palpatine, which isn't a straight retcon thanks to the stupid grandfather explanation, but still feels forced. But when I think about it - see I'm conflicted still - there is a lot that I like about this idea too. For instance that this trilogy has the bad guy coming from a 'good' bloodline, and the good girl coming from an evil one. This kind of gels with TLJ's message that it doesn't really matter where you come from, it's the choices you make yourself and the lessons you learn from your mistakes that matter. It's how you grow beyond wath came before.
In the end I have to listen the things I said a lot when discussing TLJ regarding Rey's lineage. It's not the answer that is important, not the consequences for the lore, but what it means for the character and how it pushes her to react and change. In that regard I think Rey Palpatine is actually okay, because it does throw a new wrench in Rey's view about herself. But again, because of the fast pace, there is so little time to have this al settle or develop. The Ach-Too scene should have had way more breathing room for instance, more doubt and bigger conflict.
My favourite part of the movie is Rey's and Kylo's story again. It's the part that hit me the most on an emotional level. It has been the core of this trilogy and I like where it ended up (even though I had expected Rey to emboddy both the light and the dark at the end, but come to think of it, that would be a very strange and mixed message in a story that has always been so black and white). I think the redemption arc here is actually way better done than Vader's was. It feels way less as an afterthought, and tracing back troughout the three movies you see how nicely it is build up in Kylo's character. I loved how they repeated that scene from TFA with Han (though you kind of feel that they intended to have Leia bring him back, but couldn't because of Carrie Fisher's death. It would've been a better scene if it mirrored TFA's but with Leia, so it would be a bigger question mark if he would kill her or embrace her).
There is a lot of little stuf to talk about too. For instance I'd rather had the rebuilding of the Resistance as a big plot drive than the McGuffin's, and it kind of feels cheap that Lando deus ex machina's them in the end. (You have to fill it in with some headcanon to make it work too. Lando telling in all those systems the Resistance needs help and everybody ready to jump in because of Luke's inspiration at the end of TLJ is what makes it work for me. But that's the problem with TROS. There is so much plot, but often the motivations you need to fill in yourself because few of its events is driven by the characters). Or how the final space battle lacks the clear objectives the ones in the OT and Rogue One had, making it fall totally flat, ...
But in the end, despite all the stuff I didn't like of thought that didn't work, I really enjoyed the experience. I'm going on holiday this weekend and when I'm back in the new year I'll have a second watch. I'll probably discover stuff that answers some doubts I have now, but I'm not sure if my opinion of it will change a lot.
Reply on something from the now closed spoiler thread:
Yes, I did, thanks for the condescending response though. You're telling me that saber line wasn't deliberate? There was contempt for TLJ oozing from this thing.
Sorry if it came of as condescending, but hell, how can you say Luke believing in the Jedi again in this movie is shitting on TLJ, when Luke's story in TLJ is him going from 'The jedi must end with me' to 'I have to embrace my legacy and the Jedi order must be reborn'
Of course the saber line was deliberate. I love TLJ, I love the saber throw and it this line in TROS got a good chuckle out of me. It's a line that winks at the audience, but is also a line that is believable coming from a character that has come to see the errors of his ways and wants to prevent his pupil from making the same mistake again. So it's more than just a meta-joke.
And TROS builds way to much on what TLJ did to being contempting. There are some throwaway meta-lines that are squarly aimed at the audience to quelm some critiques/nitpicks like 'I made snoke' and 'Holdo is 1 in a milion'. And some stuff is unmotivated, like Kylo fixing his helmet (though you can read that as him being ready to become the new Emperor and feeling betrayed that Snoke was a puppet or something. But it's vague, like so much in this thing you have to fill in the motivations yourself because it's all underdevelopped)
But there is a lot in TROS that just continues where TLJ left of. It builds it's main character arc around the bond between Kylo and Rey again for instance. It has Rey making the same mistake as Luke on Ach-Too. It often even cleverly pays of set-ups that weren't even set-ups, like the Red 5 in the ocean shot, ...