I'm old enough to remember Prince, yeah.Thing is, if someone as big as Taylor Swift is getting fucked over, I don't even want to imagine what is happening to smaller, less popular artists.
I'm old enough to remember Prince, yeah.
but this however, is a mess. It's not like Taylor Swift wasn't given a chance to own her own songs, and Taylor Swift was certainly rich and powerful enough to get them. It wasn't a Prince vs Warner Bros situation. They settled, ended in good terms, until Swift learnt that they are selling the rights to someone who manages Kanye.
Not to mention it's not really new for the Taylor Swift brand to spin stories to make herself look better. At this point, I'm in the 'let them fight' team.
They were gonna let her earn back her master's if she released six more albums under BM, which was a ridiculous deal that she of course rejected.I'm old enough to remember Prince, yeah.
but this however, is a mess. It's not like Taylor Swift wasn't given a chance to own her own songs, and Taylor Swift was certainly rich and powerful enough to get them. It wasn't a Prince vs Warner Bros situation. They settled, ended in good terms, until Swift learnt that they are selling the rights to someone who manages Kanye.
Not to mention it's not really new for the Taylor Swift brand to spin stories to make herself look better. At this point, I'm in the 'let them fight' team.
They were gonna let her earn back her master's if she released six more albums under BM, which was a ridiculous deal that she of course rejected.
They never gave her the chance to buy her master's outright and she said she would've done that if presented with the opportunity.
Nope. I just have no compassion for the super-millionaire fight with other hyper-millionaires.
an predatory industry with outrageous contract deals and that doesn't mean anything? hmmNope. I just have no compassion for the super-millionaire fight with other hyper-millionaires.
Nope. I just have no compassion for the super-millionaire fight with other hyper-millionaires.
Nope. I just have no compassion for the super-millionaire fight with other hyper-millionaires.
She was 15. A contract should not be a tool to control lives. Period. Yall buy straight into that capitalist slave mentality. Shit aint cool either way, full stop.
According to this, any contracts signed by a minor is not legally valid and the minor can file a lawsuit to void the entire contract because they don't have the legal capacity to enter into a legally binding contract.
So Taylor Swift's contract was invalid between the time she was 15 until she turned 18:
No one should be allowed to own the rights to an artists' creative work
Taylor and Scott, and their respective teams, aren't really amateurs. Both parts know how to play this out the way it's best for them.
I always thought it was weird how so many artists go on to try to start their own labels. It's like a take on a prymaid scheme when you think about it.Artist #13218407 with what turned into a bad music contract.
Hard industry to get a decent contract in because the new artist has no leverage and the investment/risk made by the label taking a chance on them can be significant. Many artists are signed, basically none are expected to reach a fraction of Swift's success. For every Swift, there are several thousand signed artists that you've never heard of and never will hear of because they'll never get big or make a headline despite their best efforts.
I'm not sure what the solution here is, but it's interesting to see that most people do not realize that by and large the artists do not own their songs. Generally because they wouldn't have been able to afford to pay to have the necessary talent brought in to create, write, mix, master, and distribute them on their own. To give access to expensive studio/recording space for dozens or hundreds of hours. To negotiate their radio spins nationally and internationally. To produce those expensive music videos. To get those songs on all the essential streaming services and manage their social media. To get them on tours with others and book talent, dancers, hotels, and so on. To pay for access to the PR team, the stylists.
There is a massive machine behind and supporting every single artist bigger than the local band in your city, and the people that make up this necessary background team do not come cheap, I assure you. Without those elements in place, most songs you love would have never existed, or you otherwise never would have heard them. Some of your favorite artists wouldn't exist. Sometimes in a rare circumstance, it results in something like this Swift issue where she has clearly outgrown the projected future for her in the industry.
There should be mechanisms available to the artists after X years to buy their music library back based on some fair but somewhat steep price and it shouldn't become available for others to buy the rights until or unless the artist declines to buy their own rights or until X number of years have passed without them buying them. And certainly they must be able to perform it, even if a cut has to go to someone else. They should never be unable to perform their songs. But beyond that I just don't know. People are not properly considering the full picture. Because most of you don't know how the recording industry works or just how much goes into helping make an artist.
Taylor and Scott, and their respective teams, aren't really amateurs. Both parts know how to play this out the way it's best for them.
For Taylor it's clearly the empathy angle, and you're eating it whole.
I'm not sure what the reward would then be for the label if they didn't get the rights to the product produced with their own money through recording, marketing, dissemination of content etc
Not sure if you're accusing me of taking a stand against empathy. I do have a problem against biased empathy, which isn't empathy at all.I always notice when someone takes a bold stand against empathy. It certainly comes usually in written or spoken form.
Lol what?? So know you have to own the company doing the exploiting?? Soliciting their labor is not exploitative??? Dude, really???
I'm only calling out the people who said Taylor Swift hasn't exploited anyone to become a millionaire which is bullshit.
My point isn't that Taylor Swift is evil, it's that I have little empathy for her. Yes, the music industry needs to change but at the end of the day she's complaining about a contract that made her a multi-millionaire.
She signed a record contract giving them the masters at age 15, and then after her contract ended label offered her the ability to "earn" them back one at at a time as long as she kept working for them for at least another decade, and then just sold them all to Kanye West's manager without ever giving her the option to buy them when she wouldn't play ball.
Unless you think you should also be held to everything you agreed to at age 15 for the rest of your life they're being a little unfair, she's not asking to get them for free lol
How does lacking empathy, for an almost a half a billionaire, complaining and pissed at a deal that she signed that enabled her to make her fortune equate to a bitch eating crackers situation?? You don't know the definition of the term if that's how you really feel.Yep. Idk how people can have no compassion here.
This is a "look at this bitch eating crackers" situation.
Ok. sure take away security. What about the countless other things I mentioned??Your take certainly is something. So if an artist needs security for a concert they should start their own security company because they risk hiring a firm that has exploitative practices. And they should be expected to multiply that practice by a hundred because they need to ensure nothing funny is going on with the cleaning crew, food vendors, roadies, marketing firm, ticket brokers, etc... They are held responsible for all of that.
Wow!
How does lacking empathy, for an almost a half a billionaire, complaining and pissed at a deal that she signed that enabled her to make her fortune equate to a bitch eating crackers situation?? You don't know the definition of the term if that's how you really feel.
Of course not, because you can't even answer the question I asked.Ok.
I don't know what to say to you. We just won't ever see eye to eye on this.
Ad hominem at its finest.It's still pretty shocking to me to see how far tribalism bullshit surrounding things like music can turn people into slobbering misogynists.
Knowing what Taylor Swift is thinking while not adressing the topic at hand, does certainly remind me of a old tagline of yours.
Yes because let's pretend the people in power when the contract was written weren't trying to exploit someone they knew they could make money out of and aren't still trying to exploit her now, when she doesn't even work for them any more. Why are you siding with the corporations on this? They didn't write the songs, they didn't perform the songs, they didn't connect with fans. They just hired a recording room and now they want to force her to do things for them in return for the "right" to play her own songs at her own concerts.
Imagine actually defending corporations exploiting their workers.
The money they make distributing and selling the product during their deal with the artist.What about people who make logos for things?
but I digress, I'm not sure what the reward would then be for the label if they didn't get the rights to the product produced with their own money through recording, marketing, dissemination of content etc.
Maybe a contract that's excessively lengthy with a high percentage of total sales, but I'm sure people wouldn't be fond of that either. Need to remember that these labels probably fund hundreds of artists who never go anywhere at all. They likely hedge their money on the odds that they'll get a few artists blow up.
I agree, copyrights, patents, are all society stifling bullshit.No one should be allowed to own the rights to an artists' creative work.
No, just Taylor Swift. She isn't allowed to perform because of a contract thing that says she can't re-record/perform her older songs until November 2020. She plans to re-record her first five albums then, and is really looking forward to it. They apparently would let her perform them if she agreed to not re-record them in a year (and stopped talking about Scott and Scooter).How would that be any different? Isn't the issue that nobody can perform songs that aren't cleared in case the AMA's want to replay/resell the telecast?
Was it good.So the American Music Awards are on.
Billie Joe Armstrong sang a bit of the chorus for" Bad Blood" while playing "Basket Case."
Taylor Swift performed a medley of "The Man/Love Story/I Knew You Were Trouble/Blank Space/Shake it Off (with Camila Cabello and Halsey)/Lover".
Cool, I'll keep an eye out for a video of it.
Yeah, those were older songs bookended by new ones.So what happened.. she is certainly performing older songs. At least it seems like she is to me...
So what happened.. she is certainly performing older songs. At least it seems like she is to me...
Billie Joe Armstrong sang a bit of the chorus for" Bad Blood" while playing "Basket Case."
At about 4:44 he goes "SO BABY NOW WE GOT BAD BLOOODDD" and then he stops suddenly after starting the say the next part.Do you have any video of that?
I can't seem to find anything :(