Loki (officially announced)
Im sure they will just ignore her times in AoS, but I hope I am proven wrong.I hope the series is just Sif telling the Avengers that Coulson has been alive.
Wonder how they'll juggle her schedule with Blindspot.
Hey, speak for yourself.
Dark Phoenix being the final "main" Fox-Men movie is such a shitty way to go out.
Loki (officially announced)
Vision and the Scarlet Witch
Falcon and The Winter Soldier
Lady Sif
These seem to be the most certain to happen. While there was also some speculation on a "Rocket and Groot" and "Nick Fury" show.
A Marvel Knights/MAX label for R rated movies and TV shows on Hulu that are still in the MCU would be welcome
To me this makes absolutely no sense. Why alienate an entire fanbase of girls that might look up to her by making the movie rated r. It doesn't need it
Shit, that seems like a really lofty projection.https://pro.boxoffice.com/long-range-tracking-captain-marvel/
Captain Marvel projected to make $140-180 million on its opening weekend.
Spy and assassin movies are perfectly suited for a pg13 rating though. But I agree that the rumor probably isn't credibleShe's a spy and an assassin, not an Avenger.
(Not that the rumor is even credible to begin with.)
Rumor is every film planned after Phoenix-New Mutants is over.
Spy and assassin movies are perfectly suited for a pg13 rating though. But I agree that the rumor probably isn't credible
I'm sure they discussed it, and I'm sure they settled on PG-13.
if they want to do R-rated movies, I think the odds are they'll do a mostly-separate line with new characters.
...please explain.I just hope Spider-Man Trailer on the 15th january wont be a failure like Avengers: Annihilation
Because the movie ended up beeing called Endgame
Ooooh, like that. Yeah, I hope the insiders predictions are accurate this time too.
Marvel has no control over Spidey's marketing, nor did they have control on the movie's release date. That's the problem.Ooooh, like that. Yeah, I hope the insiders predictions are accurate this time too.
Although, part of me is disappointed, Marvel aren't holding back all Spidey marketing till May. Imagine how cool that would be, it'd be the movie equivalent of a "surprise drop."
Kind of.
There's no single cause of weakness in season two, but rather a steady proliferation of clunky storytelling maneuvers wedded to an unwieldy structure. Melodramatic, moralizing character arcs render even supposedly unstable villains relatively toothless. The Punisher's appeal has always lain with his nihilistic antihero tendencies—Dirty Harry taken to his bleakest logical endpoint. Season one interrogated the ethics of Frank Castle's one-man war with relative success, so to see the show return to the same well with much-diminished returns is a letdown. And thinking that what we all wanted was for Castle to learn how to love again with the help of a headstrong teenage girl serving as a substitute daughter for the one he lost? It's enough to make you wonder if the show has fundamentally misunderstood the strengths of its tormented protagonist.
It's easy to lose count of how many episodes include some variant on Madani telling Castle she can't let him hurt anyone else, only to begrudgingly relent and let him hurt someone else, because she's on a show called The Punisher, and that's how it works. Does the therapist who offers the fugitive Russo protection slowly develop that relationship into something more? Does Frank go a little nuts at one point and require a dark-night-of-the-soul visit to his wife's grave? Does Frank deliver almost the same monologue in multiple episode about how he's not like other people? If you know the tropes of generic action stories, you know the answers.
Action, good. Bernthal, good. Everything else, aggressively meh.By the final episodes, even the hoary retreads detailing the psychological toll of violence have gone off the rails, as a series of rank implausibilities hampers an otherwise satisfying end to the new arc, if not the Billy Russo one. Again, some of this is just bad storytelling: It made sense in season one for Castle and Ebon Moss-Bachrach's David Lieberman to poke and prod one another's psyches, locked as they were in a secure facility and forced to confront their insecurities and egos; it makes far less logical sense to have a scared teenager delivering nuanced psychological assessments of Castle an hour after she's met him, just for the sake of hammering home the themes of the show. If The Punisher follows suit with the rest of the Marvel Netflix series (only Jessica Jones has yet to be canceled), this will be the last we see of him on the streaming service. It's a shame such a wild and impulsive character is likely going out on such an underwhelming note.