Announced in June, with production starting later that month, and now out just under six months later, there's an inescapable, palpable sense of hurry throughout the 2019 iteration. It's quick, cheap-looking and entirely devoid of suspense, atmosphere and dramatic tension, so inept at times that it makes 2006's questionable remake suddenly seem like a misremembered masterwork. What's most surprising, and initially intriguing, about round three is that it's ultimately less of a horror film and more of a thinkpiece, a hodgepodge of buzzwords and ideas, aiming high but crashing into the snow.