My own unused manuscript is 10k over the limit, so I know your pain!
I've got something else that might work if I can finish the last 3 chapters in time
I was looking for a critic partner, but I should probably get my book finished first.I'm on vacation next week so if anyone would like a critique of some of their work, I'm available. Feel free to PM me.
Era, I am finishing my book, editing and whatnot (Its my first one) but I wanted to check some things with you lovely people, in terms of insanity and concepts of the novel. I cant really send you excerpts of it because its written in Brazilian Portuguese (Unless we have some brazilians here too).
What you guys and gals think about the general concept of the novel: It has two points of view, one is two siblings (Brother and sister) who live in a cyberpunkish world with magic. They grew apart, but after decades managed to find each other, lived some adventures, and now they are kinda being blackmailed by a misterious "Contractor" of their past, who insists they watch a "Full Life Simulation" with VR glasses. This simulation is about a fairy tale princess, who is next in line to serve as a blood sacrifice so her world's sun doesnt die. The sun is fucked up because her ancestors killed all the gods (Who were kinda assholes.) At first, the brothers are kinda "Wtf are we watching", but the more they discover about this princess, more they see parallels between their world and hers, and that their world is in catastrophic danger.
The structure is mostly about the princess story, with some small chapters of the brothers commenting what the fuck is going on her world and theirs.
Am I already dead? I already wrote the damm thing, haha! (110k words of it.)
This really hinges on the motivation the "contractor" has for putting them through this. REALLY hinges on it. Consider that most cases of blackmail are for some simple objective like money, information, or a particular service. This is a very unusual use of blackmail. If there's some well thought-out reason why they need to do this, and specifically this, and there's no other way to achieve the same objective, it can work. Otherwise there needs to be some other purpose for putting the reader through this experience because the premise isn't going to carry itself. You're setting the reader's expectation that the princess story is important because these characters are watching it. The reader is going to want a good explanation for that, or this is basically just a weirder version of The Princess Bride.now they are kinda being blackmailed by a misterious "Contractor" of their past, who insists they watch a "Full Life Simulation" with VR glasses
This article is designed to be a complete and thorough guide for anyone who is interested in having their short story or poem published in a literary magazine, but doesn't know where to start. You'll probably find it most useful if you've never sent out your work before, or if you're just beginning to try and get published. This guide is also quite specific to literary magazines. If you're looking to publish an article, interview, review or feature then the process is quite different. If however it's a short story, poem or other piece of creative writing that you want to publish, read on!
This really hinges on the motivation the "contractor" has for putting them through this. REALLY hinges on it. Consider that most cases of blackmail are for some simple objective like money, information, or a particular service. This is a very unusual use of blackmail. If there's some well thought-out reason why they need to do this, and specifically this, and there's no other way to achieve the same objective, it can work. Otherwise there needs to be some other purpose for putting the reader through this experience because the premise isn't going to carry itself. You're setting the reader's expectation that the princess story is important because these characters are watching it. The reader is going to want a good explanation for that, or this is basically just a weirder version of The Princess Bride.
Any premise is believable if the world building is done correctly.I think "A weirder version of The Princess Bride" Is probably the best compliment I ever got about the book, hahahaha!
I was afraid their motivation would be "gimmicky" just to present us tho the princess story, but the reason their contractor (A woman named Helen) shows them this stuff is because it holds the key for them to solve a problem on their own world. Slowly is revealed that the reason they put up with it (At the beginning, they even lampshade the fact with some witty remarks like "are we watching videogames right now? with the world ending?") is because the reason their world is ending is their fault. So Helen is slightly blackmailing them in watching the simulation (she has some ulterior and personal motives for making them watch it, too) to make them see what was the actual consequences of their actions, and guilt tripping them into find a solution.
EDIT: I guess I should put more thought in explaining the concept, since typing in mobile while riding the bus is really awful.
The Contractor, a woman called Helen, was something like a broker to the siblings, offering them contracts and missions in exchange for money and information, while remaining a misterious figure without a past. She doesnt even exist in their government database. In one of these missions, the siblings fucked something, badly, and although they managed to complete the contract, it caused serious repercussions in their world. Helen disappeared, since it was the plan in the case they fucked up, and the siblings tried to move on with their lives for a while, but after a bit they realize the series of weird phenomena that are going on, first in their country, then in their world, is a direct consequence of the things they put in motion years before.
Six years later, Helen shows up from nowhere, saying they should meet in their old hideout, a seaside mansion. She says she can offer them clues and even a solution to the fucked things that are happening, and that the solutions are hidden in this "interactive movie" she and a misterious programmer are going to show them. In exchange, Helen needs that they find clues in the simulation that she herself cannot. They scoff at the idea first, but then start to see direct parallels of the things that happen in the princess world happened, or will happen, in their own world.
You guys think its a believable enough premise?
BP6 is the sixth pawn in the black army. He's a chess piece. The problem is, he fucking hates chess. He'd rather spend his time at Darbie's strip club, snorting sugar or getting black-out drunk on cheap soda, because if there's one thing BP6 hates more than chess, it's being a pawn.
But in Toyland, you are what you are. You follow the rules on your box.
That is, until one drunken stupor when BP6 stumbles upon a secret G.I. John weapon—one that doesn't shoot plastic bullets but spits real fire. Now he's free. Now the rules don't matter. He can escape his cardboard castle for good and find a new home, one where he isn't some stupid pawn in a stupid game of chess.
He can be whatever he wants!
However, first he needs to find another candy dealer. He is not going on a grand adventure while sober.
Of course it doesn't take long for every soldier, robot, monster, and stuffed animal in Toyland to want BP6 dead. He's got a weapon that actually works. It's just a shame that one of those soldiers is his best friend unboxed to keep Toyland safe from terrorists, and it's just a shame that the only way to do that is to kill the little pawn.
Because in Toyland, you follow the rules on your box…whether you want to or not.
Toyland is a dark comedy/action adventure mash up about finding the meaning to life. It's Toy Story meets Grand Theft Auto. It measures 66,000 words.
In both of the "It's just a shame that..." phrases, you don't need the "that." Reads fine without it.Decided to tackle my query letter for Toyland again this morning. Here's the latest and perhaps final version:
Subtle changes from past iterations. Though as I reread it now there are still things I don't like.
Any premise is believable if the world building is done correctly.
Crap, I haven't done my hair! Wait, I don't have hair. . . but I still look ridiculous! Don't look at meeeCongrats Writing Era, you're the EtcetEra Community Spotlight.
Yes.Yay the writers thread.
I really want to share something with you guys but worry about copying stuff. Can I Google go it and lock it with a pass,.?
I guess this works.. Quote to revealHidden contentYou need to reply to this thread in order to see this content.
Granted. Concrit is welcome
It hasn't really happened in this thread yet, but requesting critique is definitely in line with this thread's mission! The way you did it should work fine. One alternative that we used for the writing challenges is to save a password-protected PDF to Dropbox or Google Drive and share it that way.Yay the writers thread.
I really want to share something with you guys but worry about copying stuff. Can I Google go it and lock it with a pass,.?
Lotta sentences all start with He [verb]. Obviously he is the subject, but some restructuring in editing phase will help avoid sameness.
I'm not sure what throwing range a duckling should have. Probably a short one.
It hasn't really happened in this thread yet, but requesting critique is definitely in line with this thread's mission! The way you did it should work fine. One alternative that we used for the writing challenges is to save a password-protected PDF to Dropbox or Google Drive and share it that way.
Of course, we were more concerned with works counting as published if they're publicly available, and being unable to try to sell publishing rights later, so it's not particularly stringent. :P
Ha! It's you!Oh hey Conkersbadfurday ! You did mention you wrote stories before, but it didn't occur to me that you'd be in WritersEra. It will be neat to see people I know in these Community Spotlights.
As for writing, the most I've done is some bad Captain N fanfiction (without having seen Captain N) over a decade ago and now some MLP shitposts. Maybe one day I'll write something more serious, but not any time soon.
Thank you so much wee. I tried really hard not to use he too much but not naming the protagonist was important to me. The laptop was an honest mistake but I found it after I turned it in for a grade (got 100, had to be slim pickings lol) but I hand waved it as a result for his confusion and guilt lolLotta sentences all start with He [verb]. Obviously he is the subject, but some restructuring in editing phase will help avoid sameness.
At the end he has lost the laptop and I would have expected him to have found it before wandering down the street.
congrats WritingEra
spotlight reminding me of my promises to NaNo oh man whew
I see a lot of articles about the necessity of a opening hook, but what do you guys generally feel is a word target for that hook? Trying to hook in the first chapter? First 200 words? 100? First? Wondering what the general consensus is here. Can tell if I'm jumping the gun or taking too long.
If its a book, I'd say by the first chapter. I personally have a real problem with opening hooks. I also write a lot of short stories, so my general thing is to try for the first page of a manuscript but that can be tough and I often fail to hit that too. That said, I do have a couple stories I feel like I do present a good hook very early on. A nice thing to keep in mind is the act of "Defenestration" (def: The act of throwing someone or something out a window). When I have trouble with hooks, I try to remember this because there is no better hook than someone being thrown out a window whether literally or figuratively.
Had no idea Defenestration was a thing. I've really been trying to scour for tropes (especially in the sci-fi) realm to try and deconstruct or derive from while avoiding cliche. Or maybe I should go ham on cliche as a style... Don't think that suits me... I really have trouble with subtlety so going ham would quickly turn obnoxious.
Hook early and hook often. :PI see a lot of articles about the necessity of a opening hook, but what do you guys generally feel is a word target for that hook? Trying to hook in the first chapter? First 200 words? 100? First? Wondering what the general consensus is here. Can tell if I'm jumping the gun or taking too long.
Hook early and hook often. :P
I like to use Hunger Games as an example because it does it so well: in the first paragraph we learn that "the reaping" is taking place later that day, an ominous opening and a solid minor opening hook. This small mystery helps pull us into a chapter of setup and building, and we're then pulled along by getting to see the MC in action as a badass archer and getting more mystery hints, with shades of Shirley Jackson. Finally, right before the reaping takes place, we learn what it is and how it works, and we realize that obviously it's going to result in the selection of the MC as one of the "reaped" children.
And then in an absolutely killer chapter-ending hook, the author flips our expectations as the MC's little sister is chosen instead.
Seriously, the placement of this is perfect. And it works because the opening hook and the little interesting bits pulled us along through the setup that was necessary to make it land.
So that's my answer. You don't have to blow your best hook immediately, but you do need something to keep the reader interested. Reel them along long enough to put your hook in the place it will have the most impact.
I see a lot of articles about the necessity of a opening hook, but what do you guys generally feel is a word target for that hook? Trying to hook in the first chapter? First 200 words? 100? First? Wondering what the general consensus is here. Can tell if I'm jumping the gun or taking too long.
for me I come up with ideas that sound fun, and then think about which of those fall into some sort of trope, and make sure that I at least twist them some to try to avoid playing any trope straight. Though I don't always succeed at that, as I would rather play a trope straight then have a twist that isn't fun.
Oh man! Community Spotlight! Be cool...
Ahem... I'm a novice and participating in this years NaNo. Never attempted writing anything as grand as a novel but looking forward to the experience! I am at the 23000 word point.
It's good to meet you all!