I was backing you up.Man we're just talking about movies casually on a video game forum. Apparently I weigh Romero's stuff like Day and Land in my mind in a way you don't. Whatever, it's not Romero-esque it's uh…. Reminiscent of mid period Romero zombies.There we go. Probably not an academic term you can google but I think that clears things up.
I was interesting in her casting since I thought Tig in a Snyder film would be interesting, especially if she was replacing a character played by Chris D'Elia. She'd have to play something completely out of her wheelhouse. Well, the dialogue 100% match something D'Elia would play but she played it in her usual Tig way, which did not work at all.She is basically the same in Star Trek Discovery, minus the language.
Yeah, I'd love to see a behind the scenes fx reel on it.I'd love a behind the scenes for this 'cus that one scene is mindblowing since Tig was inserted. The back and forth is completely seamless.
This is a very much how I feel about the guy, although I like more of his movies than you do. He still makes films *about* things (unlike say, Paul W.S. Anderson who, hell I've gone to bat for on occasions and would again) but nuance? Subtext? Never. Themes? Sure!I feel bad criticising Snyder, because he seems like a very nice, earnest guy. But he's also clearly not a deep thinker, and he doesn't deal in nuance. He makes films like my children do make-believe play, bouncing from one wild idea to the next, with zero cohesion and likely not even a second (let alone a third or fourth) thought given to whether a concept such as robot zombies is good or bad.
I do still kind of admire him, even though I've only ever liked one of his films (Dawn Of The Dead). In a world where you're normally pigeonholed as either an auteur or a big corporate film-maker, Snyder straddles a weird middle ground where he seemingly gets to call all the shots without much in the way of studio intervention, without anything like the restraint and vision of an auteur director... but at the same time he sparks big-budget discussion and gets bid-budget attention, and his films are at least more experimental and distinctive than the morass of content that, say, the MCU puts out.
I might not like Zack Snyder movies, but I can spot them a mile off. And there aren't that many people you can say that about - let alone many who've achieved that status seemingly without really knowing much about how to make a film in the first place.
Man we're just talking about movies casually on a video game forum. Apparently I weigh Romero's stuff like Day and Land in my mind in a way you don't. Whatever, it's not Romero-esque it's uh…. Reminiscent of mid period Romero zombies.There we go. Probably not an academic term you can google but I think that clears things up.
The more creative control he has, the worse his projects get seemingly. AKA don't let Zack write.How is this the same guy that made that fun as f*ck Dawn of the Dead remake ? This movie is awful.
James Gunn brought the magic.How is this the same guy that made that fun as f*ck Dawn of the Dead remake ? This movie is awful.
Yeah, this is true. Snyder is IMO the perfect 'vulgar author'. His movies are generally bad-to-terrible, but they are always unmistakenly his and while his ideas almost never work out, he's always got these absolutely bonkers ideas in his movies visually and thematically that nobody else would ever think of including in a film. For example, I fucking despise Sucker Punch, but I would definitely say it's a one of a kind movie that's Zack Snyder through and through and literally nobody else would've made a movie like that.I do still kind of admire him, even though I've only ever liked one of his films (Dawn Of The Dead). In a world where you're normally pigeonholed as either an auteur or a big corporate film-maker, Snyder straddles a weird middle ground where he seemingly gets to call all the shots without much in the way of studio intervention, without anything like the restraint and vision of an auteur director... but at the same time he sparks big-budget discussion and gets bid-budget attention, and his films are at least more experimental and distinctive than the morass of content that, say, the MCU puts out.
I might not like Zack Snyder movies, but I can spot them a mile off. And there aren't that many people you can say that about - let alone many who've achieved that status seemingly without really knowing much about how to make a film in the first place.
Yeah, this is true. Snyder is IMO the perfect 'vulgar author'. His movies are generally bad-to-terrible, but they are always unmistakenly his and while his ideas almost never work out, he's always got these absolutely bonkers ideas in his movies visually and thematically that nobody else would ever think of including in a film. For example, I fucking despise Sucker Punch, but I would definitely say it's a one of a kind movie that's Zack Snyder through and through and literally nobody else would've made a movie like that.
Even his superhero movies are these bizarre epics that try to go way too big for what is needed or even wanted. I'd say the only movies of his that don't do this are Dawn of the Dead (considering it's his first movie) and Legend of the Guardians (because it's an animated kids movie and Snyder's most bonkers ideas usually fall on the R-rated side of the spectrum). Though even Legend of the Guardians has some absolutely insane scenes and ideas behind it.
I wouldn't go as far as to say that I 'kind of admire him', though. I am kinda impressed, however, by his ability to keep scoring big movies, despite his movies generally being despised by critics and occassionally audiences. I mean, he followed up the massive commercial and critical flop called Sucker Punch by getting the reigns of DC's new cinematic universe. How the fuck does that happen?
Has anyone ever done a Martial Arts Zombie movie? There was one scene I was like wtf 😂.Someone said it earlier in thread and I fully concur: super zombies never work. I don't think they've ever made a film better. Either have hordes of slow zombies and the tension comes from the sheer number of them, or have fast zombies which are a lot more frightening and intense but can still be downed by bullets or headshots.
It's definitely one of Snyde's better movies which is saying something, but the problem isn't that it's dumb - dumb is fine if it's fun dumb. The problem here is that over half of the movie is not fun dumb. It's boring dumb. After the initial montage, there's a solid 40 minutes of just poorly written dialogue between limp characters before we actually get to Vegas. The pacing is just so bad - even though there are definitely fun elements and fun parts.I went in with zero expectations and kind of enjoyed it. The movie is a dumb as a bag of bricks, but I never felt like it pretended to not be exactly that.
HOOOOLLLYY SHIT, don't tell me the Pixels are from the movie. I thought my kid fucked it up since it threw pens on my Q70R. Even used a dead Pixel repair vid on YouTube although i was wondering why they weren't consistent.
HOOOOLLLYY SHIT, don't tell me the Pixel are from the movie. I thought my kid fucked it up since it threw pens on my Q70R. Even used a dead Pixel repair vid on YouTube although i was wondering why they weren't consistent.
Wtttffffffff
In my head, I picture him going into the studio and just bouncing off the walls, like a bundle of pure childlike enthusiasm, and throwing ideas at them until they relented. I've never met the man, but based on his films I think it's fair to say he probably brings a lot of (highly dubious) energy to his pitches.I wouldn't go as far as to say that I 'kind of admire him', though. I am kinda impressed, however, by his ability to keep scoring big movies, despite his movies generally being despised by critics and occassionally audiences. I mean, he followed up the massive commercial and critical flop called Sucker Punch by getting the reigns of DC's new cinematic universe. How the fuck does that happen?
How is this the same guy that made that fun as f*ck Dawn of the Dead remake ? This movie is awful.
Snyder bought film lenses on eBay and some were broken it seems lolHOOOOLLLYY SHIT, don't tell me the Pixels are from the movie. I thought my kid fucked it up since it threw pens on my Q70R. Even used a dead Pixel repair vid on YouTube although i was wondering why they weren't consistent.
Wtttffffffff
This pretty much sums up everything:
I'm still confused by therobot zombies
After finishing the film (and thinking back about how boring it was), I came up with a premise that would have made it waaaaaay more interesting:
Instead of trying to steal money AFTER the outbreak, wouldn't it be more fun (and crazy) if they were stealing the money while the outbreak STARTED? Basically, they're in the vault, completely oblivious to everything, go up to escape, only to find zombies running (shambling?) amok. And the rest of the movie is them trying to escape, and in doing so, they realize there's something more valuable than the money they're trying to steal: THEIR LIVES. OMGGGGGGGGGG!!!!!
- Ocean's 11 meets Dawn of the Dead
This way you get all the wacky, fun, and weird moments from the early montage at the beginning, but for the whole movie. And you cut out all the boring, dull, and meaningless alpha zombie crap that made this movie a total slog.
OK, so it ain't perfect, but I thought of this in a few minutes. Hasn't Synder been working on this for YEARS? Yikes.
"We're in the middle of making an animated prequel, that is adult animation. It dives into the zombie origins, and we get a sense of what's going on there," Snyder explains. "And then Matthias has shot already, and we're in the process of completing, his prequel. Dieter's story… sort of a romantic comedy heist film. It tells where he was before Scott and crew find him."
He continues, "And look… if there was ever a desire for more Army of the Dead, Shay [Hatten] and I know exactly where the story goes. So yeah. We're ready."
This was a pretty fun movie, if you don't go in taking it seriously.
Also did anyone see the dead pixels (2 of them) I fucking shit myself as was watching my OLED 65 inch. And they cleared up later, were they IN the movie?
“I Know Exactly Where the Story Goes”: Zack Snyder Hopes to Make an ‘Army of the Dead’ Sequel
This article contains Army of the Dead spoilers. Zack Snyder never did get a chance to make a sequel to his remake of George Romero’s Dawn of the Dead, but his return to zombie world with the new Netflix movie Army of the Dead is going to afford him the opportunity to create a whole […]bloody-disgusting.com
This pretty much sums up everything:
I'm still confused by therobot zombies
A sequel?!? Fuck this. Still just upset at how bad this was despite not having any expectations. The Kate character is horrible and I'm so tired of seeing this trope; selfish/entitled brat comes along on adventure, is a giant pain, doesn't follow advice/instructions, gets everyone or most of group dead through stupidity/arrogance, and then ends up being the sole survivor.
Wait, people think Dieter is still alive? We have Vanderohe not get bitten and shoved in a vault and closed by Dieter as he is being attacked by the Alpha Crow. Then a nuke goes off and Vanderohe was magically bitten. Dieter died from the Alpha attack and would've died from the nuke.And where the fuck is Gita. And Dieter. And Coyote had the worst 'plan' in the world. And Burt Chance got his face eaten off so that's sad.
I know it's movie logic and all, but the idea that they'd go in without walkies, and all wearing basic ass sleeveless shirts, annoyed me so much. Like, bare minimum wear some tough long sleeve clothes to protect yourself. It would show a tiny bit of intelligence to the viewer, and force the writers to get creative when the humans die. The safe cracking dude is just wearing the same outfit I did walking to high school
Yeah, this was really annoying too. Especially that Bautista let his daughter come in wearing a t-shirt with no combat training and armed with just a pistol. As a couple of other people have mentioned, letting the wilful or stroppy child go into a really dangerous place is a trope I hate.
It feels like critics have been oddly kind to this film. Even MovieBob , who I was expecting to hate it, kind of quickly glosses over its obvious pacing and dialogue issues and gave it 7/10.
It feels like critics have been oddly kind to this film. Even MovieBob , who I was expecting to hate it, kind of quickly glosses over its obvious pacing and dialogue issues and gave it 7/10.