Rotten Tomatoes:
Zombieland: Double Tap makes up for a lack of fresh brains with an enjoyable reunion that recaptures the spirit of the original and adds a few fun twists.
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For what it's worth, I enjoyed the film greatly (my thoughts here), but the bulk of the reviews do echo my main complaint about the final act's set piece not being as inventive or thrilling as the first movie's. Everyone is near unanimous in loving Zoey Deutch's performance as Madison.
Zombieland: Double Tap makes up for a lack of fresh brains with an enjoyable reunion that recaptures the spirit of the original and adds a few fun twists.
Variety:
The zombies have evolved in "Zombieland: Double Tap"; the comedy not so much. But that's OK, because Ruben Fleischer's 2009 breakout hit — which gobbled up $75.6 million in a genre fast approaching its pop-culture saturation point — was already a few steps ahead of the curve.
Hollywood Reporter:
Rounding up all the original's stars and throwing several more surviving human characters into the mix, the pic is plenty entertaining for those of us who, paradoxically, find zombies comforting in dark times. Few of its new ingredients are home runs, and some elements play out like obligations — especially the romantic travails of Columbus and the restless woman (Emma Stone's Wichita) he loves. But with Walking Dead threatening to lurch onward until every bit of appeal falls off its bones, and with George Romero gone to the mysterious ghoulish beyond, taking another road trip with this crew is certainly worth a fan's time.
IGN:
Recapturing, replicating, and improving on everything the original movie brought to the table was never going to be easy. However, director Ruben Fleischer and the film's writers have succeeded where others have failed with sequels to great original movies. Zombieland: Double Tap is a more than worthy sequel and companion piece to the original movie. It licks along at a brisk pace, which ensures that it is tight, lean, and the laughs and thrills come thick and fast.
Den of Geek:
It seems like there may not have been much of a demand for a Zombieland sequel after all this time, but coming at the end of nearly a decade of the grimdark, endlessly bleak atrocities that The Walking Dead and company have been bringing us (not to mention a clutch of derivative "zom-coms" that have arisen in Zombieland's wake), its plentiful laughs and casual craziness may be just what we need right now.
Entertainment Weekly:
Director Ruben Fleischer (Venom) is herding them all toward some kind of ultimate man-vs.-zombie showdown, but the action sequences often feel like the least necessary thing about the movie. For all the flying intestines and skulls that split open like past-due melons, Double Tap has another squishy organ at its center: a big, goofball heart.
Cinemablend:
The film isn't exactly a game-changer, as while it doesn't fall into the devastating sequel trap of repeating all the same gags from the original, it does have a very familiar structure. But this isn't a movie that needed to break the mold to succeed. Zombieland: Double Tap is a solid addition to the big screen zom-com legacy, and a funny, freaky 10 year reunion.
The Telegraph:
Though it coasts on some wildly uneven star charisma, there's nothing particularly objectionable about Double Tap. It's fine? It's just a time-killer we didn't much need, a decade after we hardly needed the first one.
Indiewire:
Every movie sequel is inevitably beholden to certain elements of its first film, but "Zombieland: Double Tap" cribs so liberally from the original that it robs the entire outing of any narrative tension whatsoever (and this is a franchise built around the fear of increasingly unpredictable brain-biting monsters, basically a cinematic tension delivery service).
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For what it's worth, I enjoyed the film greatly (my thoughts here), but the bulk of the reviews do echo my main complaint about the final act's set piece not being as inventive or thrilling as the first movie's. Everyone is near unanimous in loving Zoey Deutch's performance as Madison.
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