Uh yeah exactlyNor from the shimmers POV, because it doesnt have one, seemingly
Blasphemy! It would have been awesome. A totally different movie but still awesome. Imagine this guy hunting weird creatures like that bear for 2 hours:I dunno, they made stuff bleed even without a man. Schwarzenegger wouldn't really had fit in this at all.
Oh for sure! I understand what you mean. Predator is great.Blasphemy! It would have been awesome. A totally different movie but still awesome. Imagine this guy hunting weird creatures like that bear for 2 hours:
Ripley from Alien would have been awesome too in the shimmer.
The soundtrack is as crazy as the movie. Love this song:
Only in UK right now, right?Watched this on Netflix last night and enjoyed it. Last bit of the movie was giving me chills, but I enjoyed it.
I saw it in Belgium.
I thought it was made available in all European countries, at least it's available in Denmark.
I thought it was made available in all European countries, at least it's available in Denmark.
A bit off-topic but this movie made me realized I'm a huge fan of media where the environment is the enemy, specifically when characters have to go into it. Aside from this, Stalker and Made in Abyss, what are some other ones? Those are the 3 that I'm watched and have enjoyed because the premise of an area that's dangerous for mysterious reasons.
The grenade ending stuck out to me like it was in huge 100pt Impact font. Here's this meticulously crafted and paced movie by a director who clearly knows what he's doing and suddenly the entire existential, unknowable threat is wiped out in an instant like a videogame mini-boss.
The fact that afterwords you see that Kane and Lena are clearly altered by the Shimmer I think makes it pretty clear that she's been spinning an unreliable tale and it's impossible to know what exactly went down in the Shimmer at all. If the explosive ending seemed extremely contrived and tidy, it's because it was.
I don't know if this reading exactly imparts "sentience" or "motivation" onto the Shimmer, but I think "it's" clearly being deceptive with the G-Men for some unknown reason.
Fuckin cool movie.
That was superb. Genuine sense of dread but also wonder, really amazing set design & attention to detail, good-to-great performances and an incredible finale & denouement.
I feel like we're in a small golden age for high concept SF in filmmaking atm. While they all have flaws, I've greatly enjoyed over the last few years:
Source Code
Looper
Interstellar
Coherence (if you haven't seen it, it's on Netflix & is spooky AF)
Arrival
BR2049
Annihilation
Europa Report
Moon
Ex Machina
There's been some great B-movies like ARQ & Kill Command too.
Good time to be into SF that doesn't do too much handholding, even if it does put people off.
The shimmer definitely ended lives in the reshaping of the team members that went in with Lina
Is coherence not on US netflix? I searched and couldnt find it. Loved all the rest of your list though.
I agree. Some of the sets and practical effects were cool (like in the pool) but it did feel distractingly cheap sometimes because of the direction.The film direction is inelegant as fuck. It kinda fits Netflix though.
i liked it, but didn't love it. ex machina was better in all aspects.
Except for the two Shimmer clones the movie makes absolutely sure you didn't miss with the final scene.Scientists confirm the shimmer is gone and ash is all that's left.
Except for the two Shimmer clones the movie makes absolutely sure you didn't miss with the final scene.
One of the first things that came to mind after I saw the film was this scene:A lot of the set design & camerawork reminded me of S1 of True Detective.
I found the movie very disappointing. It has an interesting premise, but played out like any horror movie with characters dying bit by bit in unsatisfying ways. The finale was overplayed, focusing on the duplicates when that was the least interesting part of the genetic manipulation. A bit of blood entering that strange vortex (which I found mesmerizing) could have create a new creature, something grand, instead of that bad cgi dancer.
I just felt it missed the potential cosmic horror angle and became a standard (and a bit pointless) story, where it all wraps in a "kill the core and the rest will die with it" manner.
I think it's a visual cue to show how they're all being changed and they're DNA is being spread through the Shimmer. That tattoo didn't even belong to the paramedic girl since it's seen on the guy who got cut up by Kane.Can someone explain to me what is to understand about Lena's tattoo?
It wasnt there at the beginning and is the same one from that paramedic girl.
The duplicate stuff in the end really obfuscated the light, genes and cells interpolations.