They channeling old school Star Wars for this one
Just those 2 bits of new news has me even more interested
Jon Watts, the "guy in the chair" behind the MCU's Spider-Man trilogy, is now steering the ship for Disney+'s latest series, Star Wars: Skeleton Crew. Chatting with Collider's Steve Weintraub at CCXP Mexico City, Watts dished on how he's mixing the latest tech with some good old-fashioned movie magic for this new venture into the galaxy far, far away. Watts is having a blast blending state-of-the-art techniques like motion capture and pre-visualization with classic filmmaking tricks.
"I got to use all the cool stuff on my most recent Star Wars show. We had pre-viz, MOCAP, we shot on the volume, we did everything. But the most fun part was we also used all the old school techniques as well," he said. "We got Phil Tippett to do stop-motion. We did matte paintings, like real old-fashioned matte paintings. We got an ILM painter out of retirement to come out and do that. So to me, all that stuff is fun, but it's just another tool, and it depends on how you use it." For Watts, it's all about using the right tool for the right job.
Bringing Tippett back to Star Wars is a neat nod to the past and a cool piece of continuity for the series. A legend in stop-motion animation, he is a pioneer in early visual effects. Tippett made a significant impact with his work on the original Star Wars trilogy, especially his development of the motion control technology used for the walking movements of the AT-AT walkers in The Empire Strikes Back, and the legendary dejarik (Star Wars chess) game on the Millennium Falcon. Tippett also contributed to the creation of other iconic creatures and sequences in films, such as the dinosaurs in Jurassic Park.
Just those 2 bits of new news has me even more interested