the hate for it always seemed like an early indicator of how poor people's media literacy really was. like, did you just not understand anything about that show at all?
How I Met Your Mother plot twist was telegraphed constantly the entire series. I think people were predicting the mother was dead (in case by some miracle I could spoil this show for someone) during the first season.How I met your mother talk that, and a show can shit in your cherrios
I like how you can say "Hey I saw this great new show with a good cast. Guyliner is in it!" and your friend is like "Oh rad I love guyliner, he's so good at being charming and mysterious" and it all makes perfect sense.Also, it's fucking crazy how one characters naturally dark eyelashes lead to adding mystery to a random character. It was the perfect show for that kind of, where is this dude from, like mystery
The what?!I refuse to take the bait after all these years; Lost's finale was a perfect ending. The documentary coming later this year is gonna end me and I cannot wait.
The show that taught me that, yes, a finale can be so bad it retroactively ruins a show for me.
Yeah the HIMYM finale wasn't bad because of the twists/reveals, it was bad because they spent the whole final season on a single wedding weekend instead of having just a standard season, and then rushed everything in the finale and botched the execution completely.How I Met Your Mother plot twist was telegraphed constantly the entire series. I think people were predicting the mother was dead (in case by some miracle I could spoil this show for someone) during the first season.
remember when the first season aired
all anyone talked about was "WHO WILL KATE PICK??!?"
the most toxic relationship of all
They stuck the landing on the character arcs, and in the end, that's what I cared about most.
i have never watched the show beyond the first episode.
that.... clip of the ending is....
were they all dead from the start or something like that?
Loved this show, and it taught me one of the most important lessons.
Speculation is stupid, and ruins enjoyment. Just watch the damn show.
Learned that around season 3, and just went along for the ride.
Best hyperbole ever!
Hmm... Maybe I imagined all those character assassinations in the name of getting to the next story beat / "ohshitwtf" plot twist?The important things about LOST are it's characters, it's themes, and it's overall story. All of those are paid off very very satisfyingly.
For example, let's have some characters time travel, get shot at by mystery people on some outrigger far away, shoot one of those in retaliation, and... never explain what the hell was up with that nor who were those (apparently super murderous?) people. What, you expect setups to be followed by payoffs? How quaint. Can't you see it's BETTER this way? How this loose end enhances the experience? Guess Lost is just too advanced for you.You'll often see people making giant checklists of "things LOST never answered", 80% of them are things that are answered if you pay attention, and the remaining 20% either don't matter or make the show BETTER by not being answered.
Sure, they "just want to hate the show". It's just bad faith. Some kind of weird, suspicious agenda. No legitimate criticism whatsoever there. How could there be? It is "the greatest TV show of all time", after all.But because some people just want to hate LOST we have to pretend letting things stay slightly mysterious is suddenly a grave sin that can never be forgiven.
"Hey, look, we were totally going to pay that one off, but then most of those mystery characters died, so you can see why we didn't. How unfortunate and completely out of our hands. And sure, we could tell you who they were supposed to be, but isn't it cooler this way? Yes. The answer is yes. Obviously. For reasons."Imagine writing something as towering and accomplished like LOST and having to grin and play game every time you get asked about the fucking outriggers
Yep, this is sort of what I meant, but worded better. Man the over speculation on this show online really dampened my enjoyment of it to the point that I had to stay away from the discussions until the seasons ended mostly. I didnt realize that kind of interaction with people could ruin something for me, lol.
Best hyperbole ever!
Hmm... Maybe I imagined all those character assassinations in the name of getting to the next story beat / "ohshitwtf" plot twist?
I believe I read something about O'Quinn himself being annoyed at Locke's murder of Naomi, a woman he didn't even know... But hey, you're not supposed to remember stuff like that! The characters sure don't! No, Locke was a great guy: just look at Jack's speech quoted in that post right above yours! And yeah, I can see why Jack would say things like that. He was on such great terms with Locke, after all! * footage not found *
Also, love how Sun and Jin died. I mean, sure, the scene makes it look like they forgot about their daughter, but that's nothing a quick pick-up can't fix: let's shoot a scene where they talk about how her maternal grandmother will take care of her (the fate of all those cumbersome Lost kids... yes, even the one whose maternal grandmother was braindead: she just got better, shut up), insert it a bit earlier, et voilà! A job well done.
And Sayid! Ah, Sayid. Such a satisfying arc. All the way, too, even in the afterlife! No notes.
Never mind, you're right: truly a fantastic character study.
For example, let's have some characters time travel, get shot at by mystery people on some outrigger far away, shoot one of those in retaliation, and... never explain what the hell was up with that nor who were those (apparently super murderous?) people. What, you expect setups to be followed by payoffs? How quaint. Can't you see it's BETTER this way? How this loose end enhances the experience? Guess Lost is just too advanced for you.
"Ah, but who cares about that part? It's not important!"
Oh, silly me: it's just time travel, after all.
And, well... if it doesn't matter... maybe don't put it in there in the first place, then? For a show that was "all about the characters", it sure spent a lot of time on shit like this.
But ah, all right... Let's go with something a bit more plot-critical, like, say... the stakes of the final conflict?
Why did the candidates even "need to go back", considering them being alive was what was trapping Smokey on the island, and he couldn't touch them off-island?
Why did Jacob want/need a replacement anyway?
Why did he let himself get killed, when he defended himself the last time Smokey tried that one?
Speaking of which, how impressed are we supposed to be that Smokey's masterplan was just a repeat of something he had already tried with Richard, except a hell of a lot more contrived and thus likely to once again fail?
Did Smokey actually need to destroy the island in order to escape, or did he just feel like it?
And what would the consequences of that be? We're told that it would be "bad", but not what that would entail exactly. The only time a character was about to elaborate, she (and I'm sure that's a complete coincidence) dropped sticks of dynamite and exploded mid-sentence, so we're left with some vague "it would be the end of everything! everybody would die!". Does Smokey know this? Does Smokey want this? Why? Is it okay to ask why the main antagonist does the things he does? Also, how exactly would "everybody die"? Seeing how Widmore was willing to reveal Jacob's plan if Smokey promised to spare his daughter, it kinda looks like the idea was that Smokey, not the destruction of the island, would be the one doing the killing. So, like... one human being at a time? Again, I kinda feel like asking why he would even want to do this, sorry.
Sure, they "just want to hate the show". It's just bad faith. Some kind of weird, suspicious agenda. No legitimate criticism whatsoever there. How could there be? It is "the greatest TV show of all time", after all.
You sure you don't want to add something about how I'm a bit like the smoke monster? Or ask me how I could possibly criticize a show's writing when I'm not even a writer myself? * stares at his bingo card *
If anything goes wrong Erigu will be my constant.You sure you don't want to add something about how I'm a bit like the smoke monster? Or ask me how I could possibly criticize a show's writing when I'm not even a writer myself? * stares at his bingo card *