Holy shit.
And I say this as someone who hunts/target shoots. I'd stay far away from that
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Holy shit.
We've been using guns in movies for 100+ years. It's crazy that we haven't come up with a way to only use fake guns after all this time.
Dudette.Holy shit.
And I say this as someone who hunts/target shoots. I'd stay far away from that dude.
Guttierrez is a woman. Notice the "she" in the quote?Holy shit.
And I say this as someone who hunts/target shoots. I'd stay far away from that dude.
We've been using guns in movies for 100+ years. It's crazy that we haven't come up with a way to only use fake guns after all this time.
I didn't. I was multitasking with some work and didn't read the name, just the quote. I'll fix it. Thank you.
I hope one day the prosecutor uses this line in his/her closing arguments to put this POS behind bars " how safe they can be, and how they're not really problematic unless put in the wrong hands".
This is a bad excuse. The whole industry is about creating illusions and they show things "wrong" all the time. They intentionally showed how to slit your wrist wrong for decades. They literally invented the concept of designated drivers. They have sword and knife fights with fake blades (though they do use real ones for certain shots, they do not fight with them).I think a lot of it is down to realism and the mechanics involved - it's very difficult to combine the look and the action of weapons (muzzle-flash + the weapon cycling) in a way that's convincing.
It's especially noticeable if you look at pre-CGI movies where a substitute is used - I was rewatching Predator recently and there's a bit where you see someone getting shot at point-blank range, and it's clear they're using some sort of fake gun that generates a flash and some smoke but otherwise doesn't look too convincing.
For sure but that doesn't really explain the lack of effort given how long it's been.isnt it more crazy that over that 100+ years it's only been a handful of deaths from them?
hate how again weirdo culture idiots have tiede it into gun control :/
Let's first see who did the wrong thing, who neglected their duty and who went to target practice with these things.I hope one day the prosecutor uses this line in his/her closing arguments to put this POS behind bars " how safe they can be, and how they're not really problematic unless put in the wrong hands".
Sounds like her hands were the wrong hands all along.
If even lead actors like KJ Apa on Riverdale can crash, complain and get ignored, nothing will change.I wish the whole employees driving long distances at night after long days thing was being treated as dangerously as people playing around with loaded guns.
I have no problem with banning guns from sets, but the actual problem here seems how lax they were, when it comes to the safety of the crew.
I wish the whole employees driving long distances at night after long days thing was being treated as dangerously as people playing around with loaded guns.
I don't think that's really the takeaway. This is a different situation from normal gun control debatesOh, it's this thread, where people refuse to acknowledge that guns are literally a thing created with the sole purpose of killing and try and say the solution is elsewhere. Please don't take our guns.
Oh, it's this thread, where people refuse to acknowledge that guns are literally a thing created with the sole purpose of killing and try and say the solution is elsewhere. Please don't take our guns.
Seriously this.Holy shit.
And I say this as someone who hunts/target shoots. I'd stay far away from thatdudewoman.
Yeah, there's even a desperate gun defence force that's popped up here to try and tell us decerning movie audiences will not stand for anything but the most realistic non-cgi gun flashes and bangs.
I agree. The Twitter poster doesn't however. Their idea is that "fixing the guns issue doesn't fix all of the stunt issues and therefore it's not worth doing". You can do multiple things. Make car stunts safer, replace real guns with prop guns and CGI the shot, change the hours of shooting, etc... There's no singular fix that will magically make film production perfectly safe but if the choice is between do nothing and do something that saves people once every few decades then it's still worth doing something when there's no real downside to it except slightly higher costs and marginally less realism.Thats why I said, take the guns away, but don't stop there. Guns aren't the only reason people die on sets.
Looks like Baldwin was rehearsing drawing the gun when it went off. He was told by the AD that it was a "cold gun", meaning it is fully unloaded.
There is a real point to letting the obvious dangers of a gun on set take the blame for and be the scapegoat for a working environment that does not value safety, especially at the cost of production time.Oh, it's this thread, where people refuse to acknowledge that guns are literally a thing created with the sole purpose of killing and try and say the solution is elsewhere. Please don't take our guns.
Looks like Baldwin was rehearsing drawing the gun when it went off. He was told by the AD that it was a "cold gun", meaning it is fully unloaded.
Odd they allowed a gun on set that could even take a real bullet. So many safety measures just completely ignored.
In that video, the prop master said guns on set are modified so they cant fit a normal bullet in the chamber. Only a blank.My understanding is that if a gun can shoot a blank, it can shoot a real bullet.
This is a real dumb take in this particular context.Oh, it's this thread, where people refuse to acknowledge that guns are literally a thing created with the sole purpose of killing and try and say the solution is elsewhere. Please don't take our guns.
That might work for modern guns, but not for period pieces.In that video, the prop master said guns on set are modified so they cant fit a normal bullet in the chamber. Only a blank.
Odd they allowed a gun on set that could even take a real bullet. So many safety measures just completely ignored.
...When it comes to film, I don't think it's off. Pyrotechnics and vehicle stunts can be really fucking dangerous if not done properly. People can and have died or suffered life-changing injuries from those, far more than from guns on set.Oh, it's this thread, where people refuse to acknowledge that guns are literally a thing created with the sole purpose of killing and try and say the solution is elsewhere. Please don't take our guns.
Is it? I know in a lot of cases CGI is way cheaper for many effects. Maybe it depends on the production (like if the production needs almost no CGI, not worth spinning up an entire CGI workstream just for a gunshot or two.)
'Good' is the key word there.Is it? I know in a lot of cases CGI is way cheaper for many effects. Maybe it depends on the production (like if the production needs almost no CGI, not worth spinning up an entire CGI workstream just for a gunshot or two.)
What stunts are you referring to that killed dozens of stunt people, and more to the point, where are you getting that literally anyone is "alright" with them? Are you arguing against the practice of stunt drivers and cars in general? If so, well that's certainly a take, but I don't know what it has to do with the current incident.This is a real dumb take in this particular context.
No prop is necessary on a set. It's not like real life where you need vehicles for transport and don't need guns at all. You don't need any of the dangerous things on a movie set. All of it could be done away with and replaced with CGI. Why are you alright with prop cars and stunts that kill dozens of stunt people but this kind of incident, whose victims in the past three decades can be counted on two hands, has you frothing? All of it traces back to negligence on set by the people in charge and that needs to be addressed before anything else.
Twilight Zone: The Movie had a stunt with a helicopter kill three people, two of them children. That's the worst I'm aware of. I think when the poster said dozens, they were referring to the collective number of injuries and deaths caused by vehicular accidents in film.What stunts are you referring to that killed dozens of stunt people, and more to the point, where are you getting that literally anyone is "alright" with them? Are you arguing against the practice of stunt drivers and cars in general? If so, well that's certainly a take, but I don't know what it has to do with the current incident.
I'm not referring to a single stunt that has killed a dozen people at once. I am referring to the frequency with which people die unnecessarily due to negligence in accidents involving vehicles that are wholly unnecessary on set or stunts that are wholly unnecessary as compared to the number of deaths caused by guns that are wholly unnecessary on a set in a comparable amount of time.What stunts are you referring to that killed dozens of stunt people
The person who decided to equate gun violence with gun related accidents on movie sets and equate Adam Connover pointing out the central cause of these kinds of accidents (negligence by the people in charge and overworking staff) to gun nuts did so based on how unnecessary guns are. Which is dumb, because all of these things are unnecessary on a set.and more to the point, where are you getting that literally anyone is "alright" with them?
Bingo.Twilight Zone: The Movie had a stunt with a helicopter kill three people, two of them children. That's the worst I'm aware of. I think when the poster said dozens, they were referring to the collective number of injuries and deaths caused by vehicular accidents in film.
The point being made is that general on-set safety is more relevant problem than access to firearms specifically. The root causes that led to this incident are the same that lead to injuries/deaths from other dangerous parts of filmmaking.
Here's a lawyer's take. Since Alec is a producer, and there had been previous incidents, he might be liable after all.
The affidavit also suggests that only one bullet was fired, and that it went through-and-through Hutchins before striking Souza, who was standing behind her. Det. Cano wrote that after the film's armorer, Gutierrez, "was given the prop gun after it was fired by actor Alec Baldwin, she then took the spent casing out of the prop-gun." Here the detective uses the singular "spent casing."
It is believed that the slug that struck Souza was removed from him at the hospital and is now part of the evidence in the case.
He said he felt that "Rust" was too much of a slapdash production, one with an overriding focus on saving money instead of a concern for people's safety. Production managers didn't seem to value experience and were brushing off his questions, he said.
Zoromski ultimately told "Rust" production managers that he would take a pass.
"After I pressed 'send' on that last email, I felt, in the pit of my stomach: 'That is an accident waiting to happen,'" he said.
He said he also became alarmed because it was just two weeks before "Rust" was set to begin filming in New Mexico and the producers hadn't yet hired a prop master. Typically, those decisions are made weeks, even months, before the cameras roll.
Zoromski said he initially asked for a department of five technicians. He was told that "Rust" was a low-budget production and that plans were to use items from a local prop house. He modified his request to have at least two experienced crew members: one to serve as an assistant prop master and the other as an armorer, or gun wrangler, dedicated to making sure the weapons were safe, oiled and functioning properly.
But the "Rust" producers insisted that only one person was needed to handle both tasks.
"You never have a prop assistant double as the armorer," Zoromski said. "Those are two really big jobs."
The gun that killed "Rust" cinematographer Halyna Hutchins last Thursday was used by crew members that morning for live-ammunition target practice, an individual with knowledge of the set told TheWrap.
A number of crew members had taken prop guns from the New Mexico set of the indie Western — including the gun that killed Hutchins — to go "plinking," a hobby in which people shoot at beer cans with live ammunition to pass the time, the insider said.
Democratic lawmaker Dave Cortese, chair of the state legislature's Labor Committee, said the proposed law will prohibit all live guns and ammo from movies and theatrical productions.
"There is an urgent need to address alarming work abuses and safety violations occurring on the set of theatrical productions, including unnecessary high-risk conditions such as the use of live firearms," Cortese said in a release.
"Those working behind the scenes to entertain and bring joy to millions all over the world shouldn't go to set worrying if they will return home safely to their families," he said.
Cortese said the move was prompted by last week's fatal shooting of cinematographer Halyna Hutchins, who was killed when Baldwin fired what he was told was a "cold gun" on the set of the Western, "Rust."
As an example, the common reported injuries and deaths. Lots of issues with jumps and falls.
List of film and television accidents - Wikipedia
en.wikipedia.org
Or any Fincher film since and including Zodiac.
Done.