We'll never forget the effort we gave to shoot it to the top
Can't unhear now.Also, Riddler definitely 100% sounds like Tobias from Arrested Development
Let's just say you won't be hearing him complain about his neighbors anymore...Just noticed the band-aids on Kyle's hands. I normally wouldn't care but they're on both hands in basically the same place so I'm very curious as to what happened.
He posted this on twitterHas Huber ever talked about The Americans Season 6? I think the very final episode aired yesterday and i want to hear what he thinks about it.
Dear, dear.Let's just say you won't be br hearing him complain about his neighbors anymore...
Got official approval to represent EZA at Street Fighter V tournaments, baby!
I will do my best and always show Love & Respect to everyone!
Cool, good luck!Got official approval to represent EZA at Street Fighter V tournaments, baby!
I will do my best and always show Love & Respect to everyone!
These production values are making me uncomfortable
It's like they patched the podcast
Meh, still waiting on New Easy Allies XL
Aye good for you man, was watching cup of jones when he approved, was worried that it could be anyone and do someone not representative of EZAs beliefs but you seem like you understand the power of representing the brand. Probably am over thinking this though
Best of luck to you, much respect for being good at Street Fighter to
In case you were curious for this podcast I pulled out my phone and got on reset era around the start of the Bethesda talk.
Bro you are crazy. Even at 720p, whereas the old ones were in 1080p, this still looks SIGNIFICANTLY better.On 720p60fps.
Im' looking at past COJs and they look way better, maybe it's something here.
Bro you are crazy. Even at 720p, whereas the old ones were in 1080p, this still looks SIGNIFICANTLY better.
The lighting is PERFECT on CoJ this week. Framerate is great, clarity is very good for the resolution.
Old:
New:
Bro you are crazy. Even at 720p, whereas the old ones were in 1080p, this still looks SIGNIFICANTLY better.
The lighting is PERFECT on CoJ this week. Framerate is great, clarity is very good for the resolution.
Old:
New:
One time thingThe podcast looks great but I need it to be Kyle, Jones and two other Allies. Frame Trap works with three people but I want four on the podcast.
Bro you are crazy. Even at 720p, whereas the old ones were in 1080p, this still looks SIGNIFICANTLY better.
The lighting is PERFECT on CoJ this week. Framerate is great, clarity is very good for the resolution.
Old:
New:
Bro you are crazy. Even at 720p, whereas the old ones were in 1080p, this still looks SIGNIFICANTLY better.
The lighting is PERFECT on CoJ this week. Framerate is great, clarity is very good for the resolution.
Old:
New:
It keeps things dynamic, makes it feel 'alive' and professional.It's clearly important to lots of people here so I don't want to rain on the parade, but...what do multiple camera angles really add to the podcast and EZA as a whole? It seems like it requires more work (with an extra person always needing to be on the switcher now), and all of these close-up shots will almost definitely come at the cost of missing reactions from the rest of the panel. Idk, I don't get the appeal.
It's clearly important to lots of people here so I don't want to rain on the parade, but...what do multiple camera angles really add to the podcast and EZA as a whole? It seems like it requires more work (with an extra person always needing to be on the switcher now), and all of these close-up shots will almost definitely come at the cost of missing reactions from the rest of the panel. Idk, I don't get the appeal.
Okay that's fair. I was just being silly calling you crazy, btw. It was just a crazy opinion to me, lol. But yeah, good to see it was just something weird going on live.To be fair i said it could have been on my end and now watching the Youtube archive it does look a lot better than when i was watching live for some reason, don't know if it was internet acting up here or what but bitrate was dropping constantly for me and it didn't look any good.
Good to see it was just me.
It keeps things dynamic, makes it feel 'alive' and professional.
Yeah, fair enough. Having it all ready to go for the eventual studio is pretty cool.Because it's fun to have it & ups the production values. It also helps Ian is really psyched about it & wants to stay and work it while they record the podcast.
Also, just having a switcher (and all the other new equipment) makes outfitting a future studio waaaaay easier since they already have all the equipment at the ready.
I understand where you are coming from. For me the angles are not a necessary thing either for the podcast. That said, it reminds me of how it was at GT (I think that's the case for a lot of people here) and it looks a lot more professional to me.It's clearly important to lots of people here so I don't want to rain on the parade, but...what do multiple camera angles really add to the podcast and EZA as a whole? It seems like it requires more work (with an extra person always needing to be on the switcher now), and all of these close-up shots will almost definitely come at the cost of missing reactions from the rest of the panel. Idk, I don't get the appeal.
Brandon said on Cup of Jones that Ian is really good at switching between the various cameras to catch the best reactions (Ian did this for a long time on GT time, and he did it well, so I would agree with this). This means we get a more dynamic, professional-looking production and close-ups of the interesting reactions when they happen. Stuff will be missed from time to time but on the whole it's a net positive. More important, we now have Ian in the booth every week, which means 5 people on the podcast every week. Ian'll chime in when he has something interesting to say so it won't just an extra person there just operating the switcher silently.It's clearly important to lots of people here so I don't want to rain on the parade, but...what do multiple camera angles really add to the podcast and EZA as a whole? It seems like it requires more work (with an extra person always needing to be on the switcher now), and all of these close-up shots will almost definitely come at the cost of missing reactions from the rest of the panel. Idk, I don't get the appeal.
It's clearly important to lots of people here so I don't want to rain on the parade, but...what do multiple camera angles really add to the podcast and EZA as a whole? It seems like it requires more work (with an extra person always needing to be on the switcher now), and all of these close-up shots will almost definitely come at the cost of missing reactions from the rest of the panel. Idk, I don't get the appeal.
From a game design perspective the mole had no win condition nor incentive. I'd maybe have a specific mole win condition for each game (e.g. get less than 2 stars in Overcooked) and require the mole to win a specific number of games. And to continue copying The Resistance/Avalon, give the team an auto-win if the majority can name the mole at the end.Yeah I totally understand it, just a bit of a shame it shook out that way!
I understand where you are coming from. For me the angles are not a necessary thing either for the podcast. That said, it reminds me of how it was at GT (I think that's the case for a lot of people here) and it looks a lot more professional to me.
Also the switcher will come in handy for live reactions like with E3 as well.
So yeah, Ian has to stay there to use the switcher, but it looked to me like Ian was the most excited about the switcher out of the Allies.
I always had the feeling at GT as well that he loves doing that kind of thing.
In the end I really enjoyed the latest podcast. I honestly feel like the production value went up by a lot since their new gear has been set up.
This is basically studio equipment which they don't need to buy any more when they move to a studio.
Congrats breh, hopefully you show up on stream sometime.Got official approval to represent EZA at Street Fighter V tournaments, baby!
I will do my best and always show Love & Respect to everyone!
We wont get D-Day Ian trivia either. It's a shame, but the newer format will be good in it's own way as well.Like I don't believe you'd get that berenstain Bears moment in this new format. At least he can make frame trap appearances
How is the theater experience? I've considered going in the past but I figured it was lame.Looks like I'll be watching EZA watch Sony's E3 conference as opposed to seeing it in a theater this year
I went with a friend in 2015 (aka the original E3 of dreams) and it was pretty great. Crowd actually cheered when "REMAKE" showed up on screen. But without the megatons it might have been a different experience, to be fair.How is the theater experience? I've considered going in the past but I figured it was lame.
How is the theater experience? I've considered going in the past but I figured it was lame.