I was unable to fit the new name of the film -- "Mario Puzo's The Godfather, Coda: The Death of Michael Corleone" -- into the thread title lol
Not quite sure how rearranging or rescoring some scenes will fix the film's deeper problems, but can't hurt to try! I'm morbidly curious to give this a shot.
A new ‘good’ cut of The Godfather 3 to hit theaters in December
Old movies are new movies during a pandemic
www.polygon.com
Paramount announced on Thursday that a new edit and restoration of Coppola's final Godfather film, rechristened Mario Puzo's The Godfather, Coda: The Death of Michael Corleone, will hit theaters this December, with a home video release to follow. The new version of the film "achieves director-screenwriter Coppola and screenwriter [Mario] Puzo's original vision for the finale, which has been meticulously restored for the finest presentation of the Corleone saga's last chapter," Paramount said in a news release. If everyone's roles are intact, the movie stars Al Pacino, Diane Keaton, Talia Shire, Andy García, Eli Wallach, Joe Mantegna, Bridget Fonda, George Hamilton, and a young Sofia Coppola.
"Mario Puzo's The Godfather, Coda: The Death of Michael Corleone is an acknowledgement of Mario's and my preferred title and our original intentions for what became The Godfather: Part III," Coppola said in a statement. "For this version of the finale, I created a new beginning and ending, and rearranged some scenes, shots, and music cues. With these changes and the restored footage and sound, to me, it is a more appropriate conclusion to The Godfather and The Godfather: Part II and I'm thankful to Jim Gianopulos and Paramount for allowing me to revisit it."
The process of the re-edit sounds fascinating: In order to bring a pristine version to theaters, American Zoetrope and Paramount Pictures' restoration team searched through 300 cartons of negatives in the studio archive to find over 50 original takes that could replace lower-resolution opticals in the original negative. The process of repairing scratches and stains took more than six months, while enhancements were also made to the original 5.1-channel surround sound mix. The coronavirus pandemic forced the team to shift to the San Francisco Bay Area, where the rest of the project was completed through remote work.
"Mr. Coppola oversaw every aspect of the restoration while working on the new edit, ensuring that the film not only looks and sounds pristine, but also meets his personal standards and directorial vision," said Andrea Kalas, the senior vice president of Paramount Archives, in a statement.
Not quite sure how rearranging or rescoring some scenes will fix the film's deeper problems, but can't hurt to try! I'm morbidly curious to give this a shot.