https://www.rollingstone.com/movies/reviews/hereditary-movie-review-scariest-movie-of-2018-w521098
Hereditary is a new horror landmark that puts a unique face on things that go bump in the night. To be clear, this award-caliber debut feature from writer-director Ari Aster is eons away from the torture porn and B-movie scares that litter the multiplex. The 31-year-old filmmaker, known for such potent short films as Munchausen and The Strange Thing About the Johnsons, approaches the supernatural like Jennifer Kent did in The Babadook and Robert Eggers did in The Witch: with an artist's eye for what lies beneath.
https://film.avclub.com/family-is-a-curse-in-the-harrowing-deeply-frightening-1826616606
By the shocking ending, the Graham family has stumbled into a kind of meaning, and even a strange sort of purpose, in the nightmare they've endured. For viewers, finding such transcendence in Hereditary's hellish design will be a matter of stomach, nerves, and twisted sensibility.
https://www.theguardian.com/film/2018/jun/01/hereditary-review-horror-toni-collette-brilliant-fear
This has been described as an Exorcist for a new generation, which isn't quite right, though it weirdly reminded me more specifically of the Jonathan Pryce "Exorcist" stage Hamlet from 1980, in which he gets speakingly possessed by his father's ghost. First-time writer-director Ari Aster has really drawn on other inspirations: Don't Look Now and Rosemary's Baby, in their presentiments and conspiracies of horror. Hereditary is also like a death-metal version of Bergman's Cries and Whispers.
https://consequenceofsound.net/2018/06/film-review-hereditary/
What's more tragic: To bring about one's own ruin, or to be irrevocably doomed? It's the question that haunted Greek tragedy, and it's one that hangs over Hereditary, a gutting family tragedy wrapped in Hawthornian horror and anointed with pig's blood. Ari Aster's debut feature feels, in many ways, like a culmination of the art-horror renaissance ignited by the likes of Robert Eggers' The Witch and Jennifer Kent's The Babadook and elaborated upon by Nicolas Pesce's The Eyes of My Mother and Veronika Franz and Severin Fiala's Goodnight Mommy. Here, the themes of poisoned bloodlines and omniscient evils that coursed throughout those films coalesce in a narrative that's scarier, more inviting, and ultimately more cathartic than any of the above.
https://www.vox.com/summer-movies/2018/6/1/17408988/hereditary-review-toni-collette-milly-shapiro
Scary" isn't the right descriptor for Hereditary, director Ari Aster's feature debut and the creeptastic movie destined to be this summer's art-house horror movie, in the manner of It Follows or The Babadook.
Now, let me be clear: That's not to say it isn't scary. I'm a generally phlegmatic moviegoer, but the first time I saw Hereditary I yelped a lot, and very nearly crawled under my seat once or twice, to the bemusement of my viewing companions.
But mostly I just felt really weirded out, which is what the movie wants. If you're going into Hereditary looking for a "scary movie," you're doing it wrong. Better descriptors might be "uncanny," or "unnerving," or "vexing," or "devilish." It's half supernatural horror film, half startlingly realistic drama about a family dealing with grief, and it wants to make you feel marvelously, deliciously uncomfortable for a whole host of reasons, only some of which are about the scary bits.
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