All the kids who grew up with the prequels are now adults. It's as simple as that.
Pretty much. Kids back then liked them, I guess. And we all know kids have shitty taste.
All the kids who grew up with the prequels are now adults. It's as simple as that.
He is my favourite MC, he spits fyre
I don't know how you could watch Anakin's turn and say "mission accomplished".
- Palpatine admits he is the Dark Lord whose underlings have repeatedly tried to kill both him and Padme
- after Anakin attacks Mace Windu, Palpatine admits his life-saving powers were all bullshit
- Anakin still agrees to murder every Jedi in the galaxy for some reason
- ???
- profit!!!
The sole purpose of the prequels was to show Anakin's turn to the dark side and it was fumbled completely.
That guy really should've gotten out of a gladiatorial arena infested with so many yes men"It is not the critic who counts; not the man who points out how the strong man stumbles, or where the doer of deeds could have done them better. The credit belongs to the man who is actually in the arena, whose face is marred by dust and sweat and blood; who strives valiantly; who errs, who comes short again and again, because there is no effort without error and shortcoming; but who does actually strive to do the deeds; who knows great enthusiasms, the great devotions; who spends himself in a worthy cause; who at the best knows in the end the triumph of high achievement, and who at the worst, if he fails, at least fails while daring greatly, so that his place shall never be with those cold and timid souls who neither know victory nor defeat."
I don't know how you could watch Anakin's turn and say "mission accomplished".
- Palpatine admits he is the Dark Lord whose underlings have repeatedly tried to kill both him and Padme
- after Anakin attacks Mace Windu, Palpatine admits his life-saving powers were all bullshit
- Anakin still agrees to murder every Jedi in the galaxy for some reason
- ???
- profit!!!
The sole purpose of the prequels was to show Anakin's turn to the dark side and it was fumbled completely.
You realize saving Padme was but one excuse for turning? It wasn't solely about her, rather it was the final straw that broke the camel's back. Anakin was an arrogant, prideful, and power hungry Jedi tired of having to hide his love life away. The appeal of finally being able to live "free" and be rightfully rewarded with the respect and power he felt he deserved was the primary motivators behind his turn.
It really bothers me when people don't think the prequels were good and forget about General Grievous, the greatest character in Star Wars. He alone automatically negates whatever "criticism" you have of the prequels.
Awful character.
Prequels are crap especially Episode 1 and 2. 3 is still very bad but slighty better.
He wanted to preserve as much of Vader's original body as possible, to keep the midichlorian count high. :/Sidious has a ninja cyborg like Grievous yet puts Vader in an iron lung? It's nonsense. They just don't go together with the OT at all.
Prequels were made only to sell more toys.Sidious has a ninja cyborg like Grievous yet puts Vader in an iron lung? It's nonsense. They just don't go together with the OT at all.
Obviously. For you to think the original Star Wars films are nothing special is to completely ignore the context of those films in cinema & cultural history.
Nah, he was just a moron. The second Palpatine said the life-saving stuff was bullshit he should have arrested him. But he went on a killing spree instead. The man was a psychopath with the reasoning powers of a mosquito. Probably the second dumbest person in the galaxy after Mace "A DARK LORD?!" Windu.
Contrarians are the worst.I feel the same way when the new spiderman movies came out. Amazing spiderman suddenly brought all these people out of the woodwork "Sam Raimi is a hack!" "Not my spiderman!" "Emma Stone > You!" Like wtf? Where were they all hiding?
I don't really care how important those movies are. :DObviously. For you to think the original Star Wars films are nothing special is to completely ignore the context of those films in cinema & cultural history.