I helped my uncle with the ordering because the printer at his house was shit and man alive, there were about a dozen #1's every single month.We should also talk about the habit of creating a million ew heroes so they could sell #1 issues during the 90s 'everything goes up in value!' craze
Chromium
I only bought comic books from like 1992-1993 but boy did I end up with a lot of this bullshit.
That looks like Spidey faceplanted in the snow.Gotta love Amazing Spider-Man 400, which was a tombstone but the image was fucked:
i Loved the lingerie one!The Gen 13 #1 variants. I remember scraping together like $15 when I was a broke ass little kid to get the Gen 13 Bunch one from my local comic shop thinking it'd be worth thousands some day
OutstandingSpeaking of Wolverine, I fucking loved this Adam Kundera and Hildebrandt Brothers mashup.
Still one of my favorite comics and inside, the ending was great.
literally have this one lol (Stadium Comics)
"Spider-Man Saves Local Comic Store" cover. It was a variant cover depending on the comic store you picked it up at.
For a second, I thought this was a pile of cocaine.Gotta love Amazing Spider-Man 400, which was a tombstone but the image was fucked:
I've owned this since the day it came out, but I've never been sure, is there a story behind the cover? This couldn't have been the result they wanted when they designed it.Gotta love Amazing Spider-Man 400, which was a tombstone but the image was fucked:
These obnoxious sideways covers/panels. It happened often mostly in Liefeld books. This whole comic was sideways, ugh.
"Spider-Man Saves Local Comic Store" cover. It was a variant cover depending on the comic store you picked it up at.
I've owned this since the day it came out, but I've never been sure, is there a story behind the cover? This couldn't have been the result they wanted when they designed it.
Now, remember that gimmick cover for ASM #400? It was supposed to be a tombstone, featuring both the familiar ASM logo and a small Spider-Man figure engraved upon the face of the stone. I remember that this was the first gimmick cover that Bob had to oversee as Spider-Man EIC, and he was a little overwhelmed by it. I'm not sure if it was his idea to do this gimmick cover, of if it was an idea that was foisted upon him by our marketing department. I suspect it was the latter, because the marketing guys were obsessed with gimmick covers and used any excuse to do one, as often as possible. Well, the cover looked pretty good at the final stage, everything was readable and the engravings looked good. But when it finally saw print, the cover's engraving was so shallow and so faint that the cover was essentially unreadable. It looked like a dull gray, blank cover of... something. Not a success, to put it mildly. Thank goodness the story inside made up for it, proving the old adage that you can't judge a book by looking at the cover.
What a great twist, because of the four, he seemed like the real deal when compared to Eradicator, Superboy, and Steel.
Ah yes I remember reading that now! That whole piece is a great read.Funny you should ask! So this came out during the Clone Saga and the Life of Reilly, which was a long ass essay that interviewed basically everyone involved, actually covered this:
Superman #78, after his death you think he's back until you open it up and see this Terminator motherfucker smiling at ya.
I still feel kinda dumb for thinking he was the real Superman.
The devil horn on his brow probably shoulda tipped me off.
Yeah, I remember this crossover. Todd McFarlane did that ond & Liefeld did this-These obnoxious sideways covers/panels. It happened often mostly in Liefeld books. This whole comic was sideways, ugh.