This is the one thing I don't understand - Paramount's lot is bigger, better location, and nicer. Selling Culver City would make more sense. (Amazon/MGM reunion with the lot!)
This is the one thing I don't understand - Paramount's lot is bigger, better location, and nicer. Selling Culver City would make more sense. (Amazon/MGM reunion with the lot!)
Seriously, what do they really want to keep out of a 26 billion deal. Really are trying to raid the company for just a few assets huh?
A lot of that IP is owned by CBS, plus from an earlier report they wanted to pick and choose certain IPs out of nickelodeon, which is also probably a regulatory issue. Just a mess of a strategy.
Maybe they'll expand their current lot, although I'm not sure what money they'll use after this purchase.A lot of that IP is owned by CBS, plus from an earlier report they wanted to pick and choose certain IPs out of nickelodeon, which is also probably a regulatory issue. Just a mess of a strategy.
Edit: I will also add by selling that property, I don't see how Sony is not going to move back on annual movie releases of the two studios.
Yeah, it's a strategy that probably won't get past regulators, as the potential to devalue the Paramount assets is very plausible and would just strengthen the largest players more.Maybe they'll expand their current lot, although I'm not sure what money they'll use after this purchase.
Seems like the strategy is pay a lot of money now, take all the valuable IP, and then try to make the money back in a firesale.
A lot of that IP is owned by CBS, plus from an earlier report they wanted to pick and choose certain IPs out of nickelodeon, which is also probably a regulatory issue. Just a mess of a strategy.
Edit: I will also add by selling that property, I don't see how Sony is not going to move back on annual movie releases of the two studios.
Apollo can't own them all as it would breach the ownership cap as they already own channels. Like I said earlier, whole thing is a mess that is a massive regulatory minefield.It is currently owned by CBS but I have no doubt they already have worked out with Apollo who gets what if this goes through. Apollo seems most interested in the channels themselves.
We saw something similar when Fox sold to Disney, Fox kept some IP, such as Hell's Kitchen, and sold a fuckton more.
Also they likely plan to either do more animation related stuff, for which they wouldn't need the bigger lot, or a lot more shooting on specialized lots that'll give them tax breaks to be there like Disney uses London, Atlanta, etc.
It is a non starter to possibly do anything to devalue Nickelodeon as it just gives Disney a monopoly in kids media. They'd be forced to own it all or sell it all. Just makes Sony supposed plans to not make much sense to just go after IPs.For the love of... I know the shows themselves don't do crossovers often, but there is value in keeping the Nick IPs together in games, and other things. It's like just picking and choosing Nintendo IPs. People like seeing the gang together sometimes.
Although if they do plan to do this, I would hope this means they're smart enough to keep Avatar Studios in tact.
It is a non starter to possibly do anything to devalue Nickelodeon as it just gives Disney a monopoly in kids media. They'd be forced to own it all or sell it all. Just makes Sony supposed plans to not make much sense to just go after IPs.
I guess...still would take the Paramount lot.
I don't think that's the case. This would be the second approach by Sony to acquire Paramount assets since the merger of Viacom and CBS.Yeah it seems like Sony is not really thinking some of this through. No wonder the Sony investors are worried about this.
I stated it earlier but I don't think this is a serious bid but more of a prevention one. I think Sony wants no one to buy Paramount so theyd be forced to sell or license assets. Current bid is just a regulatory nightmare plus a massive amount of leveraging up to just secure IP.Well that's good that they can't separate it at least.
Yeah it seems like Sony is not really thinking some of this through. No wonder the Sony investors are worried about this.
I think Skydance needs to leak a little bit more of their plans. Especially regarding Nick. I need to know they're at least understanding of the importance to the film studio. Because that continues to be a massive question mark for me.
Without a care in the world.
I don't think that's the case. This would be the second approach by Sony to acquire Paramount assets since the merger of Viacom and CBS.
I think the problem is that the structure that Apollo/Sony are pursuing haven't been revealed and fully fleshed out, so we're getting bits and pieces of it via these leaks. I'm sure the actual bid will be more coherent.
I stated it earlier but I don't think this is a serious bid but more of a prevention one. I think Sony wants no one to buy Paramount so theyd be forced to sell or license assets. Current bid is just a regulatory nightmare plus a massive amount of leveraging up to just secure IP.
It does if you intend on increasing production capabilities. Warner has two lots, one of which they're expanding with more soundstages.
I blame cable but it shouldn't be that hard to shut down channels and move it to streaming platforms.Be prepared honestly no matter which way this goes (including Paramount just sticking it out on their own) for assets to be sold off.
There's no way to avoid things getting split off. It's just a question of which option leads to the least amount lost.
I blame cable but it shouldn't be that hard to shut down channels and move it to streaming platforms.
Yeah, I was voicing it out of stupidity. This is a terrible position that paramount is in as an entity.I don't think it's as easy a fix as you're making it out to be.
...huh. To be ran by ghouls or to be ran by motherfucking ghouls.As a shareholder of Paramount (and have been with Viacom since the mid-90's) I like the IDEA of this deal more than the Skydance deal. In practice, I still don't like it but if Paramount HAS to be sold, better this that exclusively a Private Equity company that will just strip mine the company and sell off portions all to decrease "debt".
It does if you intend on increasing production capabilities. Warner has two lots, one of which they're expanding with more soundstages.
So many Trek fans on the net think Star Trek is in a horrible place right now, Sony will make them think Scott Bakula Enterprise was the golden age of Trek.
For sure. I probably should've clarified Warners lot is in Leavesden, UK and also acts as a studio tour for HP. Not really a fair comparison considering it's cheaper to shoot in the UK compared to the US for the most part as well. It probably would benefit Sony to sell the lot and lease it for themselves as part of the deal.From my understanding, a lot of productions are leaving LA and California for states that are more generous with their tax credits (Utah, funnily enough, being an example). Sony acquiring a second lot to ramp up their own productions doesn't make a lot of sense.
why?Have a feeling Sony is going to end up regretting making this deal.
as annoyed as I was with Sony raising the prices of Psplus last year, what are the chances they do some sort of Paramount Plus / PlayStation Plus bundle and add a new, even more expensive tier?Sony has no money for PSN infrastructure changes or anything else gaming but plenty for Crunchyroll and Paramount acquisitions...
Sony's TV division is like, the best in the business outside of HBO though? The did Breaking Bad, The Crown, The Boys, For All Mankind, and a ton of other stuff. Star Trek TV would actually be in pretty decent hands.So many Trek fans on the net think Star Trek is in a horrible place right now, Sony will make them think Scott Bakula Enterprise was the golden age of Trek.
Financing for Sony by selling back their share down the road was a possibility.If CBS goes to WB, what exactly does Apollo get out of this deal, assuming Sony wants to keep Paramount IPs.
They might merge the 2 in the dumbest way.… if WB Discovery buys CBS, wouldn't it make more sense for WBD to spin off CNN? I think regulators would have something to say about that, especially if WBD would look at rolling CBS News into CNN.
I have no knowledge on American networks, but if CBS is popular, why would Sony not want it ?Numerous outlets - including Puck - believe that Warner Bros may try to take advantage of this Paramount / Sony deal.
Puck believes Warner Bros is eyeing CBS. They're playing the waiting game to see what the fallout is from this Sony deal.
https://puck.news/how-david-zaslav-could-benefit-from-paramount-mess/
https://www.msn.com/en-us/money/com...-nasdaq-wbd-be-the-winner-of-a-paramount-deal
If Sony acquires Paramount, Sony will likely sell CBS to a competitor.
It doesn't make sense for Disney to buy CBS because they already own ABC.
It doesn't make sense for Comcast to buy CBS because they already own NBC.
Why Warner Bros wants CBS:
- According to Puck, Zaslav would love to buy CBS, so he can combine CBS News with CNN.
- By owning CBS, Warner Bros would have a larger share of the sports market (example: NFL games on CBS, like the Super Bowl)
- CBS is the highest rated network. More people watch CBS than any other channel.
I have no knowledge on American networks, but if CBS is popular, why would Sony not want it ?
I have no knowledge on American networks, but if CBS is popular, why would Sony not want it ?
Also Sony seems to only want the I.Ps and not some cable networkForeign owners are not allowed to own/hold licenses on one of the major US broadcasting networks. There is an exemption that they could pursue but Sony will likely sell.
It's a combination of things. One of the biggest is the shift towards IP in the last 15-20 years in entertainment due to the economic recession and entertainment markets reaching saturation. Companies focus on producing shows and movies that are seen as marketable properties. Disney and WB have by far the biggest warchest of iconic IPs (in part because of Disney's constant acquisitions) which leaves a lot of these other studios struggling.Is media consumption really getting difficult to develop, market, and sold? The consolidation of these big corporations have really began to be concerning. It started with Disney's buying spree then Microsoft, now Sony. Fuck consolidation.
It's a combination of things. One of the biggest is the shift towards IP in the last 15-20 years in entertainment due to the economic recession and entertainment markets reaching saturation. Companies focus on producing shows and movies that are seen as marketable properties. Disney and WB have by far the biggest warchest of iconic IPs (in part because of Disney's constant acquisitions) which leaves a lot of these other studios struggling.
And then generally speaking audiences have more entertainment options than ever (many of them relatively free or cheap thanks to the internet) which makes it very competitive since audiences only have so much free time. 40 years ago the primary entertainment mediums were print, radio, television, and film. Now with the internet, computers, phones, video games, etc. it's exploded massively past that. There's so much being made and not enough people engaging in it.
Paramount does have some recognizable and iconic IPs but it's simply not enough to be competitive in this environment, and the government has completely failed to intervene with any meaningful regulation.
Regulations could prevent several of these mergers and acquisitions (especially on the gaming side of things, which is what the person I was quoting was also discussing). One of the biggest issues is studios using private equity to buoy their finances:Paramount and WB's problem isn't the relative weakness of their IP, its that for 25 years they were guaranteed steady profits from the cable bundle and now that's going away. Disney and Comcast have outside revenue streams that allow them to manage this transition better. What sort of regulation would prevent Netflix, which only has one product, from dominating streaming and giving customer a much cheaper alternative to cable?
When the strike was over, it was February 2008. The United States was three months into what would later be understood as the Great Recession. In an effort to stimulate the economy, the Federal Reserve had begun cutting interest rates in September, and over the following eighteen months it provided financial institutions with more than $7.7 trillion in capital. In late 2008, the Fed reduced the interest rate to almost zero. With piles of cash and cheap credit in hand, asset-management companies and private-equity firms set out for the frontiers of various U.S. industries. Over the next decade, three asset-management companies—BlackRock, Vanguard, and State Street—would take over American business, becoming the largest shareholders of 88 percent of the S&P 500, the roughly five hundred biggest public U.S. companies. Private-equity firms—distinguished by their intent to sell the properties they acquire—would eventually be the backing for at least 7 percent of American jobs.
To these speculators, Hollywood looked like a gold mine: the studios and entertainment corporations were ripe with redundancies and inefficiencies to be axed—costs to be cut, parts to be sold, profits to be diverted to shareholders, executives, and new, often unrelated ventures. And thanks to the deregulation of the preceding decades, the industry was wide open. Financial institutions could snatch up or take over large portions of companies in any area of the business; they could even acquire or substantially invest in groups in competition with one another—and they did, creating types of soft monopoly. Bets were even placed against the traditional industry as a whole, in the form of investments in Netflix, which promised to disrupt and dominate at-home viewing. Today the Big Three asset-management firms hold the largest stakes in most rival companies in media and entertainment. As of the end of last year, Vanguard, for example, owned the largest stake in Disney, Netflix, Comcast, Apple, and Warner Bros. Discovery. It holds a substantial share of Amazon and Paramount Global. By 2010, private-equity companies had acquired MGM, Miramax, and AMC Theatres, and had scooped up portions of Hulu and DreamWorks. Private equity now has its hands in Univision, Lionsgate, Skydance, and more.
The film and TV industry is now controlled by only four major companies, and it is shot through with incentives to devalue the actual production of film and television. What is to be done? The most direct solution would be government intervention. If it wanted to, a presidential administration could enforce existing antitrust law, break up the conglomerates, and begin to pull entertainment companies loose from asset-management firms. It could regulate the use of financial tools, as deWaard has suggested; it could rein in private equity. The government could also increase competition directly by funding more public film and television.
Regulations could prevent several of these mergers and acquisitions (especially on the gaming side of things, which is what the person I was quoting was also discussing). One of the biggest issues is studios using private equity to buoy their finances:
Of course, none of this will happen because the United States government has never functioned as anything but a front for this country's richest people and groups. But it's what happens when this sort of financial behavior is left unchecked.