Just saw the movie and it was fucking lit
Was really tense and the acting was great, beautiful cinematography
Was really tense and the acting was great, beautiful cinematography
Just saw the movie and it was fucking lit
Was really tense and the acting was great, beautiful cinematography
Nah, I would say it's very similar to the 1st in terms of action (not too much, a lot of quiet and tense scenes)Is it as much of a thriller as the first? I just watched the first last night on TV and I thought it was phenomenal. Saw the trailers for this one and it looks more action-packed and the plot sounds kind of silly. Looks like something I wouldn't look for in a sequel.
Is it as much of a thriller as the first? I just watched the first last night on TV and I thought it was phenomenal. Saw the trailers for this one and it looks more action-packed and the plot sounds kind of silly. Looks like something I wouldn't look for in a sequel.
It's a bit of a disappointing coincidence. But do you really think they planned for this to happen? There are movies about terrorists and radical Islamic bombers all the time. The movie was written years in advance. What do you want them to do? Not release it? Wait till Trump is out of office?This fucking movie lost the plot.
The first movie went from a scathing insight into drug cartels to a sequel reveling in masturbatory violence by and to brown people.
This fucking released on the day of a domestic shooting of a news agency by a white male, while the nation is dealing with thousands of children housed in concentration camps after being traumatically ripped from their families, and the movie chooses to frame the entire narrative around radical Islamic terrorists crossing the border?
Utterly beyond disappointing. Fucking disgusting.
This fucking movie lost the plot.
The first movie went from a scathing insight into drug cartels to a sequel reveling in masturbatory violence by and to brown people.
This fucking released on the day of a domestic shooting of a news agency by a white male, while the nation is dealing with thousands of children housed in concentration camps after being traumatically ripped from their families, and the movie chooses to frame the entire narrative around radical Islamic terrorists crossing the border?
Utterly beyond disappointing. Fucking disgusting.
This fucking movie lost the plot.
The first movie went from a scathing insight into drug cartels to a sequel reveling in masturbatory violence by and to brown people.
This fucking released on the day of a domestic shooting of a news agency by a white male, while the nation is dealing with thousands of children housed in concentration camps after being traumatically ripped from their families, and the movie chooses to frame the entire narrative around radical Islamic terrorists crossing the border?
Utterly beyond disappointing. Fucking disgusting.
How about not make a movie that spends the first twenty minutes as a right wing propaganda video portraying brown people overwhelmingly as harbingers of evil specifically toward white people.It's a bit of a disappointing coincidence. But do you really think they planned for this to happen? There are movies about terrorists and radical Islamic bombers all the time. The movie was written years in advance. What do you want them to do? Not release it? Wait till Trump is out of office?
Ridiculous.
How about not make a movie that spends the first twenty minutes as a right wing propaganda video portraying brown people overwhelmingly as harbingers of evil specifically toward white people.
Obviously, the release date landing on that of a(nother) domestic shooting is irrelevant and unpredictable, but the framing of the narrative of this entire film is fucking insulting.
Because I just paid to watch a prejudiced depiction of minorities as boogeymen that panders straight into the twisted fantasies of the right. It's as though it was created solely to embolden those who want increased ICE presence and a nation-wide wall.
Because I just paid to watch a prejudiced depiction of minorities as boogeymen that panders straight into the twisted fantasies of the right. It's as though it was created solely to embolden those who want increased ICE presence and a nation-wide wall.
The first movie showed an equally unflattering view at hypothetical extreme violence being met with equally unethical response. I was expecting the same level of critical depictions regarding the border in this sequel. In the last year and a half, the border and immigration control within the states has become increasingly hostile toward Hispanics. The last six weeks has culminated in over 2500 children being ripped from their families and held in facilities like Casa Padre that literally depict murals of Trump as the first thing you see upon entering.I am a minority and I took no offense lol you're reading to in between the lines. It's just a movie bro.
The first movie showed an equally unflattering view at hypothecary extreme violence being met with equally unethical response. I was expecting the same level of critical depictions regarding the border in this sequel. In the last year and a half, the border and immigration control within the states has become increasingly hostile toward Hispanics. The last six weeks has culminated in over 2500 children being ripped from their families and held in facilities like Casa Padre that literally depict murals of Trump as the first thing you see upon entering.
Instead of getting any relevant commentary, we get the right wing boogeymen, starting off with a scenario that has never happened but plays into every fear of the xenophobic. What a disappointment.
Hmm.Woah lol. Troll of the year award goes to you.
But anyways, this movie was awesome and you guys should check it out especially if you enjoyed the first.
Hmm.
Look, I'm all for escapism, and I love a great action movie... but some things are shameless. I don't consider it extreme or trolling to criticize a film that is portrays the border in a biased depiction when ICE and the US government is pushing the boundaries of what's allowed against a class of people.
Furthermore, the disparity in depiction between every side in the first movie versus the second are unmistakeable. This is a missed opportunity and the wrong message for a movie set squarely in the area dominating the news cycle for the worst reasons.
I mean, seriously, the movie literally begins by trying to elicit pathos over Muslims attacking white women and children after crossing the border. This feels like watching a movie about 'The Dangers of Gypsies' in Germany in the mid-1930s.
I feel like you have to be nearsided or tone-deaf to miss the unfortunate propaganda in this movie versus what was presented in the first one.
Ah, so this is one of those MUSLIMS ARE TEH EVILZ movies, huh. Thanks for the info, skipping it like a disease then.
The message is more along the lines of painting the border as an opened Pandora's box, with dangerous Muslims starting things off with a bang and then becoming footnotes as the movie continues. Yeesh.Ah, so this is one of those MUSLIMS ARE TEH EVILZ movies, huh. Thanks for the info, skipping it like a disease then.
Seeing it in a few hours. 65% on RT is a bit disappointing though :\
The message is more along the lines of painting the border as an opened Pandora's box, with dangerous Muslims starting things off with a bang and then becoming footnotes as the movie continues. Yeesh.
This fucking movie lost the plot.
The first movie went from a scathing insight into drug cartels to a sequel reveling in masturbatory violence by and to brown people.
This fucking released on the day of a domestic shooting of a news agency by a white male, while the nation is dealing with thousands of children housed in concentration camps after being traumatically ripped from their families, and the movie chooses to frame the entire narrative around radical Islamic terrorists crossing the border?
Utterly beyond disappointing. Fucking disgusting.
That sounds like how I described London has fallenThis fucking movie lost the plot.
The first movie went from a scathing insight into drug cartels to a sequel reveling in masturbatory violence by and to brown people.
This fucking released on the day of a domestic shooting of a news agency by a white male, while the nation is dealing with thousands of children housed in concentration camps after being traumatically ripped from their families, and the movie chooses to frame the entire narrative around radical Islamic terrorists crossing the border?
Utterly beyond disappointing. Fucking disgusting.
guess i have a problem cause i enjoyed Wind River and Sicario as well.Sheridan is well known for his xenophobia and love for white people and the US government. Look at Hell or High Water, Sicario, and Wind River as proof of this.
guess i have a problem cause i enjoyed Wind River and Sicario as well.
Sheridan is well known for his xenophobia and love for white people and the US government. Look at Hell or High Water, Sicario, and Wind River as proof of this.
Sheridan is well known for his xenophobia and love for white people and the US government. Look at Hell or High Water, Sicario, and Wind River as proof of this.
Brolin's character is an OTT parody of American overreach and reckless stupid shortsighted decisions.
Just like in the prior film, he's not a good guy and you're not supposed to be cheering him on.
They're absolutely correct to cut him off and his tantrum following it kinda drives that point home. He's having fun at the expense of pretty much the entire world and his playtime gets cut off.Like Zero Dark Thirty, it's trying to have its cake and eat it too. This is clumsily apparent with how the film juxtaposes Brolin with his lost superiors, and relatively more ruthless enemies. It's wet work that's not supposed to be glamorous, but it must be done and someone has to do it.
The current political climate makes these sort of stories a bit more uncomfortable for folks.
I would be remiss to say that the first Sicario isn't much better in this regard, either.
Like Zero Dark Thirty, it's trying to have its cake and eat it too. This is clumsily apparent with how the film juxtaposes Brolin with his lost superiors, and relatively more ruthless enemies. It's wet work that's not supposed to be glamorous, but it must be done and someone has to do it.
The current political climate makes these sort of stories a bit more uncomfortable for folks.
I would be remiss to say that the first Sicario isn't much better in this regard, either.