So, on Friday night, I was sitting on my couch, watching Taskmaster and screwing around on my phone, when I got a Twitter notification. It was from a Taylor Swift account berating me to "do better" for some reason. Assuming it was related to an old post I'd written or whatever, I clicked on it, and then things got weird
Taylor Swift released her latest album this week, The Tortured Poets Department. It was an immediate record breaker and creator of Discourse. How could it not be? Swift is one of the biggest musicians on the planet and she has been utterly inescapable for the past year or so. Between her re-records of her back-catalogue, a commercial smash world tour, and a new relationship with a major American football player, Swift had thoroughly cemented her status as a megastar. Also, she won a few more Grammys.
Reviews for The Tortured Poets Department have been very strong. It has a Metacritic score of 78. An exception to those generally positive reviews is the one from Paste. As the website explained on Twitter, due to the negative nature of this write-up, they had chosen to publish it without a byline. This is because, when they published a bad review for a previous Swift album, Lover, the critic has harassed and threatened for their troubles. For some reason, a bunch of Swifties decided that I was the offending critic and sent some baffling harassing messages my way.
I didn't write the review. I freelance for Paste, yes, but only movies and books coverage. I've been a full-time pop culture critic for about seven years now and I truly cannot remember a time where I was ever hired to write about music. It's not my field of interest. Honestly, I find writing about music to be very difficult. It's not in my skillset.
Explaining so didn't stop the nonsense. A few avid Swifties doubled down and got mildly conspiratorial with their responses. There was at least one death threat, although, according to Twitter's rules, it's not a "real" one if they write "d-word" in lieu of "die." Funny that, eh?
In the grand scheme of weird harassment and abuse I've received over the course of my career from stans with no hobbies and a mild saviour complex, this experience was admittedly pretty tame. I've survived far scarier death threats for doing the earth-shaking job of offering opinions on films. Mostly, this Swiftie skirmish just confused me. I still have no idea why they focused on me as the probable critic who besmirched their favourite singer. Again, I have never written about music for Paste (and having to repeat that fact made me feel weird because it felt like I was feeding an inexhaustible machine of fantasy and denial.)
What disheartened me more, to be honest, were the responses and retweets to the original Paste tweets. One person asked if the site would prefer to have one staff member harassed or all of them. I saw people making threats towards the company of multiple occasions. There were threats to dox the writer, as well as bomb threat "jokes." Amid the noise and fury and attempts to add a community note to the tweet to let everyone know that it wasn't a real review because it was just one person's opinion (uh…), everything began to feel a little bit "this is about ethics in music journalism."
That Time I Got Harassed For a Review I Didn’t Write (And What It Might Say About Modern Fandom)
No, I did not write a review for The Tortured Poets Department, okay?
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Kayleigh Donaldson is a Writer/critic for Pajiba, EbertVoices, IGN, Vulture, The Daily Beast, and occasionally Paste and somehow got dragged into some weird fan nonsense cause Taylor Swift fans are nuts.