But not until Bong's second feature, Memories of Murder, did his visual style begin to gel. In another life, he would have been a comic-book artist. Bong meticulously storyboards everything he shoots, and
his movies look like individual frames come to life. He sketched out every scene for Parasite and Memories of Murder himself — complete with dialogue — and for films with bigger visual effects, like Okja and Snowpiercer, he worked with an artist.
"He gave us storyboards that were fully bound books," says Yeun of his experience acting in Okja. "They look like mangas, where you're just like, Oh, this is the movie."
Yeun describes the director as a "human animator." He recalls how, on set, Bong would show him a shot with stand-ins so he could picture the composition before stepping into the frame himself. "Some people get jarred by that because they don't like being told where to stand. But when you see the frame, you're like,
I know what we're achieving here," Yeun says. "You feel like a color."