Bumblebee or Blake/Yang from RWBY. The fanbase is SUPER obnoxious and this pretty much sums it up:
If anything I wish fans could will Starfire and Dick Grayson getting back together. DC's insistence on denying a great couple and not having them co-star in a Nightwing book or something is maddening.
The only reason this one is bad is because of the way the fanbase was so obnoxious about it, but this ship really isn't bad (though they also haven't done anything with it yet, so eh) and fit pretty well with the way the characters have been written since the beginning. Plus, the voice actors for both characters really wanted the ship to happen (and the creator apparently wanted LGBT representation, but nothing else has been said further, maybe Bumblebee was planned) and it has a lot of potential for good character development. It just hasn't happened yet because the RWBY writing team tries to juggle way to many topics per season despite limited runtime
The best part of this fan created ship is that Korra's voice actress inadvertently started it with all her fangirling over Asami in the season 1 commentary:
The best part of this fan created ship is that Korra's voice actress inadvertently started it with all her fangirling over Asami in the season 1 commentary:
Made it pretty easy for tumblr to do what tumblr did best. Plus, at that point the Mako love triangle was so unbearable that the fanbase was willing to bandwagon anything to stop it.
Here's a funny example from the Monster Hunter games.
A promotional video for Monster Hunter's 15th anniversary ended with a sinister teaser featuring the black dragon Fatalis, final boss of the original Monster Hunter.
Fans went wild. We immediately assumed Capcom were teasing Fatalis downloadable content in Monster Hunter World. Because why else would Capcom make a completely new and lovingly detailed HD model for Fatalis? Why else would Capcom lift their 15 year ban on Fatalis in Monster Hunter advertising? Clearly they were hyping up something they had in the pipeline.
Sure enough, nearly a year later Fatalis was revealed as the final new DLC boss for Monster Hunter World, just as we had known.
Except here's the thing: The 15th Anniversary video wasn't a teaser for Fatalis. In fact, the developers weren't even planning to add Fatalis to Monster Hunter World at the time. They only changed their minds when they saw the huge positive fan reaction to the 15th anniversary video. The devs even had to make a completely new detailed HD model because the promotional model wasn't actually designed to be used for a game.
Our erroneous belief that Capcom were teasing Fatalis DLC was what triggered Capcom's decision to make Fatalis DLC.
We willed the final boss for Monster Hunter World into existence by complete accident.
It also helped that at the same time Korra season 1 aired, Janet Varney was starring in a Bachelor spoof called Burning Love where she played a lesbian contestant who somehow kept not getting voted off. It gave tumblr so much material:lol I never saw that, that's amazing. It's like... Have you ever seen Korra and Janet Varney at the same place at the same time? No?
now we know
Adora/Catra. I think there were enough sprinkles for either Adora/Catra or Scorpia/Catra. There was a showrunner interview that did say they pushed all the way through with making their lead Adora LGBTQ after the show was established enough. It helped that the Adora/Catra ship was popular with fans anyway, so it's a good ship that fans helped to push.
Nah, the comics are just garbage and the did the lame misunderstandings and "Asami is insulting Korra, relationship troubles! oh but wait, Asami was just brainwashed the entire time" plotlines. They're fine by the endI may be wrong. but I heard their relationship kinda not steady in the comics?
Are any of those confirmed ships? I'm genuinely asking cause a popular ship ending up canon wouldn't necessarily mean it was willed by fans unless the writer came out and said it or there was a clear shift. Shikamaru and Temari for example always just seemed like a logical conclusion and the two had a chemistry so it would be only natural that it was also popular.
Just when I think I've forgotten how much I really dislike TROS on so many levels, a perfect post like this comes along and reminds me. Well done and god dammit ;_;I am absolutely sure fans willed all of the shitty aspects of Rise of Skywalker
not just Reylo kiss, although that one was especially forced and pointless and retconned prequel lore
the only thing that was done perhaps to spite fans was the denial and introduction of a straight love interest for poe, although this has its own glaring issues especially when the actors were trying to play them as not hetreo in the previous movies
- Chewbacca's "death" was forced- they wanted to kill him off but feared backlash so he's shown to be fine later and rescued with very little plot momentum or weight
- Snoke being a palpatine clone or whatever
- Palpatine being in it at all- completely wrecked up the movie, given there's ample evidence to suggest that they were trying to figure it out while editing the fucking movie
- Kylo putting on the mask again for no goddamn reason
- The score getting cut nearly in half of what the conductor originally composed, limited to just sequel and original trilogy tracks when we were supposed to get a much more unified soundtrack that brought in all the previous movies into a synergized soundtrack that would have probably been an incredible Williams' opus showcase. Instead we get a movie where motifs and reprisals are used without any real thematic throughline for their usage.
- Luke walking back a lot of his characterization from the last jedi.
- Rey being both a Palpatine and a honorary Skywalker, since I guess the more interesting angle of her being nobody was just too upsetting
- That entire end shot with her on Tatooine, alone walking into the two suns, a place she has no fucking relevance to and distances the original "you came from nowhere" plotline that was set up for her, instead making it about bloodlines as opposed to found family
film fucking sucks and you can smell course correction all over it
Cloud got sick with a fatal disease and was scared of losing the family he had built with Tifa (on top of still feeling guilt about Aerith and Zack's deaths). AC is a shitty movie but Cloud's battle with depression, survivor's guilt, and dealing with the trauma / PTSD of being experimented on isn't him just being some cold emo loner like a lot of people label it as. It's a realistic direction for a character who has dealt with all of that. The problem is that a lot of the nuances of this is in the novels that take place between the end of game and before the movie + it good be better written.Is the characterization of the Final Fantasy VII heroes a good example. The original had Cloud as a more level headed veteran who acted tough early on but was hiding behind his failure and scrambled memories whom learned to be himself and care for his friends. Then Kingdom Hearts has him showing up brooding with elementals of Vincent grafted onto him. Cue Advent Children where his personality is now cold loner that fans always mistook him for. This carried on to Dirge of Cerberus as well. The other party members also had this problem too. Thankfully the remake went back to the original personality for everyone.
Here's a funny example from the Monster Hunter games.
A promotional video for Monster Hunter's 15th anniversary ended with a sinister teaser featuring the black dragon Fatalis, final boss of the original Monster Hunter.
Fans went wild. We immediately assumed Capcom were teasing Fatalis downloadable content in Monster Hunter World. Because why else would Capcom make a completely new and lovingly detailed HD model for Fatalis? Why else would Capcom lift their 15 year ban on Fatalis in Monster Hunter advertising? Clearly they were hyping up something they had in the pipeline.
Sure enough, nearly a year later Fatalis was revealed as the final new DLC boss for Monster Hunter World, just as we had known.
Except here's the thing: The 15th Anniversary video wasn't a teaser for Fatalis. In fact, the developers weren't even planning to add Fatalis to Monster Hunter World at the time. They only changed their minds when they saw the huge positive fan reaction to the 15th anniversary video. The devs even had to make a completely new detailed HD model because the promotional model wasn't actually designed to be used for a game.
Our erroneous belief that Capcom were teasing Fatalis DLC was what triggered Capcom's decision to make Fatalis DLC.
We willed the final boss for Monster Hunter World into existence by complete accident.
RWBY in general is not a well written show. The shipping is not the problem, its 100% the writers not knowing what to do for most of it's run time. Almost every character interaction seems to have a general amount of off-screen knowledge you're either told in other material about or just isn't explained at all. Don't forget how Team CFVY is introduced in the show at the end of season 2- are we supposed to care about any of these people who suddenly take front and center focus with no explanation? At least the characters say they need each other, which is a lot more than Weiss suddenly deciding she isn't racist anymore!Eh, it's not really well written in my view for these reasons:
I mean they don't really interact that much in vol 1, in vol 2 all they have is the candle and dance scene, then all of a sudden in vol 3 they are so close that Yang cries when Blake doesn't believe her, and she's considered someone Blake loves. Then they don't interact or mention each other in vol 4 except briefly then in vol 5 Yang reveals she needs Blake and cries over her. Why does Yang need Blake? When was Blake shown as a deep emotional support for her? Why does Yang even like her and vice-versa? What about their interactions in vol 1-3 suggested such a deep bond. Then in Vol 6 they talk briefly in episode 1, then they talk about Adam for a bit, then Blake offends Yang, but then they are all of sudden smiley, feely to each other before becoming lovey-dovey. What? When did all the steps needed to go from A to B occur? You may like it and think it's good and that's fine and valid, but I REALLY don't see it.
Do you hate yourself?The ship I want to happen
Tron x Rock from Rockman Dash/Megaman Legends
IshiGuya from Kaguya-Sama manga.
RWBY in general is not a well written show. The shipping is not the problem, its 100% the writers not knowing what to do for most of it's run time. Almost every character interaction seems to have a general amount of off-screen knowledge you're either told in other material about or just isn't explained at all. Don't forget how Team CFVY is introduced in the show at the end of season 2- are we supposed to care about any of these people who suddenly take front and center focus with no explanation? At least the characters say they need each other, which is a lot more than Weiss suddenly deciding she isn't racist anymore!
Also everything in RWBY feels like its catering to it's own fandom and RoosterTeeth's in general- theres probably a list out there of how many cyclic references to RWBY are in the show itself just based off fandom feedback, with "Boop!" being a pretty notorious example.
I remember people defending this to death on Gaf despite there being absolutely no build up for it, even to go as far as randomly calling people phobic or against such ideas for cartoons. The only idea I've truly been against when it comes to TV/movies is bad writing. I'm glad we've reached a point to where we can finally criticize it. It simply could have been done better, same with a lot of concepts and plot lines for this show.
Tbf, most people would prefer that to Makorra and Borra which were downright awful and dragged down S1 a lot. I would agree that there was little buildup to it, but it wasn't anything as bothersome as the other major ships.I remember people defending this to death on Gaf despite there being absolutely no build up for it, even to go as far as randomly calling people phobic or against such ideas for cartoons. The only idea I've truly been against when it comes to TV/movies is bad writing. I'm glad we've reached a point to where we can finally criticize it. It simply could have been done better, same with a lot of concepts and plot lines for this show.
The ship itself wasn't bothersome to me. It just needed better writing for it, that's all. I was fine with the concept of it but the execution was lacking. The only truly bothersome thing back then were the fans of it. Most wouldn't accept any criticisms of it and some even called it a perfect ship.Tbf, most people would prefer that to Makorra and Borra which were downright awful and dragged down S1 a lot. I would agree that there was little buildup to it, but it wasn't anything as bothersome as the other major ships.
My gripe was there was literally no reason for Korra to be in a relationship with anyone. It's like they were targeted the YA audience so of course the female lead has to have love interests, even if they make no sense.Tbf, most people would prefer that to Makorra and Borra which were downright awful and dragged down S1 a lot. I would agree that there was little buildup to it, but it wasn't anything as bothersome as the other major ships.
Tbf, most people would prefer that to Makorra and Borra which were downright awful and dragged down S1 a lot. I would agree that there was little buildup to it, but it wasn't anything as bothersome as the other major ships.
Taking advantage of the Internet buzz for what had been a minor film in their 2006 line-up, New Line Cinema ordered five days of additional shooting in early March 2006 (principal photography had wrapped in September 2005). While re-shoots normally imply problems with a film, the producers opted to add new scenes to the film to change the MPAA rating from PG-13 to R and bring it in line with growing fan expectations. The most notable addition was a revision of a catchphrase from the film that was parodied on the Internet by fans of the film, capitalizing on Samuel L. Jackson's typically foul-mouthed and violent film persona: "Enough is enough! I have had it with these motherfucking snakes on this motherfucking plane!". Subsequently, the public responded favorably to this creative change and marketing strategy, leading some members of the press to speculate that "the movie has grown from something of a joke into a phenomenon".
Oh damn. I thought people were posting it as a positive example. I remember the reception to it being defensively positive back then too.I remember people defending this to death on Gaf despite there being absolutely no build up for it, even to go as far as randomly calling people phobic or against such ideas for cartoons. The only idea I've truly been against when it comes to TV/movies is bad writing. I'm glad we've reached a point to where we can finally criticize it. It simply could have been done better, same with a lot of concepts and plot lines for this show.
I can't decide if it's the best or the worst one ever.
I remember people defending this to death on Gaf despite there being absolutely no build up for it, even to go as far as randomly calling people phobic or against such ideas for cartoons. The only idea I've truly been against when it comes to TV/movies is bad writing. I'm glad we've reached a point to where we can finally criticize it. It simply could have been done better, same with a lot of concepts and plot lines for this show.
i love korrasami and was one of its biggest supporters lol the title of the op said Great and awful ships. Korrasami was a great one.There is only one true answer
There is no ship more terrible, more unearned, more problematic, and more prolific
Point to where in the gif Korrasami hurt you
I remember people defending this to death on Gaf despite there being absolutely no build up for it, even to go as far as randomly calling people phobic or against such ideas for cartoons. The only idea I've truly been against when it comes to TV/movies is bad writing. I'm glad we've reached a point to where we can finally criticize it. It simply could have been done better, same with a lot of concepts and plot lines for this show.
Cloud got sick with a fatal disease and was scared of losing the family he had built with Tifa (on top of still feeling guilt about Aerith and Zack's deaths). AC is a shitty movie but Cloud's battle with depression, survivor's guilt, and dealing with the trauma / PTSD of being experimented on isn't him just being some cold emo loner like a lot of people label it as. It's a realistic direction for a character who has dealt with all of that. The problem is that a lot of the nuances of this is in the novels that take place between the end of game and before the movie + it good be better written.
It's nice and all but i still gotta wonder if asami went into this relationship with massive trust issues. It's been forever but tell me if i'm wrong. Asami and um...not zuko hook up and korra like tries to steal her man? I don't know how anyone was cool with this.