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Venatio

Member
Oct 25, 2017
3,746
I totally think Anton is a cool dude. Said no one ever

tumblr_mpwaqjUkUq1so5joko1_500.gif
 

Kinthey

Avenger
Oct 27, 2017
22,441
The scene where Guy Pearce shoots the guy in the elevator doesn't exactly read as glorifying to me. Dude looks like he instantly regrets doing it

 

More_Badass

Member
Oct 25, 2017
23,641
Terrifying to the characters, yes. But the film makes him into such a cool-headed, invincible--if eccentric--badass, audiences tend to adore the character. It's not for nothing that Anton Chigurgh shows up a lot on "favorite villain" lists. (By contrast, Brolin's lead character is such an uninteresting bore that audiences don't much seem to care when
he finally gets whacked.
)
In no way does No Country present Chigurh as a "cool-headed invincible badass". You should watch the movie again.

And being labeled as a favorite villain doesn't mean people are approving of or seeing him as cool. Chigurh is one of my favorite villains in cinema and it's because he's so terrifying and unsettling, because Bardem imbues the character with such alien inhuman menace, because of how perfectly he embodies the themes of the movie. Not because he's a cool "badass", because he isn't
 
Nov 18, 2017
2,932
It's called critical thinking.

You fail to understand how the filmmakers employ cinematic devices to support and glorify the reprehensible behavior of their POS characters. Repeating myself from earlier in the thread, they're given all the best lines, shots, and "macho points" in the movie. If it wasn't the filmmakers' intention to glorify these lowlifes, they should've balanced these factors out. As it is, they're the sexiest things in the movie.

For the record, I prefer films I watch not to push me to sympathize with any character(s), good, bad, or neutral, as I prefer to navigate the experience on my own initiative. However, like Dirty Harry, this film clearly makes heroes out of its fascist cops.

Eeeehhh... no.

I studied cinema for 3 years, so I understand how cinematic devices are employed.

I just don't think your assumptions about the film maker's intent based on how these characters are portrayed is sound.
 

Lurcharound

Member
Oct 27, 2017
2,069
UK
I mean, he would dress up as a nazi and go to his predominantly Jewish school for the sole purpose of getting his ass kicked.

Then there's the whole Oedipal thing with a lot of the women in his novels being similar to his mother, who by his account sounds like she belongs in a dime store novel.
I know. TBH reading it I had to remind myself it wasn't fiction. Then to remind myself it might be fiction to an extent because it's clear he'll happily say/do stuff for effect; by that I mean obviously core elements are real but he could easily be playing with the delivery. In short it's hard to know who he really is but it seems clear there's some issues bubbling away there.
 

Nimurai

Member
Oct 28, 2017
605
This is "When keeping it real goes wrong" the thread. I think your intentions were good, but you picked the wrong movie to try and make your case, and you both misunderstood it completely, and how movies work in general.
 

SugarNoodles

Member
Nov 3, 2017
8,625
Portland, OR
So many lazy dismissals of criticism in this thread.

This movie isn't just a product of racism and sexism from the time period in which it was set. It is a product of racism and sexism from when it was made.
 

lobdale

Member
Oct 25, 2017
1,997
This is "When keeping it real goes wrong" the thread. I think your intentions were good, but you picked the wrong movie to try and make your case, and you both misunderstood it completely, and how movies work in general.

Thanks for saying what I decided I'd say as I read through this example of the OP (and way too many posters) missing the point of films completely