I did not play it through but really liked it.
Frank Herbert's Dune Messiah picks up 12 years after the events of Dune, which you split in half. Is that partially why you're in no hurry to finish a trilogy? Do you want the actors to age?
It's not that. I just finished Part Two very recently, and I went from Part One to Part Two without even an hour in between. I'm not complaining. I feel blessed to work, of course, but it's just that I physically need to recover for a couple of weeks. It's also about making sure that I have the right screenplay. I have four projects on the table, currently. One of them is a secret project that I cannot talk about right now, but that needs to see the light of day quite quickly. So it would be a good idea to do something in between projects, before tackling Dune Messiah and Cleopatra. All these projects are still being written, so we'll see where they go, but I have no control over that.
Am I really misremembering the book ending for thinking these vague descriptions of it sound like a huge departure?
The antagonists lose and the protagonist "wins." The great tragedy is the impending repercussions for the galaxy and the Fremen way of life, but I can't imagine that's what they're talking about here when they describe the ending as painful and brutal. These sort of descriptions usually apply to deaths of characters that viewers like, but no one dies like that in the book right? Do we think we'll see someone die who doesn't die in the book? Unless Leto II is in the movie after all...They keep really talking up how much this movie is a love story. I think the tragedy and betrayal will be that Paul marries Irulan instead of Chani. The book doesn't play it up much, but I think the movie will. Denis has said Chani was the most important aspect of this movie. And Zendaya and Florence in an interview talked about the tensions and sadness between their characters at the end.
I imagine there will be two things about the ending that will be offputting to audiences unfamiliar with the story:
1) Paul takes Irulan for wife, which based on interviews posted above is likely going to come off as much more of a gut punch to Chani than it does in the book, where she goes along with it rather meekly.
2) I suspect that the ending will see Paul take the throne as Emperor and make his first command for the Fremen to go across the galaxy, slaughtering the people who don't see him as a messiah. The repercussions of this won't be visible until Messiah, but we can at least see him give the order and witness the effect it has on the people around him (the Fremen, mad with faith and bloodlust, go eagerly along while those who have known Paul for longer are shocked by his sudden disregard for human life).
I struggled with P1 a bit because of this but came around to accepting that it's impossible to perfectly translate the book and enjoyed it for what it was. I really enjoyed this but do have trouble with a few things.So what do people think of the movie in the context of the books? I think it's great, but I see in the subreddit that some aren't happy. lol
It's interesting, I'm having a similar discussion about this very point on the subreddit.I struggled with P1 a bit because of this but came around to accepting that it's impossible to perfectly translate the book and enjoyed it for what it was. I really enjoyed this but do have trouble with a few things.
One is obviously the ending. I raised questions about Zendaya talking during the press tour of making Chani more vocal and strong-willed and said that while I got it, I was worried it would mean that her and Paul's love doesn't feel as intimate and genuine as it does (to me, at least) in the book(s) and that's basically what happened. I kind of felt as P2 progressed that if it was going to end as the book does that it wouldn't really work, because it felt like she was growing in opposition to him pretty much the entire time and honestly I didn't really buy their relationship at all anyway, it didn't feel deserved.
The big problem I have with going this way is that I feel it will complicate things in Messiah because to me that often very much felt like they were even closer, and it's about Irulan trying to get between them along with others making attempts on them, and Paul facing what will happen when Chani has Leto. It just feels like it could diverge quite a bit now.
There are other things that I'm sure I've forgotten, but the main other thing that I remember that I didn't love was Paul trying to speak to / speaking to Jamis. The different interactions with him in P1 were fine and made sense, but this didn't work for me at all. He's prescient, he can't talk to the dead.
I struggled with P1 a bit because of this but came around to accepting that it's impossible to perfectly translate the book and enjoyed it for what it was. I really enjoyed this but do have trouble with a few things.
One is obviously the ending. I raised questions about Zendaya talking during the press tour of making Chani more vocal and strong-willed and said that while I got it, I was worried it would mean that her and Paul's love doesn't feel as intimate and genuine as it does (to me, at least) in the book(s) and that's basically what happened. I kind of felt as P2 progressed that if it was going to end as the book does that it wouldn't really work, because it felt like she was growing in opposition to him pretty much the entire time and honestly I didn't really buy their relationship at all anyway, it didn't feel deserved.
The big problem I have with going this way is that I feel it will complicate things in Messiah because to me that often very much felt like they were even closer, and it's about Irulan trying to get between them along with others making attempts on them, and Paul facing what will happen when Chani has Leto. It just feels like it could diverge quite a bit now.
There are other things that I'm sure I've forgotten, but the main other thing that I remember that I didn't love was Paul trying to speak to / speaking to Jamis. The different interactions with him in P1 were fine and made sense, but this didn't work for me at all. He's prescient, he can't talk to the dead.
Honestly, I think if giving Chani, the main female lead, be strong-willed causes problems for Dune Messiah, that's a reflection on how poorly she is written in the novel and is something to be corrected, not adhered too. Book Chani is about as interesting as soggy paper. She has little agency and mostly exists to soothe Paul and give him children. Dune wants to be an anticolonalist narrative but having your main female character basically be knowingly cool with the colonizer created to manipulating your people really undermines the whole thing. Book Chani doesn't make sense as a character and she doesn't make sense with what Dune wanted to do and she's certainly not palatable to a modern audience. Denis made the right call 100%
I don't disagree, but I still think the relationship between her and Paul could have been done a lot better. Jessica was strong-willed (clearly given her manipulations) and displayed itbut still managed to do that despite only being Leto's concubine. Chani not standing out on her own much in the book may be true but I still felt like their love was real, and in such a painful world it felt like one small bit of genuine hope. You could also argue that movie Chani was initially actually worse than book Chani given how easily she seems to accept and fall for Paul despite seemingly being more at odds with Stilgar than in the book.
Their love feels "real" because that's all Chani exists to do. She's the native girl who falls in love with the colonizer. Her love for Paul is like her entire character. She's vapid and empty, she doesn't think or want anything. I get that it's feel good for them to stay in love but, it's part of the reason people see Paul as a hero. He has cool powers, he becomes Emperor, he gets the girl (two of them).Chani blindly loving Paul does not work with an anti-colonalist message nor the message that Paul is dark figure and a cautionary tale.
Also Movie Chani worse? Seems hard to believe. She rejected the prophecy and for a long time Paul did too. That's why she fell in love with hi and promises to keep loving him if he "stays who he is". Paul decides to abandon being the person that Chani loved when he goes down the path of deciding to embrace being the Messiah and she rejects that person.
Actually rethinking this there is something very funny in a meta sense about this in that a lot of people (myself included) were laughing at the fact that newbies to the series thought Irulan was going to be Paul's love interest. Anyone familiar with the books would have been thinking that it was of course going to be Chani, now the joke is on us! Maybe part of this is merely going to be trying to give Irulan a bigger part in Messiah than what we expect.Their love feels "real" because that's all Chani exists to do. She's the native girl who falls in love with the colonizer. Her love for Paul is like her entire character. She's vapid and empty, she doesn't think or want anything. I get that it's feel good for them to stay in love but, it's part of the reason people see Paul as a hero. He has cool powers, he becomes Emperor, he gets the girl (two of them).Chani blindly loving Paul does not work with an anti-colonalist message nor the message that Paul is dark figure and a cautionary tale.
Also Movie Chani worse? Seems hard to believe. She rejected the prophecy and for a long time Paul did too. That's why she fell in love with hi and promises to keep loving him if he "stays who he is". Paul decides to abandon being the person that Chani loved when he goes down the path of deciding to embrace being the Messiah and she rejects that person.
I don't think Chani's love for Paul contradicts the cautionary tale about "heroes" or prophesies because she is part of the reason why he struggles to / refuses to go down the golden path. Without her it feels like he may just become a one-note villain. Whether we like it or not, his (and Chani's) awkward relationship and interactions with Irulan is a big part of Messiah.
I'm not saying movie Chani is worse but her relationship with Paul from its beginnings up until the point where she begins to see what is happening with the "prophecy" isn't exactly anything better than the book. Paul claims he isn't the Mahdi to her and some others but has already used it for his own gain by that point. After the water of life he definitely undergoes a deeper change but his manipulation had begun long before that.
I feel like I remember Messiah well enough but I need to reread it as I can't remember the finer details of the end bit you mention. My partner got me a gorgeous copy of it from Folio but I wanted to wait until after P2 to get into it again. I do agree though that it could make for an interesting dynamic between them.I mean Dune Messiah exists because Hebert felt like people didn't understand Dune as a cautionary tale, right? And I think Chani is part of the reason for that. At the end of Dune, Paul suffers very little personal consequences and ends with a political marriage while maintaining his love interest. And Chani, lacking any real view into her mind, the perfect supportive, bordering on subservient, girlfriend that a lot of people who don't want to engage with Dune's themes desire. I think Denis was right to use Chani as a way to show that Paul isn't a guy to emulate and his decisions have both personal and universal cost.
I do stand by my statement that the way she is written undermines the anti-colonialist message though and the movie absolutely fixes this.
I don't think Dune Messiah is going to totally deviate, but I think they might make it a three way conflict instead of a 1+1 vs 1. Which could be interesting! Like it would be nice to see Irulan and Chani have conflict where Chani gets a perspective. Like I said, even the way Chani dies feels really outdated modern times. I think they could make it better.
Damn, your partner has great taste, that's a keeper. That Folio copy has been tempting me for so long. Despite my criticisms of it and Dune as a whole, I connected with parts of Dune Messiah and Herbert's writing there more than any other part of the books. I think there's so much there and so much that can still come from it thematically even with some dramatic story shifts.I feel like I remember Messiah well enough but I need to reread it as I can't remember the finer details of the end bit you mention. My partner got me a gorgeous copy of it from Folio but I wanted to wait until after P2 to get into it again. I do agree though that it could make for an interesting dynamic between them.
I don't think Dune Messiah is going to totally deviate, but I think they might make it a three way conflict instead of a 1+1 vs 1. Which could be interesting! Like it would be nice to see Irulan and Chani have conflict where Chani gets a perspective. Like I said, even the way Chani dies feels really outdated modern times. I think they could make it better.
I will say, this led me to look up stuff in Messiah and I discovered that BH/KJA wrote a prequel book called Princess of Dune about Irulan and Chani. lolIrulan living with Paul and being privy to both the private life of Paul and Chani as well as the scheming of the BG would allow Messiah to end in bittersweet tragedy all the same but perhaps with a hopeful touch of the importance of love going forward. It could end with Paul retreating into the desert and Irulan scribing the future character of the BG.
Yeah I'm very lucky! She knows I love everything Dune but that surprised me hugely at Christmas. Problem is it's so nice I don't want to leave the house with it and that's where I do most of my reading.Damn, your partner has great taste, that's a keeper. That Folio copy has been tempting me for so long. Despite my criticisms of it and Dune as a whole, I connected with parts of Dune Messiah and Herbert's writing there more than any other part of the books. I think there's so much there and so much that can still come from it thematically even with some dramatic story shifts.
It's been a while since I read the book and I didn't rewatch the first movie, so please correct me if I'm wrong.
Movie spoilers for Dune Part Two ahead.
On the Fremen and Stilgar:
I think the portrayal of the Fremen in general is a big disappointment.
In the books, they work in secret on this enormous terraforming project. I don't think any such thing was mentioned in the movie (beyond the dream of a green paradise).
A minor tidbit is that they also deal with Spice and pay off the guild to keep their secrets, whereas in the movie the South is simply covered in storms. Certainly no one seemed to be working on terraforming.
Without the terraforming plan, which plays into the other books, they lose a core aspect of their agency.
I'm also really not a fan on how their faith and progression towards religious fanatism is portrayed. Part of that is how much Villeneuve compressed the timeline.
That is exacerbated by the portrayal of Stilgar, who early on is even part of a "He is not the messiah" sketch from Life of Brian.
It is hard for me to reconcile the experienced, skilled, stoic leader from the books with a guy whose often religious remarks ("Lisan al-Gaib!") are played so much for laughter.
I think a more nuanced depiction of Stilgar and his progression into a follower would have done wonders for me.
I would have to rewatch the previous movie and read the book again, but his early scene with Lady Jessica, where he essentially forces her to become a Reverend Mother, also felt out of character.
There is probably a lot of other stuff one could dislike or criticize, e.g. I have seen people complain about the casting or the language, but I don't think I'm the right person for that.
On Lady Jessica:
The Lady Jessica we get in the movie feels very different from the books. I would even say she feels different from the previous movie.
Here she (also due to the unborn Alia I guess) pushes Paul towards becoming the Kwisatz Haderach and spreads the prophecy among the Fremen, pretty much the opposite of her role in the books.
I can't say I liked her depiction.
On Alia:
I don't mind her "omission", but her scene in the books, where she is brought before the Emperor, is one of my favorite ones, so that was a bit unfortunate.
I doubt we will ever get Children of Dune and who knows what Villeneuve will do with her in Messiah, so I can't be too mad.
Personally I don't think having a little kid with the mind of an adult is worse than the talking fetus shots we get, but whatever.
On Thufir Hawat:
I love the character, but this is a reasonable cut, especially since there was no "Who is the traitor?" subplot in the first movie.
On Leto I:
I understand why they cut this subplot. I don't really mind.
On Chani:
Maybe the only change I really liked.
I think her role would have worked even better if the faith of the Fremen was depicted in a more nuanced and serious manner.
Either way, I genuinely appreciate that he tried to give this character more space and complexity. Not every scene/moment worked, but it's a refreshing take on the character for me. Makes me excited to see where they take the character in Dune Messiah.
On the Emperor:
I did feel that the Emperor is a bit more of a tragic figure in the first book, but I don't recall how much of that was actually in the first book and how much were notes in the other books from Irulan.
A bit of a wasted opportunity, maybe.
Other stuff:
I didn't like that we learn that Reverend Mother Mohiam is behind the downfall of the Atreides. I don't want to say it doesn't make sense, since they try to provide an explanation, but it still seemed unreasonable to me.
I don't think anyone really misses Count Fenring.
Felt a bit weird that the Emperor simply showed up without thinking to inform the great houses.
Another minor thing, but I didn't really like the whole "The Harkonnen strike back" thing that they used to highlight their (imminent) threat, build up Feyd and push Paul towards the Water of Life.
There's a scene where Gurney leads them to the Atreides atomics. That felt like something you could have cut.
I struggled with P1 a bit because of this but came around to accepting that it's impossible to perfectly translate the book and enjoyed it for what it was. I really enjoyed this but do have trouble with a few things.
There are other things that I'm sure I've forgotten, but the main other thing that I remember that I didn't love was Paul trying to speak to / speaking to Jamis. The different interactions with him in P1 were fine and made sense, but this didn't work for me at all. He's prescient, he can't talk to the dead.
I didn't interpret this as him speaking to Jamis directly as in him having an active conversation with the dead, but rather him using his ability to see multiple futures/timelines as a way to both get more information/advice as well as live vicariously through other versions of himself. In a different time, he's buds with Jamis and learns the ways of the desert from his "good friend". If things had gone differently, he'd be having that talk with him, so he's essentially seeing the "what if".
I also took it to be an extension of Paul trying to avoid becoming the Lisan al Gaib. With most of the people around him pushing him towards his role as the messiah, he literally starts searching alternate timelines for advice on what to do, and it's only in the moment where even in a different possible future, a person that he trusts tells him (to paraphrase as I forget the exact line) that he needs to be able to see farther to make the best decisions, that he finally gives in and agrees to head south.
It's different from the books for sure, but I liked it a lot.
All heroes have been redesigned compared to the version currently in conquest. They are designed to have a significant impact on the military orientation of the faction. They all have a global effect, several more localized effects, and an active skill. They are more complex units than the other units in the game.
All heroes were previously councillors. Heroes and councillors are now distinct entities, which means that each faction has "lost" two councillors. To compensate, we will add two councillors to each faction (for a total of 50 named characters from the Dune universe in the game, including the DLC House Vernius of Ix).
I didn't think prescience was really well explored. We get to see really minimal and it isn't explained either. A lot was cut to make this adaptation, there was a narrow way, if you will. Villeneuve still managed to hit the main themes but much of the greater detail was lost in favour of the emotional stakes which was done well. I think it's interesting that such a dry novel and writing by Frank could be a source for a nicely human story. He found the desert spring! :D :D :DIn Part One it's perfect, him seeing times where Jamis is speaking to him and advising him as a friend, because it's a potential future path that he sees a fragment of. But this isn't a possible path in Part Two, he's long dead by that point. At one point I was sure I thought he said something like "come on Jamis, talk to me" like he's seeking his assistance.
Even later on when he confronts the crowd at the meeting of leaders he talks to someone telling them what they're currently thinking and feeling and what way their thoughts change. That's not prescience either, that's mind-reading. (Unless I need to rewatch that scene and mis-read it as I just remembered it.)
I don't mind changes as I've accepted it's simply an adaptation and Denis is doing his own thing in a lot of ways but this feels like it's delving into Paul having very different abilities.
The question now is how high can "Dune" go. Heading into the weekend, industry projections for the Denis Villeneuve-directed feature had ballparked an opening between $70 million and $80 million, a range that the film has a good shot of going north of. A significant percentage of ticket sales are expected to come from formats like Imax and Dolby, as there is a serious consumer appeal to seeing "Dune" in a premium large-format auditorium. Those increased ticket prices help boost grosses, but the limited amount of screenings may also lead to some viewers delaying their outing to theaters so that they can land the right seat in front of a gigantic screen. That may curb viewership now, but could lead to some strong holds for "Dune" down the line. And it'll need it, considering its $190 million production budget.
Box Office: ‘Dune: Part Two’ Rides to Impressive $32 Million Opening Day
Denis Villeneuve's 'Dune: Part Two' will launch to the biggest box office opening of 2024.variety.com
There's The Art and Soul of Dune, which is full of both concept and final artwork for the film. I don't know if that's what you're looking for or not. I have a copy, but I haven't flipped through it in a while. Makes a good coffee-table book.LoTR had Alan Lee and John Howe and their sketchbooks. Is there anyone with similar art books for Dune?
Yes was aware of that one but was looking for something more closely covering the books than the films. I see there's a part 2 for the sequel as well.There's The Art and Soul of Dune, which is full of both concept and final artwork for the film. I don't know if that's what you're looking for or not. I have a copy, but I haven't flipped through it in a while. Makes a good coffee-table book.
Two more hours to showtime!
The first Dune: Awakening Direct is happening in 3.5 hours from this post.
View: https://x.com/duneawakening/status/1764652618389803401?s=46&t=Z9DqSWZr7M0RkGt-vUPHLQ
And 'Sisterhood of Dune' that the HBO show is based on is getting a re-release later this year with a new cover:
View: https://x.com/SecretsOfDune/status/1764675807274750246?s=20
It's also incredibly memeable. Really need to sit down and watch it with my partner, I've told her how terrible it is but I really need to see her reaction.I rewatched Lynch's Dune last night. That movie is bad at storytelling, but good at being memorable. There's some value in seeing something so aggressively weird onscreen, even if there's a laundry list of ways it doesn't work as a Dune adaptation.
I rewatched Lynch's Dune last night. That movie is bad at storytelling, but good at being memorable. There's some value in seeing something so aggressively weird onscreen, even if there's a laundry list of ways it doesn't work as a Dune adaptation.
Don't forget the Harkonnens milking cats, the weirding module and the rain at the end. Genuinely so bad you can at least laugh at it.I saw it this weekend before seeing Dune 2. The story telling of 1984 Dune was horrendous. It skips over so many things and doesn't explain them. My other thought was I could only find one cast member who wasn't white in the 1984 version. Insane how Hollywood used to be.
The movie's biggest problem is that it's constantly explaining everything and has no space for actual storytelling.
They didn't tried and died?And a great article with more details. One of which is that a a failed Kwisatz Haderach is one of the villains of the story.
It's poorly worded. "Almost"-Kwizatz-Haderach is more apt, I think. Count Fenring (Sir Not-Appearing-in-this-Film) was one. Close, but not quite close enough.
The movie's biggest problem is that it's constantly explaining everything and has no space for actual storytelling.
what?
Kinda there with you but it's worth noting that Brian Herbert had screenwriting credits on Part 1 and that turned out fine…
Its set during the Butlerian Jihad apparently right? I dont know how they describe that period but itd be fun to see them just do Battlestar Galactica in the Dune verse.Sisterhood is based on a BH book? For some reason I just assumed it was an original idea.