Sorry for the double post but watched God Told Me To last night. Solid little b-movie that somehow is a police procedural, religious horror, and alien abduction flick all in one.
ill need to put it on my watchlist!Sorry for the double post but watched God Told Me To last night. Solid little b-movie that somehow is a police procedural, religious horror, and alien abduction flick all in one.
blow out was pretty fun. the score was great at building tension until it's break out randomly into some late 70s funk instrumental or whatever that was lmao
4 more Netflix movies coming to Criterion after Roma: The Irishman, Marriage Story, American Factory and Atlantics.
I was already guessing Marriage Story would happen because Baumbach had 3 movies in the collection already.
Added six or seven to The List. I guess we don't know what's leaving?Coming to the Channel in Feb
- Adaptation, Spike Jonze, 2002
- Alphaville, Jean-Luc Godard, 1965
- Atlantiques, Mati Diop, 2009
- The Bad and the Beautiful, Vincente Minnelli, 1952
- Band of Outsiders, Jean-Luc Godard, 1964**
- The Beast, Samantha Nell and Michael Wahrmann, 2016
- Big in Vietnam, Mati Diop, 2012
- The Big Knife, Robert Aldrich, 1955
- Birthright, Oscar Micheaux, 1939
- The Blood of Jesus, Spencer Williams, 1941
- Body and Soul, Oscar Micheaux, 1925
- Britannia Hospital, Lindsay Anderson, 1982
- The Bronze Buckaroo, Richard C. Kahn, 1939
- Brother John, James Goldstone, 1971
- Buck and the Preacher, Sidney Poitier, 1972
- By Right of Birth, Harry A. Gant, 1921
- La Chinoise, Jean-Luc Godard, 1967
- Closely Watched Trains, Jiří Menzel, 1966
- The Comfort of Strangers, Paul Schrader, 1990
- Commandment Keeper Church, Beaufort South Carolina, May 1940, Zora Neale Hurston, 1940
- Contempt, Jean-Luc Godard, 1963
- Cry, the Beloved Country, Zoltán Korda, 1951
- The Darktown Revue, Oscar Micheaux, 1931
- Daughters of the Dust, Julie Dash, 1991
- David Holzman's Diary, Jim McBride, 1967
- Day for Night, François Truffaut, 1973
- The Day of the Locust, John Schlesinger, 1975
- The Defiant Ones, Stanley Kramer, 1958
- Dirty Gertie from Harlem USA, Spencer Williams, 1946
- Duel at Diablo, Ralph Nelson, 1966
- The Edge of Heaven, Fatih Akin, 2007**
- Eleven P.M., Richard Maurice, 1928
- The Exile, Oscar Micheau, 1931
- Film Socialisme, Jean-Luc Godard, 2010
- The Flying Ace, Richard E. Norman, 1926
- Footlight Parade, Lloyd Bacon, 1933
- For Ever Mozart, Jean-Luc Godard, 1996
- Le gai savoir, Jean-Luc Godard, 1969
- Gas Food Lodging, Allison Anders, 1992
- The Girl from Chicago, Oscar Micheaux, 1932
- Goodbye to Language, Jean-Luc Godard, 2014
- The Graduate, Mike Nichols, 1967
- The Grifters, Stephen Frears, 1990
- Guess Who's Coming to Dinner, Stanley Kramer, 1967
- Hail Mary, Jean-Luc Godard, 1985
- Heaven-Bound Travelers, James Gist and Eloyce Gist, 1935
- Hell-Bound Train, James Gist and Eloyce Gist, 1930
- Hollywood Shuffle, Robert Townsend, 1987
- Hot Biskits, Spencer Williams, 1931
- House of Games, David Mamet, 1987
- If …., Lindsay Anderson, 1968
- In the Heat of the Night, Norman Jewison, 1967
- Invention for Destruction, Karel Zeman, 1958
- Jason and the Argonauts, Don Chaffey, 1963
- Lamb, Yared Zeleke, 2015
- Liberian Boy, Mati Diop, 2015
- Light Sleeper, Paul Schrader, 1992
- Lilies of the Field, Ralph Nelson, 1963
- Long Day's Journey into Night, Bi Gan, 2018
- Made in U.S.A, Jean-Luc Godard, 1966**
- A Man for All Seasons, Fred Zinnemann, 1966
- A Married Woman, Jean-Luc Godard, 1964
- Mercy, the Mummy Mumbled, R.W. Phillips, 1918
- Mustang, Deniz Gamze Ergüven, 2015**
- The Naked Prey, Cornel Wilde, 1965
- The Nun, Jacques Rivette, 1966
- O Lucky Man!, Lindsay Anderson, 1973
- The Official Story, Luis Puenzo, 1985
- Paris Blues, Martin Ritt, 1961
- Pierrot le fou, Jean-Luc Godard, 1965
- A Place in the Sun, George Stevens, 1951
- Pressure Point, Hubert Cornfield, 1962
- A Raisin in the Sun, Daniel Petrie, 1961
- A Reckless Rover, C.N. David, 1918
- Red River, Howard Hawks, 1948
- Regeneration, Richard E. Norman, 1923
- Rev. S. S. Jones Home Movies, Reverend Solomon Sir Jones, 1924–1926
- The Scar of Shame, Frank Peregini, 1929
- The Shop on Main Street, Ján Kadár and Elmar Klos, 1965
- The Slender Thread, Sydney Pollack, 1965
- Some Like It Hot, Billy Wilder, 1959
- Snow Canon, Mati Diop, 2011
- Sunset Boulevard, Billy Wilder, 1950
- The Symbol of the Unconquered: A Story of the KKK, Oscar Micheaux, 1920
- Ten Minutes to Live, Oscar Micheaux, 1932
- Ten Nights in a Bar Room, William A. O'Connor, 1931
- The Image Book, Jean-Luc Godard, 2018
- They Call Me Mister Tibbs!, Gordon Douglas, 1970
- A Thousand Suns, Mati Diop, 2013
- Tuesday, After Christmas, Radu Muntean, 2011
- Tungrus, Rishi Chandna, 2017
- Two Knights of Vaudeville, director unknown, 1915
- Two Weeks in Another Town, Vincente Minnelli, 1962
- Uptown Saturday Night, Sidney Poitier, 1974
- Vanya on 42nd Street, Louis Malle, 1994
- Veiled Aristocrats, Oscar Micheaux, 1932
- Verdict Not Guilty, James Gist and Eloyce Gist, 1934
- A Warm December, Sidney Poitier, 1973
- Within Our Gates, Oscar Micheaux, 1920
- A Woman is a Woman, Jean-Luc Godard, 1961
- Zora Neale Hurston Fieldwork Footage, Zora Neale Hurtston, 1928
Not until the app updates sadly :(Added six or seven to The List. I guess we don't know what's leaving?
Haha, yeah. I'm just saying, usually I catch what's leaving two days before the cutoff and am left scrambling to watch a movie or three. I'll keep an eye out!Not until the app updates sadly :(
its usually just everything you want to watch
I'm just glad they tell us at all upfront, clearly, and a month ahead of time. Better than most other services. Even if it does just leave you scrambling and feeling behind constantly.Haha, yeah. I'm just saying, usually I catch what's leaving two days before the cutoff and am left scrambling to watch a movie or three. I'll keep an eye out!
Another fantastic month. Everyone whom hasn't seen Daughters of the Dust needs to check it out. Superb film. 👍Coming to the Channel in Feb
- Adaptation, Spike Jonze, 2002
- Alphaville, Jean-Luc Godard, 1965
- Atlantiques, Mati Diop, 2009
- The Bad and the Beautiful, Vincente Minnelli, 1952
- Band of Outsiders, Jean-Luc Godard, 1964**
- The Beast, Samantha Nell and Michael Wahrmann, 2016
- Big in Vietnam, Mati Diop, 2012
- The Big Knife, Robert Aldrich, 1955
- Birthright, Oscar Micheaux, 1939
- The Blood of Jesus, Spencer Williams, 1941
- Body and Soul, Oscar Micheaux, 1925
- Britannia Hospital, Lindsay Anderson, 1982
- The Bronze Buckaroo, Richard C. Kahn, 1939
- Brother John, James Goldstone, 1971
- Buck and the Preacher, Sidney Poitier, 1972
- By Right of Birth, Harry A. Gant, 1921
- La Chinoise, Jean-Luc Godard, 1967
- Closely Watched Trains, Jiří Menzel, 1966
- The Comfort of Strangers, Paul Schrader, 1990
- Commandment Keeper Church, Beaufort South Carolina, May 1940, Zora Neale Hurston, 1940
- Contempt, Jean-Luc Godard, 1963
- Cry, the Beloved Country, Zoltán Korda, 1951
- The Darktown Revue, Oscar Micheaux, 1931
- Daughters of the Dust, Julie Dash, 1991
- David Holzman's Diary, Jim McBride, 1967
- Day for Night, François Truffaut, 1973
- The Day of the Locust, John Schlesinger, 1975
- The Defiant Ones, Stanley Kramer, 1958
- Dirty Gertie from Harlem USA, Spencer Williams, 1946
- Duel at Diablo, Ralph Nelson, 1966
- The Edge of Heaven, Fatih Akin, 2007**
- Eleven P.M., Richard Maurice, 1928
- The Exile, Oscar Micheau, 1931
- Film Socialisme, Jean-Luc Godard, 2010
- The Flying Ace, Richard E. Norman, 1926
- Footlight Parade, Lloyd Bacon, 1933
- For Ever Mozart, Jean-Luc Godard, 1996
- Le gai savoir, Jean-Luc Godard, 1969
- Gas Food Lodging, Allison Anders, 1992
- The Girl from Chicago, Oscar Micheaux, 1932
- Goodbye to Language, Jean-Luc Godard, 2014
- The Graduate, Mike Nichols, 1967
- The Grifters, Stephen Frears, 1990
- Guess Who's Coming to Dinner, Stanley Kramer, 1967
- Hail Mary, Jean-Luc Godard, 1985
- Heaven-Bound Travelers, James Gist and Eloyce Gist, 1935
- Hell-Bound Train, James Gist and Eloyce Gist, 1930
- Hollywood Shuffle, Robert Townsend, 1987
- Hot Biskits, Spencer Williams, 1931
- House of Games, David Mamet, 1987
- If …., Lindsay Anderson, 1968
- In the Heat of the Night, Norman Jewison, 1967
- Invention for Destruction, Karel Zeman, 1958
- Jason and the Argonauts, Don Chaffey, 1963
- Lamb, Yared Zeleke, 2015
- Liberian Boy, Mati Diop, 2015
- Light Sleeper, Paul Schrader, 1992
- Lilies of the Field, Ralph Nelson, 1963
- Long Day's Journey into Night, Bi Gan, 2018
- Made in U.S.A, Jean-Luc Godard, 1966**
- A Man for All Seasons, Fred Zinnemann, 1966
- A Married Woman, Jean-Luc Godard, 1964
- Mercy, the Mummy Mumbled, R.W. Phillips, 1918
- Mustang, Deniz Gamze Ergüven, 2015**
- The Naked Prey, Cornel Wilde, 1965
- The Nun, Jacques Rivette, 1966
- O Lucky Man!, Lindsay Anderson, 1973
- The Official Story, Luis Puenzo, 1985
- Paris Blues, Martin Ritt, 1961
- Pierrot le fou, Jean-Luc Godard, 1965
- A Place in the Sun, George Stevens, 1951
- Pressure Point, Hubert Cornfield, 1962
- A Raisin in the Sun, Daniel Petrie, 1961
- A Reckless Rover, C.N. David, 1918
- Red River, Howard Hawks, 1948
- Regeneration, Richard E. Norman, 1923
- Rev. S. S. Jones Home Movies, Reverend Solomon Sir Jones, 1924–1926
- The Scar of Shame, Frank Peregini, 1929
- The Shop on Main Street, Ján Kadár and Elmar Klos, 1965
- The Slender Thread, Sydney Pollack, 1965
- Some Like It Hot, Billy Wilder, 1959
- Snow Canon, Mati Diop, 2011
- Sunset Boulevard, Billy Wilder, 1950
- The Symbol of the Unconquered: A Story of the KKK, Oscar Micheaux, 1920
- Ten Minutes to Live, Oscar Micheaux, 1932
- Ten Nights in a Bar Room, William A. O'Connor, 1931
- The Image Book, Jean-Luc Godard, 2018
- They Call Me Mister Tibbs!, Gordon Douglas, 1970
- A Thousand Suns, Mati Diop, 2013
- Tuesday, After Christmas, Radu Muntean, 2011
- Tungrus, Rishi Chandna, 2017
- Two Knights of Vaudeville, director unknown, 1915
- Two Weeks in Another Town, Vincente Minnelli, 1962
- Uptown Saturday Night, Sidney Poitier, 1974
- Vanya on 42nd Street, Louis Malle, 1994
- Veiled Aristocrats, Oscar Micheaux, 1932
- Verdict Not Guilty, James Gist and Eloyce Gist, 1934
- A Warm December, Sidney Poitier, 1973
- Within Our Gates, Oscar Micheaux, 1920
- A Woman is a Woman, Jean-Luc Godard, 1961
- Zora Neale Hurston Fieldwork Footage, Zora Neale Hurtston, 1928
They sent out an email with what's leaving.Added six or seven to The List. I guess we don't know what's leaving?
i assumed he meant leaving at the end of februaryThey sent out an email with what's leaving.
The Conversation (Francis Ford Coppola, 1974)
12 Angry Men (Sidney Lumet, 1957)
Just Another Girl on the I.R.T. (Leslie Harris, 1992)
Blow Out (Brian De Palma, 1981)
The Last Detail (Hal Ashby, 1973)
They Live by Night (Nicholas Ray, 1948)
And the rest:
Thank you! Per usual, I now have a couple movies I need to watch...They sent out an email with what's leaving.
The Conversation (Francis Ford Coppola, 1974)
12 Angry Men (Sidney Lumet, 1957)
Just Another Girl on the I.R.T. (Leslie Harris, 1992)
Blow Out (Brian De Palma, 1981)
The Last Detail (Hal Ashby, 1973)
They Live by Night (Nicholas Ray, 1948)
And the rest:
I watched Soylent Green literally over midnight, lol. It was a miracle I got to finish it in time.It's largely my general anxiety, but I always get caught up watching all the movies leaving than watching the movies I wanted to watch lol.
there was one scene in particular that showed that yeah Kubrick was a big fan of itI caught The Terminal Man before it left and was glad I did. Thought it was a great exemplar of the 70's Sci-Fi genre, and apparently both Terence Malick and Stanley Kubrick were fans of the film.
It's largely my general anxiety, but I always get caught up watching all the movies leaving than watching the movies I wanted to watch lol.
4 more Netflix movies coming to Criterion after Roma: The Irishman, Marriage Story, American Factory and Atlantics.
I was already guessing Marriage Story would happen because Baumbach had 3 movies in the collection already.
The monthly films seem to be ones they don't have the rights to, like A Clockwork Orange and such. I bet money they've been trying to land a CC of it for years, but never quite managed it. I know Barry Lyndon took them forever.Why do films leave Criterion Channel? I'm not a subscriber, but a huge Criterion fan from my blu ray days. Dont they maintain their rights? Streaming rights are different in sure, but who else is hosting these films?
Still waiting on the xb1 app personally
Would you recommend it to someone who didn't care for Kaili Blues at all? It did work as a travel documentary I guess.I can't recommend Long Day's Journey Into Night enough, especially for Tarkovsky folks....it's pretty similar to Kaili Blues (which isn't on the channel anymore) but imo better and more thematically interesting in pretty much every way
Hmmm, I guess it depends what you didn't like about it. The story in Long Day's Journey is much more straightforward (which I think is a good thing since it was pretty hard to understand why anyone does what they're doing in Kaili Blues) but pretty much every other stylistic aspect (interspersed poetry, long complex shots, mirrors, etc.) is still present.Would you recommend it to someone who didn't care for Kaili Blues at all? It did work as a travel documentary I guess.
Marriage Story deserves it. Just watched it last night. Baumbach never disappoints. Between the framing and character direction, few directors these days are able to make such small stories seem so large and grandiose. I adored the film.
a lot of the stuff that leaves really quick (a month or two) has never been on a criterion disc, i guess theyre not officially in the collectionWhy do films leave Criterion Channel? I'm not a subscriber, but a huge Criterion fan from my blu ray days. Dont they maintain their rights? Streaming rights are different in sure, but who else is hosting these films?
Still waiting on the xb1 app personally
Many of the films which appear on the channel are actually short-term licensed from other labels:Why do films leave Criterion Channel? I'm not a subscriber, but a huge Criterion fan from my blu ray days. Dont they maintain their rights? Streaming rights are different in sure, but who else is hosting these films?
Still waiting on the xb1 app personally
Once this license expires, Criterion loses the rights to stream it. Simple.https://www.criterion.com/current/posts/6253-the-criterion-channel-announces-launch-lineup
"The new service will host the Criterion Collection and Janus Films' ever-growing library of more than 1,000 feature films, 350 shorts, and 3,500 supplementary features, including trailers, introductions, behind-the-scenes documentaries, interviews, video essays, commentary tracks, and rare archival footage. It will also feature a constantly refreshed selection of films from a wide array of studio and independent licensors including Sony Pictures, Warner Bros., Paramount Pictures, Metro Goldwyn Mayer (MGM), Lionsgate, IFC Films, Kino Lorber, Cohen Media, Milestone Film and Video, Oscilloscope, Cinema Guild, Strand Releasing, Shout Factory, Film Movement, and Grasshopper Films."
Why do films leave Criterion Channel? I'm not a subscriber, but a huge Criterion fan from my blu ray days. Dont they maintain their rights? Streaming rights are different in sure, but who else is hosting these films?
Still waiting on the xb1 app personally
All the Schlesinger movies are leaving at the end of the month and I haven't watched any yet. Any on there that I can't miss?
Bee tee dubs, I finally watched Mishima: A Life in Four Chapters and holy shit! It rocketed up to one of my favorite movies ever. Need to watch the featurettes about its production, it's wild to think it was directed via translation.
Thank you! Just saw the Melville flicks were leaving too and I don't know when I will have the time ;-;Billy Liar for sure. Although that particular movie has been on/off the channel a few times I believe.
I saw in the realm of the Senses. One of those movies where my opinion changed drastically for the better from the start to the end. Now I really wanna check out more movies directed by Oshima.
Have you seen Merry Christmas, Mr. Lawrence? I've had Senses on Blu for a while but haven't watched it yet, I watch MCML every Xmas though. I'm sure it's a more middlebrow/convention movie that Senses but the performances in it are electrifying (and the title theme inspired an Ariana Grande track of all things)
According to the Criterion subreddit, Barnes and Noble members got a 15% off coupon and it stacks with Roma being 30% off at the store.