It's pretty unwieldy and overstuffed -- the Ross/Val scenes are so easily cuttable and serve no function in the movie, the Namor/Talokan section is obviously essential to the plot but also slowed the pace to a crawl, and I felt like Riri could've been tied more closely into the central story than she is. It made me appreciate how much leaner and propulsive the first movie was.
BUT I really liked Shuri's arc (and performance), I thought it was really well drawn, it felt totally believable and organic as a response to both real-life and in-universe events. I came away so impressed that Coogler was able to stitch that together after losing the central star of the first film, something that should've otherwise broken this movie apart. It's crazy this arc about as a total accident because everything about it, especially down to the Killmonger guidance/parallel, fits so well you could've sworn it was planned. The Shuri/Ramonda stuff makes the movie for me.
BUT I really liked Shuri's arc (and performance), I thought it was really well drawn, it felt totally believable and organic as a response to both real-life and in-universe events. I came away so impressed that Coogler was able to stitch that together after losing the central star of the first film, something that should've otherwise broken this movie apart. It's crazy this arc about as a total accident because everything about it, especially down to the Killmonger guidance/parallel, fits so well you could've sworn it was planned. The Shuri/Ramonda stuff makes the movie for me.
Well yes, if you remove the movie's central theme and focus, it would feel thematically empty!Apart from the grief-part it's thematically empty (which was probably the strongest part of the original, it was about something).