I ultimately felt like this was an episode that strayed a bit too far into "very special" territory, especially when compared to previous "message" eps Brooklyn Nine-Nine has done, particularly "Moo Moo". Jake suddenly getting dumbed down felt weird considering he's always been good about progressive issues—suddenly he's never watched a feminist documentary? The ending was what particularly felt off for me—Rosa congratulates Amy, but everything Rosa predicted would happen did happen (and we just missed all the courtroom sliming that would make the end of this land much worse) and they only won because of a finance asshole who wanted a leg up. I highly doubt things are going to work out so well for the woman she inspired to come forward at the end (especially with the unfortunate line that can be drawn to how black women especially have it much harder in that arena.) I appreciated parts of it—like Amy conveying to Jake how much inane dumb stuff she has to deal with on a regular basis—as something that the show hadn't done before, but it just started feeling too didactic.
"Moo Moo" worked in part because it didn't try to have a "good" ending. It was a bittersweet one with the victory being one of personal integrity. Here the episode tries to have its cake and eat it too.
(I think the other reason "Moo Moo" worked better was that dealing with racism and homophobia was always part of Holt's story and they regularly had flashbacks to it. Sexual assault and harassment just isn't in the show's DNA the same way—otherwise Boyle's creepy pursuit of Rosa, or Gina's consistent harassment of Terry, or the whole Hitchcock and Scully thing would not be sources of humor.)